I believe that forgotten movie and TV genres of the 1950s and 1960s live on in their own way, through the continued presence of Star Trek in popular culture. This was thanks largely in part to the behind-the-scenes idea of "Parallel Worlds."
Per the 1964 pitch entitled Star Trek is...:
Here are a few examples.
Catspaw. This often gets referred to (perhaps dismissively) as "the Halloween episode." However, as pointed out by (I believe) Greg Cox, this was most certainly an homage to an entire genre of colorful horror movies of the time, particularly those produced by Hammer Film Productions, based in London.
Who Mourns for Adonais and Bread and Circuses. These reflect the extravagant historical epics of the era, as well as sword and sandal B-movies.
Assignment: Earth. This is pure 1960s spy/spy-fi material along the lines of early James Bond, The Man from U.N.C.L.E., Eurospy movies, etc.
Of course, movies today still treat subject matter such as horror, espionage, and ancient history. But I think they tend to follow the contemporary joyless, depressing, "grimdark" approach, taking themselves too seriously and losing the sense of pure fun and escapism that those genres used to have in the 1960s, and which is reflected in the TOS episodes that tapped into them.
What are some other examples you can think of?
Kor
Per the 1964 pitch entitled Star Trek is...:
The "Parallel Worlds" concept makes production practical by permitting action-adventure science fiction at a practical budget figure via the use of available "earth" casting, sets, locations, costuming, and so on.
Here are a few examples.
Catspaw. This often gets referred to (perhaps dismissively) as "the Halloween episode." However, as pointed out by (I believe) Greg Cox, this was most certainly an homage to an entire genre of colorful horror movies of the time, particularly those produced by Hammer Film Productions, based in London.
Who Mourns for Adonais and Bread and Circuses. These reflect the extravagant historical epics of the era, as well as sword and sandal B-movies.
Assignment: Earth. This is pure 1960s spy/spy-fi material along the lines of early James Bond, The Man from U.N.C.L.E., Eurospy movies, etc.
Of course, movies today still treat subject matter such as horror, espionage, and ancient history. But I think they tend to follow the contemporary joyless, depressing, "grimdark" approach, taking themselves too seriously and losing the sense of pure fun and escapism that those genres used to have in the 1960s, and which is reflected in the TOS episodes that tapped into them.
What are some other examples you can think of?
Kor