Nah, it's been less than a year.
Umm, the mods react as though a thread has "spoiled like milk" if there has not been a response as recently as 6 months.
I don't particularly want to slog through dozens of pages of a thread before I'm up to speed. I'd much rather threads get shut down and kept to a reasonable length. And besides, you can always link to an old thread if it contains something relevant.I think the locking of old threads is a travesty, to be honest. The same organic discussions are not going to take place and build on each other, and no one wants to sit and repeat themselves or repeat old, oft spoken diatribes.
I don't particularly want to slog through dozens of pages of a thread before I'm up to speed. I'd much rather threads get shut down and kept to a reasonable length. And besides, you can always link to an old thread if it contains something relevant.
A friend and I recently watched "Return to Tomorrow" and "Obsession" back-to-back, and it is almost staggering how different Shatner's performance is in them.
What I noticed about the "Kirk is anxious" scenes in And the Children Shall Lead and other episodes is Shatner's tendency to emphasize the 'shock of realization' moment with the crumpling of his body, his eyes going wide, and slapping one hand into the other just above his knees. I don't know where he got it from, but it always makes me smile.
A friend and I recently watched "Return to Tomorrow" and "Obsession" back-to-back, and it is almost staggering how different Shatner's performance is in them.
Exaggerated physical gestures in acting are often rooted in a theatrical rather than cinematic background (effectiveness and quality of the exaggeration varies of course). Less the case today (what with mics and projection screens a frequent presence in larger venues), actors of Shatner's generation were trained to project to the "cheap seats" (while those down front knew that such projection was to be expected). When working in film and television, such actors had to tone things down considerably--some were better than others. Even the good ones (and Shatner could be quite good) usually did their best work in the hands of a skilled director (or at least one who could override the actor's propensity for hamming it up--though even Kubrick could not entirely reign two giants (Olivier and Laughton) in Spartacus.) I have often suspected that Shatner's lesser performances, in Trek or elsewhere, owed as much to a lack of strong direction to his opinion of the script. This is true of MANY actors, but particularly of classically trained stage actors.What I noticed about the "Kirk is anxious" scenes in And the Children Shall Lead and other episodes is Shatner's tendency to emphasize the 'shock of realization' moment with the crumpling of his body, his eyes going wide, and slapping one hand into the other just above his knees. I don't know where he got it from, but it always makes me smile.
I wish there had been a "Kirk is anxious" scene in the movies.
Kor
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