I really enjoyed the final episode of the season, in contrast to how much I loathed the whole "head world", "dead people in your subconscious", telling you that the universe is ending and only you can prevent it shite in that earlier episode. Not even an ascended being like Danial Jackson, or anything, Stamet's mental image of his beloved just somehow knew about an impending catastrophic astrophysical event, because no reasons. Seriously, what a fucking mess, that kind of thing belongs in some cheesy high school fantasy, not a science fiction show.
It basically returned to an understandable, relatively "sensible", humanist Star Trek story in the finale, and felt like part of the universe, which some other episodes didn't - it was relatively well plotted, and actually felt like a natural continuation of the themes raised in the first couple of episodes, even if L'Rell's ascension was convenient, etc. It addressed some real issues that effect millions, such as how fear can warp our society, hinting that giving up ideals means a different kind of extinction. Fuck me, they even managed to have Orions in it, and not utterly fuck with their appearance for the sake of it.
But, the rest of the season was all over the place. Writing of characters was sometimes natural, and other times completely forced, with the cast doing a decent job of working with bad material. VFX shots looked remarkably low budget and video game like, barely showing what was going on in space, despite DSC apparently having massive financial stability due to Netflix's international distribution. The supposed leaked CGI footage looked far better and cleaner than anything we saw in the show, spinning dinky toy and all. Plotting, even ardent fans admit, was atrocious at times; contrivance, random arbitrary things being thrown in like a soap opera, just to add forced interpersonal drama, unnatural progression and motives that defied good sense. There were cheesy remote control CGI shurikens killing a half a dozen people one minute, and then genuine moments the next. What has been going on behind the scenes that created such chaos, and will it be resolved next season, or can we expect more?
To quote another forum member:
"Discovery in so many ways gives with one hand and takes with the other."
That was a reference to how they put remarkable work into Federation props like phasers, but then things like Klingon ships were utter embarrassments. But it could just as easily refer to the scripts. Some of the writing this season has been downright terrible, only to be followed by a relatively strong episode. I gave up treating it with a good faith "grace period" when we had the terrible cliched "the standing sets are the corridors of my mind" moment, with a dead character acting like a mythological messenger - only for the show to return with reasonable ideas other times. Voq's story was frankly absurd in a lot of ways, yet Ash Tyler was my favorite character largely on the back of Shazad's likability, I probably liked Stamets and Saru the most after him. Burnham's very interesting character premise was explored a little early on, but then largely didn't offer any unique Vulcan perspective later, which I would have appreciated; Sonequa did a good job with what she was given.
Pros:
- It brings some colorfulness back into Star Trek, with new props and alien designs
- Some of the character's premises are interesting
- It has a strong cast
- It has a reasonable budget
- It occasionally hints at an interesting wider world
- It's the first Star Trek show in more than a decade
- It showed hints of good ideas
Cons:
- The excellent actors and decent concepts for characters were not utilized well
- It makes some ridiculous and unnecessary breaks with visual continuity (i.e. Klingon ships)
- It's plots are soap-opera like, with little believably, sometimes seeming extremely contrived
- It's ethical and philosophical outlook seems inconsistent, occasionally seeming arbitrary
- It seems to ape visual trends in 2000s era science fiction, like Stargate Universe
As a season, I can only give it 5/10 at the most.
It basically returned to an understandable, relatively "sensible", humanist Star Trek story in the finale, and felt like part of the universe, which some other episodes didn't - it was relatively well plotted, and actually felt like a natural continuation of the themes raised in the first couple of episodes, even if L'Rell's ascension was convenient, etc. It addressed some real issues that effect millions, such as how fear can warp our society, hinting that giving up ideals means a different kind of extinction. Fuck me, they even managed to have Orions in it, and not utterly fuck with their appearance for the sake of it.
But, the rest of the season was all over the place. Writing of characters was sometimes natural, and other times completely forced, with the cast doing a decent job of working with bad material. VFX shots looked remarkably low budget and video game like, barely showing what was going on in space, despite DSC apparently having massive financial stability due to Netflix's international distribution. The supposed leaked CGI footage looked far better and cleaner than anything we saw in the show, spinning dinky toy and all. Plotting, even ardent fans admit, was atrocious at times; contrivance, random arbitrary things being thrown in like a soap opera, just to add forced interpersonal drama, unnatural progression and motives that defied good sense. There were cheesy remote control CGI shurikens killing a half a dozen people one minute, and then genuine moments the next. What has been going on behind the scenes that created such chaos, and will it be resolved next season, or can we expect more?
To quote another forum member:
"Discovery in so many ways gives with one hand and takes with the other."
That was a reference to how they put remarkable work into Federation props like phasers, but then things like Klingon ships were utter embarrassments. But it could just as easily refer to the scripts. Some of the writing this season has been downright terrible, only to be followed by a relatively strong episode. I gave up treating it with a good faith "grace period" when we had the terrible cliched "the standing sets are the corridors of my mind" moment, with a dead character acting like a mythological messenger - only for the show to return with reasonable ideas other times. Voq's story was frankly absurd in a lot of ways, yet Ash Tyler was my favorite character largely on the back of Shazad's likability, I probably liked Stamets and Saru the most after him. Burnham's very interesting character premise was explored a little early on, but then largely didn't offer any unique Vulcan perspective later, which I would have appreciated; Sonequa did a good job with what she was given.
Pros:
- It brings some colorfulness back into Star Trek, with new props and alien designs
- Some of the character's premises are interesting
- It has a strong cast
- It has a reasonable budget
- It occasionally hints at an interesting wider world
- It's the first Star Trek show in more than a decade
- It showed hints of good ideas
Cons:
- The excellent actors and decent concepts for characters were not utilized well
- It makes some ridiculous and unnecessary breaks with visual continuity (i.e. Klingon ships)
- It's plots are soap-opera like, with little believably, sometimes seeming extremely contrived
- It's ethical and philosophical outlook seems inconsistent, occasionally seeming arbitrary
- It seems to ape visual trends in 2000s era science fiction, like Stargate Universe
As a season, I can only give it 5/10 at the most.