That's right, Discovery ... shake your money maker!
In any event, it actually doesn't matter. Unless we're trying to settle some random online debate...if these "demand expression" numbers are viewed as positive by those in charge who have the wallets...it's all good, regardless of the MEANING of the data.
Ha! Now, how long till the persistent CBSAA naysayers start in with the conspiracy theories about how this cannot be true? And what will the details of those conspiracy theories be? I cannot wait to find out!
Heck, wake me when it has as many domestic viewers as Enterprise the day it was cancelled.
I can't deny that demand expressions are an interesting metric, and I do think they measure something valuable to TV executives -- buzz? prestige? something, anyway -- but we should not draw an inference that a show with high "demand expression" counts also has high viewership.
To illustrate my point, here's a chart from the company that measures "demand expression":
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A few observations here:
1. Mr. Robot's year-over-year demand expression (which I think is best described as "buzz," although Parrot insists on referring to it as "demand") increased substantially, even as its actual ratings declined substantially.
2. Star Trek Discovery has routinely scored around 50 million "demand expressions" during a week with a new episode airing. On the one hand, that's comparable to Game of Thrones, which is a megahit with 30 million viewers per episode. (Truly stunning. That's more than American Idol averaged in its prime years, and American Idol was on broadcast!)
3. ...On the other hand, 50 million demand expressions is also consistent with Mr. Robot's performance during its lackluster second season. During the period where it was hitting 50M or close to it, Mr. Robot's real-world audience numbers were hovering around 0.8 million.
Buzz !== viewers.
However, strong buzz can keep a show alive even if it's losing money on viewer counts. That's how Battlestar survived to four seasons: audience was way down, but critics adored it.
I googled and here is latest info on Amazon: In Season One they had 8 million viewers on total of 1.15 million new prime subscribers (I wasn't one of them. I had prime since the second day they offered itThe first season of The Man in the High Castle (one of the very few streaming shows we have hard numbers for, thanks to a leak) averaged 8 million streaming viewers. CBSAA doesn't even have 3 million total subscribers. That the reporter made this claim reflects badly on the reporter; that Parrot Analytics doesn't do more to correct these misunderstandings suggests they have some idea just how little relation their metric bears to reality.
So, has anyone bothered to investigate what "Parrot Analytics" really is and what their creds are, or is everyone just too excited by the clickbait that confirms their biases?![]()
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So, has anyone bothered to investigate what "Parrot Analytics" really is and what their creds are, or is everyone just too excited by the clickbait that confirms their biases?![]()
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Netflix’s “13 Reasons Why” remains No. 1, despite a 26% drop in demand from the prior week. The controversial teen drama series, centered around a high school girl’s suicide and its aftermath, has now topped Parrot Analytics’ top 10 digital originals chart for five consecutive weeks. The series shot to No. 1 when Season 2 debuted in mid-May.
"It's Fake News!"
I thought Netflix guarded this data hard, aside from odd snippets here and there. Trending is the only regular thing I am aware of.
Well, the article says it was based on the period of January through March.Discovery isn't even in the top ten last week according to the latest report.
https://www.mediaplaynews.com/luke-...gital-originals-top-10-parrot-analytics-says/
Until we get franchise fatigue, which happened to Trek previously, and might be happening to Star Wars now.It's another indication that wishing / hoping / actively campaigning for the death of something in the franchise, just because that particular iteration doesn't appeal to you, is not constructive to the health of the overall franchise.
It's just like anything else in the entertainment industry...if it's popular and makes money, you're bound to have a healthy franchise that will advance, grow, continuously improve, and have additional resources put into it.
From all the past instances of their reports they count social media hit to determine popularity. They count posts on Twitter, Facebook, and here to determine how much people are talking about a subject. How much buzz does it generate. Look at the name Parrot, as in the bird that repeats things it hears. Think in terms of measuring how much something goes Viral.So, has anyone bothered to investigate what "Parrot Analytics" really is and what their creds are, or is everyone just too excited by the clickbait that confirms their biases?![]()
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Until we get franchise fatigue, which happened to Trek previously, and might be happening to Star Wars now.
From all the past instances of their reports they count social media hit to determine popularity. They count posts on Twitter, Facebook, and here to determine how much people are talking about a subject. How much buzz does it generate.
I will never understand the problem of having more of a franchise.
The name certainly set off alarm bells for me, but they seem to be legit from everything I've read about them, albeit in a cursory Google search.So, has anyone bothered to investigate what "Parrot Analytics" really is and what their creds are, or is everyone just too excited by the clickbait that confirms their biases?![]()
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Too much of anything isn't a good thing.
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