TMP's relationship to TOS was like "You'll believe a starship can go to warp," much like 1978's Superman's relationship to the comic books was defined by the tagline "You'll believe a man can fly." The entire universe in Star Trek was not only fleshed out, it was presented in a hyper-realistic mode that walked in Stanley Kubrick's footsteps. The long passages of following the spaceships in slow graceful motion, rendered by state-of-the-art VFX, while simply "jamming" to orchestral music (Klingons, Epsilon IX, orbital office complex, drydock, launch, Vulcan shuttle, V'ger, etc.) were unquestionably fashioned in the mold of 2001. This was Star Trek's one and only stab at taking itself completely seriously. This was Star Trek writ large on the big screen as a major motion picture event of epic proportions. That was a re-imagining of TOS, that was re-imagined again in TWOK. TMP is a one-off in that respect in the TOS film series.