I’m starting to wonder if it is something on CBS’s front that is holding up any announcement. Maybe CBS is dragging out the negotiations for some reason. Maybe they are trying to redesign their marketing of Trek. Maybe it’s not S&S’s fault.
^All I'm saying is, the stakes for you are much lower than they are for the people you're criticizing. You can find other stuff to read while you wait. This isn't really costing you anything important. And if I don't know enough about the situation to make assumptions about the decisions of the people involved, you certainly don't know enough. It's easy to look for someone to blame for your frustrations, but you have to be careful that you don't end up blaming people who are just as helpless and just as frustrated as you are, if not more so. A lot of the time, there isn't really anyone to blame. Sometimes things get screwed up even when everyone involved is trying their best.
I too am a bit baffled by the complete lack of information. For Christopher this is his livelihood and if I were in his shoes, I'd probably be wearing the floor out with my pacing.
But, how many fans out there that aren't on this site think that? How many think maybe Pocketbooks is just finished with Star Trek? What if they don't come back once the books do return, thinking there's nothing new anymore?
The situation with the Doctor Who novels comes to mind.
At one time there were 22 new novels a year featuring all the Doctors. Now three are published when each new season starts and only feature the current incarnation.
I will say that I’ve prrsonally seen at least one fan group on facebook erroneously announce that Pocket books lost its licence to Titan, who will now be publishing the new books. As evidence they cited the publication of Prometheus 1.
I don't doubt that. What I'm saying is that assume for a moment the worst case scenario does go down and Pocket does lose the license. I doubt they'll be able to publish the novel anymore. Especially if another publisher takes the license, I don't think they'll sit by and allow Pocket to publish a new Trek novel just because it was contracted a few years earlier before they lost the license.She's definitely writing it.
I could accept the "can't talk about ongoing negotiations" line that gets bandied about with this topic were it not for the fact that Pocket already dropped a very important piece of news at the start of all this with the revelation that they were obtaining rights to do Kelvin timeline novels, spoken by a Pocket Books editor, at a public event. That's the kind of news that should not be shared unless it is a 110% done deal, which is clearly not the case given we have been treated to eight months radio silence due to "ongoing negotiations" since this news was reported. If these negotiations can't be talked about, they should not be talked about at all. But not only were we made aware of existence, we know what one of the goals of the negotiations are. That's a lot made available to the public about negotiations that can't be talked about.It's an ongoing negotiation. They can't talk about it.
The decrease of Doctor Who novels in recent years has a lot to do with Steven Moffat not feeling inclined to sign off on approvals. Indeed. because he wasn't expecting to keep the job of showrunner past 2015 he didn't even sign off on any approvals for 2016 at all, and by the time it was decided he'd be staying on until 2017, it was too late to get anything out for 2016, which is why that year didn't have any new novels at all. By comparison the "gap year" in 2009 did have an increase in novels published to make up for the show's decreased output on television. There are rumblings that one of Chris Chibnall's goals is to get the novels "back on track" so to speak.The situation with the Doctor Who novels comes to mind.
At one time there were 22 new novels a year featuring all the Doctors. Now three are published when each new season starts and only feature the current incarnation.
Man, I'm really not all that impressed with the Douglas Adams Doctor Who novels. Shada was good fun, I liked that. But the James Goss ones try too hard to imitate the Douglas Adams prose style proving that if you aren't Douglas Adams, you shouldn't write like Douglas Adams. Truth be told, he didn't always pull it off himself.I'm hoping that things will be different in the autumn and beyond, especially now that there isn't any more Douglas Adams to mine.
I can see why people might think that. If I hadn't stumbled on this site I may have wondered that myself--hmm, I wonder if there's a new publisher in town--or maybe it's just a new imprint (like the Gallery Books for trade paperbacks).
Funny, I probably wouldn't have picked up the Prometheus novel that came out if it weren't for the Pocketbooks hiatus. I generally just stick to the S&S books when it comes to Star Trek (though I do have most of the Bantam books from the 70;s also). I'm not a comic book person and with all the stuff online, like Memory Alpha and Beta, I don't even bother much with nonfiction anymore. But I figured while there was no Pocketbook novels I'd give it a try, and it was actually pretty good. It sort of ended abruptly, but then it's part of a trilogy so I expected that.
Plus I still do have a stack of books from the 90's that I've never read. And even beyond that I can always re-read some older novels (though I hope it don't go on that long). It's been years since I've read some and they'd probably be almost new again.
I don't doubt that. What I'm saying is that assume for a moment the worst case scenario does go down and Pocket does lose the license. I doubt they'll be able to publish the novel anymore. Especially if another publisher takes the license, I don't think they'll sit by and allow Pocket to publish a new Trek novel just because it was contracted a few years earlier before they lost the license.
Man, I'm really not all that impressed with the Douglas Adams Doctor Who novels. Shada was good fun, I liked that. But the James Goss ones try too hard to imitate the Douglas Adams prose style proving that if you aren't Douglas Adams, you shouldn't write like Douglas Adams. Truth be told, he didn't always pull it off himself.
I really don't get why Trek is always compared to Star Wars. Star Wars is perhaps the biggest media franchise in Hollywood history, certainly in terms of mainstream AND cult audiences, invented film tie in merchandising, and is owned by Disney, one of the biggest money making machines on the planet.It’s really a far cry from how Star Wars novels are celebrated, how they interact with their community, and how new Star Wars books are announced.
That's not how it works. Remember the 17th Rule of Acquisition: A contract is a contract is a contract. Bantam went on publishing Trek novels for 2 years after it lost the license to Pocket, because those novels were contracted before the license expired. And Pocket couldn't act on its license to publish original novels until Bantam was done fulfilling its contracts. Contracts are the foundation of business -- they don't get casually discarded. And if a publisher and an author enter into a legal contract, I don't think any outside party has the right to force them to breach its obligations. Pocket couldn't force Bantam to cancel its contracted novels, so I doubt anyone else could force Pocket to do the same, no matter how long the delay was.
CBS Licensing or the next license holder could pay S&S not to publish, essentially buying out the remainder of the contract.
But, how many fans out there that aren't on this site think that? How many think maybe Pocketbooks is just finished with Star Trek? What if they don't come back once the books do return, thinking there's nothing new anymore?
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