Background is beginning to come out:
https://www.bleedingcool.com/2017/1...ne-puffer-fish-acrostic/#.WfrVOeblFHc.twitter
https://www.bleedingcool.com/2017/1...ne-puffer-fish-acrostic/#.WfrVOeblFHc.twitter
Not really. Panini choose the editor. Of course, Worldwide could imply "Cooperate, or we won't renew your licence," but that would only take effect when the licence came up for renewal.The thing is, assuming that narrative is true, BBC Worldwide never needed an excuse. DWM is a licensed publication; at any point BBCW could step in and say, "Our property, our rules."
Here's hoping Chibnall can return a sense of regularity to the show.in those rare months when the show is actually on air.
Based on some of the stories told in DWM #500, I don't think anyone at the BBC did approve the magazine. Basically at a certain point during the "wilderness years" the BBC basically stopped caring and the mag just did what it wanted without any direct oversight from that point on. And thanks to Russell's love for the magazine, once the show came back, that status quo was maintained. Definitely weird in this modern world of brand managers, but maybe now with Moffatt on the way out, those days are over.I'm skeptical of certain parts of that -- mostly, Brexit as the excuse for Worldwide to crack down on DWM -- but a lot of that rings true. It always struck me as strange that Spilsbury insisted that DWM was independent, since as a licensed publication I'd have thought, based on my own experiences with working on and with other people's properties, that everything between and including the covers was approved by Worldwide at every step of the process to make sure they weren't going off-message. Panini is paying Worldwide for the privilege of working with Doctor Who, and Worldwide's right to expect Panini to treat their property properly and showcase it in the best light. The magazine should be the official cheerleader, not the official tomato-thrower, something that I don't think Spilsbury always got.
Did DWM even review Class, actually?The story is that BBC Worldwide wanted a more pliable editor than Tom Spilsbury could manage, and arranged his ousting. The ‘Class’ criticism thing seems a bit peculiar*, but Private Eye makes it clear that the Beeb were just looking for excuses.
* Why not go with the article that mildly pointed out that 2015’s ratings were a tiny bit disappointing?
Did DWM even review Class, actually?
Okay, so my question is, who the hell took the time to figure all that out??
But what is a panini???
For Brits of a certain age (moi) Panini evokes memories of packets of stickers and the albums to stick them in (usually football but think I had a Buck Rogers one and a ROTJ one) swapsies with friends and never being able to complete because you couldn't get that one sticker of Gordon Strachan or Jabba the Hutt (though you could send away)
Kudos to Pegg for standing up to the man!
Did he? For what exactly?
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