There was a single Super Bowl ad for STID.
Yes, that's the timeline comparison, the events for Beyond outnumber the events for STID. Kind of embarrassing for an article that's statement was a huge marketing difference between the two, only to be wrong.
Beyond started marketing a full 2 months of TV ads for the first time in Trek history. No other film of any era started more than 3-4 weeks ahead of time and all the films only show a high frequency of ads about a week before debut.
Beyond's trailers were roughly a month behind for a movie that came out TWO months later, so in fact, they were ahead of STID's schedule.
Yes, that's the timeline comparison, the events for Beyond outnumber the events for STID. Kind of embarrassing for an article that's statement was a huge marketing difference between the two, only to be wrong.
Beyond started marketing a full 2 months of TV ads for the first time in Trek history. No other film of any era started more than 3-4 weeks ahead of time and all the films only show a high frequency of ads about a week before debut.
Beyond's trailers were roughly a month behind for a movie that came out TWO months later, so in fact, they were ahead of STID's schedule.

I expect STB home video to be in the $50-60 million range. While this is a pittance compared to the nearly $200 million that Star Trek 09 made, it's a VERY good number in the current home video landscape. Given that, I think a final Worldwide result in the mid $300s will put STB in the black. It may not be a big money maker but it should cover it's expenses with a slight profit. And si
Marketing Blitz Thin and Late
Quite simply, Paramount’s marketing campaign for Beyond was meager and dilatory, especially compared to its predecessors.
Beyond’s much-maligned first trailer, which was released in December 2015, came out 221 days before the film’s release date. As we previously reported in a comparison of the marketing timelines of Beyond and Into Darkness, promotion for the film slowly resumed in March 2016 with the release of two major interviews, 10 photos, and two behind-the-scenes videos.
Marketing for Beyond ramped up in late April and throughout May as Paramount released a slew of photos from the film, magazines printed features and interviews, and official signage appeared at the Cannes International Film Festival. Promotion for the film switched into high gear after the debut of the film’s first full trailer on the Paramount lot on May 20th.
Shortly thereafter, posters began to appear in theatres and from late June until July 22nd, Paramount released a series of television spots with new footage. Featurettes and interviews appeared in the July editions of various magazines, and a final trailer was released only three days before the film’s release.
The lull between the first trailer and the second left this website disappointed with the efforts Paramount had exerted in promoting Beyond. We believe the general audience was not aware that a new Star Trek film was coming out in 2016. In contrast, when Paramount was building up anticipation for Star Trek and Into Darkness, they went where no Star Trek film had gone before: the Super Bowl. Advertising during the NFL’s championship game is so expensive because of the sheer number of viewers who tune in, many of whom we would consider to be the general audience who could be intrigued by a Star Trek movie.
For Super Bowl 50, taking place in the franchise’s 50th anniversary year and five months before Beyond’s release, an advertisement for the movie was conspicuously absent. Some may argue that Star Trek and Into Darkness were featured during the Super Bowl because their release was a short three months away. However, Super Bowl 50 featured ads for Independence Day: Resurgence and Jason Bourne, films that were released in late June and late July, respectively. While it is impossible to quantify how this affected the general audience’s interest in Beyond, such a prominent and widely-seen advertisement could only have helped the film at the box office.
So what you're saying (x3 times) is that the trailers were bad… which means marketing was bad… which was what I said.
nce the value of Star Trek for Paramount is in the FRANCHISE rather than the individual picture, I believe they continue with the series and see if they can right the ship.