I see social commentary here and there, but I'm not really seeing a coherent social narrative. And really, it's more realistic that way - most of us, I think, on a daily basis, have these moments of concern about racial tension or the political landscape or sorting our waste into recyclable and non, but for the most part, except for a few special people... that isn't what LIFE is about, and life goes on.
Hmm, maybe I'm one of those people. I'm currently finishing up a PhD in political science and public policy, and that's on top of a law degree focused on civil liberties, with a few years of political oversight and advocacy work in the nonprofit sector sandwiched in-between the degrees. So this stuff is my meat and drink.
The thing is, I'm surrounded by
lots of
other people who are really into it as well, including plenty of friends and family who don't do it for a living. So being immersed in active discussions of politics is just part of life for me; I've never thought of it as remotely out of the ordinary. Indeed, I've always figured that people who
don't pay attention to it for whatever reason, who don't grasp how politics and policy actually do impact our daily lives in myriad ways, are the outliers.
I guess YMMV...
DSC so far, has struggled to decide what it wants to say, and then when it tries to be brave, it undoes it later on. Perhaps it is getting used to serial storytelling. ...
Perhaps. But that seems like an odd sort of difficulty to be having.
The "prestige" TV show that DSC keeps being compared to again and again on these forums is
Game of Thrones, after all, for good or ill. I don't think DSC is playing in remotely the same league as
GOT... but it
could be. Not only does it have a serialized story structure, but it's also got a big budget, a short season, an ensemble cast, and a setting ready-made for allegory.
GOT regularly explores some
incredibly sophisticated, layered sociopolitical issues (or, well, at least it did back when it was still adapting GRRM's books). I would love to see DSC operating at that level. Right now, it doesn't even seem to be trying.
I see the Federation as being representative of a United Nations like organisation with a USA like model being somewhat - Starfleet. In that parallel the United Nations and its effectiveness (or lack thereof) is countered with the more pro-active and at times independent Starfleet.
The Klingons are fundamentalists, most likely of the ISIS variety complete with the ability to turn on each other if the extreme faith is not followed.
...
As dismissive of the mirror universe as I feel, I'm pretty sure (duh), we are supposed to see the scenes with Michael and Tyler meeting with the rebels as a sign of races (including Klingons) coming together for a common goal, something one would've thought was not new to Federation principles in the first place.
Hmm. Interesting. The notion that Starfleet is not entirely susceptible to civilian control by the Federation, that it may act independently sometimes, is frankly kind of disturbing.
I agree that the DSC Klingons are being presented (mostly) as ISIS-type jihadis. The problem is, over the years the Klingons have also been presented as analogs for Soviet cold-war expansionism, for Japanese warrior culture, and for various other familiar cultural and political groups. One single alien race can't be all things to all people without seeming incoherent (at least, not without much better writing than they've been given so far).
I liked most of the meeting with the rebel forces a couple episodes ago, but I have to agree... it didn't really introduce anything particularly new or different to the equation. The notion that Burnham (or her writers) imagined she could glean some special insight into how to defeat the Klingons by picking MU-Voq's brain for thirty seconds is frankly ridiculous, and came across that way on screen.
...the political commentary the message to me is simple. The end justifies the means. That sums up the journey thus far. 'Discovery's' message.
Yikes. I hadn't thought of it that way... but I think you're onto something. A really strong case could be made that this
is the most consistent theme of the show thus far. And that's
really disturbing.