Otherwise, the "stuff" is all the same...right down to the complaints of "overuse of a color palate" (reds vs blues).
While the choices they made cosmetically aren't my favorite, my complaints are more about the story choices they made.
Otherwise, the "stuff" is all the same...right down to the complaints of "overuse of a color palate" (reds vs blues).
While the choices they made cosmetically aren't my favorite, my complaints are more about the story choices they made.
The issue is the story isn't even finished, or half way through....or heck I hindisght even started yet since the two episodes were more like a prologue that provides background.While the choices they made cosmetically aren't my favorite, my complaints are more about the story choices they made.
The issue is the story isn't even finished, or half way through....or heck I hindisght even started yet since the two episodes were more like a prologue that provides background.
There was definitely heart and warmth between the crew of The Shenzhou - pretty much mirroring that between Kirk, Spock, McCoy and the rest. That was very evident in the first two episodes of ST: D and it mirror STII:TWoK quite well in that regard. Especially in regard to what it cost the 'maYou mean the one with heart, and warmth and even a touch of optimism? All things that were sorely lacking in Discovery's first two outings.
Comparing them to TWoK, completely misses the point of Star Trek. To me.
There was definitely heart and warmth between the crew of The Shenzhou - pretty much mirroring that between Kirk, Spock, McCoy and the rest. That was very evident in the first two episodes of ST: D and it mirror STII:TWoK quite well in that regard. Especially in regard to what it cost the 'ma
Like the rest here, no I didn't get a sense of 'optimism' from the TWoK story. It was a man on a vendetta for revenge; and at the end, it cost Kirk and Co. a dear friend that (when the movie ended) we weren't certain was going to return. (Yes, it was hinted at, but at the end of the film - not certain.) We did see Kirk come to terms with some aspects of his younger days and the decisions made then, and with getting older.
Remember, ST: D is (past the prologue that we've seen now) a 13 episode arc. We may finally see some of this 'optimism' at the end; but it's a different story form for Star Trek in that we won't see a 'reset' to any status quo; which has been a staple of the franchise.
Maybe in the end, people will find they don't like that type of storytelling format from Star Trek, but I enjoyed these two episodes more than any of the Berman era Star Trek pilots from 1987-2001; so I'm interested enough to keep watching and see where it goes.
After two years, those episodes should have grabbed me and refused to let go. But they didn't they were just tedious.
Everyone's mileage will vary.
Paradise lost is the most relevant episode of trek to today...
I meant discovery actually.
That's the two, should have remembered that."Homefront"/"Paradise Lost" are from season four.
Missed this before. I meant Discovery, they've had two years to make these two episodes we just saw. They had two years to make something that would grab me.
I've seen all of Deep Space Nine.
TNG was in development in similar fashion and they also took about 2 years to produce the pilot that was shown in 1987.Whoops, miscommunication. Sorry about that. Honest question, how long did the other pilots get worked on prior to their release? Trek doesn't exactly do well in that regard anyway.
So far less time. Thanks, good to know.TNG was announced in mid-October of 1986. At that time, it was nothing but a title and a signed contract with Roddenberry to produce it. It premiered less than one year later.
There had been earlier talks between Paramount and other potential producers and distribution partners, which generated absolutely nothing that was applied to TNG.
Um, it was first pitched to FOX before that October announcement - and had been in pre-development (and also took used a lot of what they had done for the aborted 'Star trek Phase II' project that was ultimately turned into ST:TMP.So far less time. Thanks, good to know.
Um, it was first pitched to FOX before that October announcement...
And for the 10 months Bryan Fuller was involved - he was paying more attention top his EP duties on "American Gods" then "Star Trek: Discovery" (Fuller seems to like to leave that fact out in interviews over why he an CBS parted ways.)Doing Star Trek was shopped around, to networks and potential executive producers. Nothing of TNG was in those early proposals. Roddenberry wasn't even involved at that point.
And for the 10 months Bryan Fuller was involved - he was paying more attention top his EP duties on "American Gods" then "Star Trek: Discovery"
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