Just not going to happen. NuWho is way too far through it's life cycle for that...I can see the BBC wanting the show to be as popular as it was under Tennant
Just not going to happen. NuWho is way too far through it's life cycle for that...I can see the BBC wanting the show to be as popular as it was under Tennant
Just not going to happen. NuWho is way too far through it's life cycle for that...
True, but I do think there was an element of it being a different era and I do kinda get the feeling that today people are less forgiving of a radically different Doctor to what's gone before.
Of course you could argue they never were very forgiving, they just couldn't express that feeling as easily because they had no internet, and they had less options of something else to watch.
However fab Troughton is I get the impression a lot of people weren't happy when he started, and even Tom divided opinion in the early days, and whilst I think we can all say that Who was clearly on a downward spiral in the 80s anyway, you have to wonder if the decline might have been less pronounced if they hadn't replaced Davison with someone so radically different? I appreciate Davison was a radical departure from Tom but at least ratings went up on Tom's last season, and stayed up during the Fifth Doctor's run.
Bonnie Langford's awkward publicity (The Peter Pan stuff, mostly)
Catherine Tate was by far my favorite nuWho actress. Unlike Rose or Martha, who fell head over heels in love with the Doctor, Donna Noble was more than just a sidekick, she was a sounding board for his morals and such a grab-the-bull-by-the-horns (when she wasn't cowering in fear).Re-reading the article, I noticed a flaw:
Emphasis mine, as it should be pointed out that during Tennant's most popular season (season 4) his companion was played by an actress who was in fact three years older than him.
Bad publicity shots based on her career as a child performer.The what now?
Honestly, the only Matt Smith novel that really made an impression on me was The Silent Stars Go By. I know Dark Horizons also gets praise, but to be honest, that made so little an impression on me I've actually forgotten most of it by now. Maybe I should re-read it, whenever I find the time for that.The Matt Smith novels were good. The Capaldi novels seems even more for children than previous novels. I noticed the font was much bigger and it wasn't as long.
I liked the The Silent Star and "The Dalek Generation"
Honestly, the only Matt Smith novel that really made an impression on me was The Silent Stars Go By. I know Dark Horizons also gets praise, but to be honest, that made so little an impression on me I've actually forgotten most of it by now. Maybe I should re-read it, whenever I find the time for that.
The Capaldi novels are actually the same length as the other NSAs, usually around 240-250 pages, the same average length all the NSAs were since the line was launched with Eccleston a decade ago. Also the same average length of Torchwood novels.
But that's because the Eccleston-to-Tennant transition set the expectation that the Doctor would always be a relatively young, good-looking guy who talked a mile a minute et cetera. If they'd gone for a radical departure in the very first regeneration, then new audiences would never have learned to expect the Doctor to always be a specific "type."
I think the smartest decision the BBC made back in the '60s -- other than inventing regeneration in the first place, without which the show could never have endured as long as it has -- was not to try to make the Second Doctor a copy of the First, but instead to deliberately make him as startlingly different as they could in order to make a clean break.
Starkers made a great point that overdoing the variety can have a negative effect, such as Davison --> Colin Baker.
Variety is a double-edged sword. I'm sure it has contributed to the longevity of the series but it can also be problematic. I'm sure from the marketing standpoint alone, it makes complete sense to return to a young dashing hero type of Doctor.
I don't see how that was any more drastic than Tom Baker to Davison. Particularly since the former had been the Doctor for a record seven years, so it was a shock going to someone so completely different. Troughton-Pertwee was a pretty massive change too, although the Troughton-era storytelling had already begun laying the foundations for the UNIT era.
I wasn't trying to debate the severity of each different regeneration change. Just pointing out that sometimes it worked and sometimes it didn't.
Silent Stars is actually longer than typical NSAs since it's actually part of the "Adult" line, that usually applies to novels first published as proper-sized hardcovers as opposed to the "mini-hardcovers" the NSAs are.Huh. Maybe it's the larger font in the Capaldi novels that makes it seem more skewed to younger children than before.
I checked the page length too. "The Silent Stars go by" is 279 pages.
Capaldi novel for "Silhouette" is 245 pages
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