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Spoilers Supergirl - Season 2

If someone asks her (when she's wearing glasses) if she's Supergirl, she says "No."

Because it's a secret.

She says "no" because she's choosing not to allow the world at large to know that Kara Danvers and Supergirl are the same person.

It's not about Kara Danvers being a 'cover' for the fact that she's Supergirl (which, in general terms, is what the term "secret identity" means); it's about keeping the knowledge that Kara Danvers and Supergirl are the same person from being widely disseminated and controlling the instances in which that fact is made known, which is a question of privacy, not secretiveness.
 
If someone asks her (when she's wearing glasses) if she's Supergirl

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...

(nailed it!) ;)
 
Plenty of humans and human looking aliens visit there regularly, so she doesn't really stick out, and I don't think many people can recognize exactly which drink you're having for several meters away. Booze is booze.

But her being in the bar--around Mon-El, and then the patrons are always seeing SG and (in many cases) Mon-El together (news coverage, etc.)...who just so happen to look just like Kara...and Mon-El. Her secret should have gone bye-bye long ago.

Even if someone did leap to that conclusion, it's not like Kara Danvers is some famous person, most would probably just wonder why does Supergirl need glasses... :cool:

But she is now a journalist for the city's most prominent publication--a name and a face...who hangs out at the alien dive, and looks just like SG.
 
But her being in the bar--around Mon-El, and then the patrons are always seeing SG and (in many cases) Mon-El together (news coverage, etc.)...who just so happen to look just like Kara...and Mon-El. Her secret should have gone bye-bye long ago.

Basically the same thing as both Clark Kent and Superman always hanging around Lois Lane... :shrug:
 
"Homecoming"--

SG/Kara: She's rather thick in not thinking he could be working on behalf of Cadmus. Oh...until Captain TeenNick had to be the Noble Protector and straighten her out.

Jeremiah: His "I know who you are" to Mon-El. Do tell. He said it out of earshot of Kara, so what is the big secret? The injured hand was the most obvious red flag of something being up...such as his other identity as The Winter Cadmus Soldier with the enhanced metal arm! Yes, he's working for Cadmus, but there's more to the story than SG or Mon-El would ever admit.

Hank/J/J: Accepting Jeremiah back into the DEO quickly without seeing a possible Trojan Horse in the making?

Alex: "You're either part of the family, or you're not!" was the expected heavy-handed stand...just so Kara and Captain CW would be (more) right (than not) in the end. Her relationship with Jeremiah--and the emotions involved is the best storyline created for the character so far. I hope this becomes a game changer for her as being more than just SG's sister / resident door kicker.

Mon-El: Despite the All-Knowing CW Boy's suspicions, he was more than out of line, but after all of Kara's anger about his behavior, you had to know he would be vindicated, with restoring the TeenNick goings-on sooner than later.

James/Guardian: Who??? Where??? --Week Two.

NOTES: CW giggle material aside, its pointless to continue having villains shoot at someone they all know cannot be hurt by bullets. Yes, everyone in that world should know by now, so there's no action value for the audience.

The series needs to grow a spine and present the darker situations that are not smothered in 45 minutes--specifically the anti-alien weapon. The growing threat of Cadmus would have been sold as more than a nagging moustache-twirler of the week disguised as an arc. A story has to do more than imply or live for teasing, sweeps or season enders. Yeah, the Jeremiah sub-plot complicates matters, but I hope he actually has a purpose working for Cadmus--and not merely trying to destroy it from within. It would not be a stretch to for the man to believe (at least) some of Cadmus' anti-alien platform, despite SG being one herself. Yes, individuals can be complex in that way.

The previews tease his "deal" with Cadmus, but his agreeing with a "you can do anything you want, just spare my family" would make him seem self-serving in the extreme...and deflate any potential character building road for Alex..

GRADE: C.
 
It was pretty obvious that Mon-El was on to something from the first. Anytime people in popular fiction close ranks without question against one of their group, they're wrong - unless it's resistance to someone in authority.

In this respect the episode was close to Idiot Plotting - the story can only progress as it does if everyone behaves like idiots.

Still, a good deal more gripping than most episodes.
 
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It was pretty easy to guess that Jeremiah was secretly working for Cadmus. For one thing, that's how stories like this always go. For another, part of the above, if it had been a real rescue, it would've come at the climax of the episode, as a resolution; putting it at the beginning meant it had to be the start of a problem. And thirdly, or C-dly, Mon-El was a jerk last week, so it was his turn to be in the right this time.

It still feels so wrong to me that Kara's usually in civvies at the DEO lately. That doesn't make sense. What reason does Kara Danvers have to go to the DEO? That could invite suspicion if any outsiders notice. Plus, I've always liked it that she spent the majority of the time in superhero costume, because that's pretty unusual for a live-action show. But today I thought of a possible in-story reason for the change. Last season was all about her discovering how to be Supergirl, but this season, she's developing more as Kara Danvers -- she now has a more promising career and romantic life than she had in that mode before, so maybe that's becoming a stronger part of her self-image again. I guess that would make sense, but I still prefer it when she's Supergirl.

I love it that Supergirl's response to post-coital afterglow is to get even more fired up to go help people. And hey, she got to do the classic "train on destroyed bridge" rescue! That's one for the superhero bingo card. Has she saved a school bus on a suspension bridge yet?
 
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When I first saw that promo, it looked like Alex was beating up Lex but now it looks like it's just a henchman.
 
I half expected her to lay down and serve as a rail so that the train could go over her. ;)

Have you read the graphic novel The Unbeatable Squirrel Girl Beats Up the Marvel Universe? Its opening sequence is a really funny riff on that trope. (Well, every single page is really funny.)


When I first saw that promo, it looked like Alex was beating up Lex but now it looks like it's just a henchman.

That's amusing, since the way Luthor got his trademark bald look (after initially having a full head of short red hair) was that an artist using an earlier story for reference mistook a bald henchman of Luthor's for Luthor himself.
 
It was pretty obvious from the moment Jeremiah resurfaced earlier this season that he wasn't actually a prisoner of Cadmus as Kara, Alex, Eliza, and everybody else believed, but was in fact working for/with them, making the show's attempt to convince us as an audience otherwise kind of pointless. However, to the writers' credit, they actually managed to make what would've otherwise been a needless misdirectional cliche work for the most part.

I continue to really like Mon-El, both individually and in his relationship/interactions with Kara, and so I got an immense kick out of the show revealing that they'd consummated their feelings for each other. I also, like Christopher, found it funny that Kara's response to (presumably) losing her virginity (since her Kryptonian biology and its responses to Earth's yellow sun would've made it impossible for her to have sex with anybody whose biology wasn't also affected by Earth's yellow sun) is to go out and be Supergirl in "overdrive".

Given what ended up happening with Jeremiah and his true allegiance(s), his and Eliza's conversation takes on a whole new meaning and tone, leading me to wonder if she too suspected something was 'off' about him but chose to give him the benefit of the doubt and not say anything once Mon-El "shot from the hip" and went off about his suspicions. I also half-expected Kara to use her super-hearing to eavesdrop on Alex and Eliza's conversation towards the end of the episode, especially since she would've been within her right to do so given that she IS part of the family officially, but it's also okay that she didn't.

I love that we got to see Winn and Lara (Lyra) having some fun and just being all lovey-dovey and 'schmoopy', and thought it was funny that Winn didn't even bother to formally introduce her to Mon-El, or vice-versa, since he was obviously too smitten to really care.

Kara saving the train was a fun sequence that let her use her powers for something other than fighting things, which we don't really get to see a whole lot of; plus, it led to a sequence that reminded me of Barry letting Snart walk away in The Flash Season 1 and Kara letting Livewire walk away at the end of Episode 10 and that let Chyler Leigh deliver a really powerful silent performance.

After the issues I had with the show undermining Alex's coming-out journey last episode, it was nice to see some "supportive Sanvers" scenes, especially at the end when Maggie pulled an intervention to stop Alex from drinking herself into a stupor and then just held her, especially since the writers dovetailed and mirrored it with Mon-El doing basically the same thing for Kara (minus the part about pulling an alcoholic intervention). I also love that Kara once again had her glasses off for the entire scene, just as she did for the scene in last week's episode where she and Mon-El apologized to each other and then made out.

Next week's episode looks really intense, and I can't wait to see what's going to happen, especially with Alex and Kara breaking the rules in order to find their father, Lillian, Hank, and their kidnap victims. I'm also interested to see what the episode's title, "Exodus", ends up meaning, since it's not immediately clear just from the preview.
 
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