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MeTV's SuperSci-Fi Saturday Night

Wow... So how much of that new schedule do we want to cover in this thread? For myself, I'll at least probably want to watch Wild Wild West and Planet of the Apes, though I'm not sure how much need there will be for detailed reviews. Not sure how much of the Irwin Allen stuff I'll check out.

And it looks like we're saying farewell to Adventures of Superman, as well as The Man from UNCLE in late-night, though Get Smart is moving to Sundays.
 
I don't get Me these days, but feel free to knock yourselves out. Also FYI, The Man from UNCLE is currently in a late-night slot on sister network H&I.
 
Interesting. It's nice to see Wild Wild West back on the air, although I have the complete series on DVD. It's too bad Planet of the Apes didn't get a better slot, though, but I suppose it will be easier for them to loop 14 episodes at 5am, since hardly anybody will be watching. I haven't seen Land of the Giants in ages, but 1am is not really a good time for me. :rommie:
 
I was reading in this thread about the tv shows that followed the formula of The Fugitive. I believe that you can add Planet of the Apes to the list :)
 
That's true. They're all still out there, running. Running on empty. Running blind.
 
Back to the subject of MeTV, their new fall schedule has just been announced, and there will be changes and expansion of the SciFi Saturday night with the addition of RedEye SciFi overnight into Sunday morning. Starts September 10-11.

It'll all start at 6 PM Eastern with the return of THE WILD WILD WEST.
7 PM THE INCREDIBLE HULK
8 PM WONDER WOMAN
9 PM STAR TREK
10PM SVENGOOLIE MOVIE
12AM BATMAN
12:30 BATMAN
Starting at 1, there's a full four-hour Irwin Allen block:
1 AM LAND OF THE GIANTS
2 AM THE TIME TUNNEL
3 AM LOST IN SPACE
4 AM VOYAGE TO THE BOTTOM OF THE SEA
It all wraps up at 5 AM with THE PLANET OF THE APES

http://www.metv.com/stories/mister-...ick-and-more-join-the-metv-fall-2016-schedule

That wee hours schedule will be a challenge for anyone. I could see viewers fitting the 5 AM Planet of the Apes into their schedule, but 1 - 4 seems like a dead zone. Its the reason I only watch Voyage on DVDs.
 
In those old posts there is an interesting consideration. Virtually in every show that follows The Fugitive formula, we never had a proper end/resolution. Except for the original The Fugitive. :cool:

Yeah, The Fugitive was one of the first shows to have a real series finale. And so was Route 66, which was the template for the "wandering by choice" formula as opposed to the "wandering to evade capture" formula. So the two exemplars of the formula both got finales, but hardly any of their imitators did.


That wee hours schedule will be a challenge for anyone. I could see viewers fitting the 5 AM Planet of the Apes into their schedule, but 1 - 4 seems like a dead zone. Its the reason I only watch Voyage on DVDs.

That's why we have DVRs. No need to stay up late when you can time-shift.
 
Yeah, I've got a few Alfred Hitchcock Hours that it will probably take me weeks to watch.
 
That's why we have DVRs. No need to stay up late when you can time-shift.

I'm talking about the people who do use that. Considering the very aged demographic that would remember/watch those shows, I would guess many are just the turn the TV on and watch types.
 
Tonight's episode:

The Incredible Hulk

"Haunted"
Originally aired February 7, 1979

Strange events begin to occur when David helps a young woman move back into her childhood home. He soon learns that it may have something to do with the woman's deceased twin sister, who drowned many years before.

This is a landmark episode for me. Regular readers may recall me mentioning that I generally avoided the show for its early episodes because of a childhood fear of the Hulk. Seeing the original airing of this episode at a friend's house began my regular watching of the series (and with it, the Hulk quickly becoming the favorite comic book character of my pre-teen years). As I fuzzily recall, I saw rebroadcasts of earlier episodes in the regular timeslot in the weeks between this episode and "Mystery Man".
 
"Haunted": I'm glad it's been long enough since I saw this last that I was left unsure at first about what was really going on. Initially I thought it was going to be someone gaslighting Renee and trying to get the house from her, and we were certainly given enough red herrings for that idea. But I soon began to get inklings that maybe she was just hallucinating -- it was pretty easy to tell the "child's voice" was a grownup -- and eventually I figured out the twist.

All in all, it was a pretty effective execution of what could've been very corny. It was moody and atmospheric, although there were a couple of less effective bits, like the fake little-girl voice and the unintentional comedy of David clinging to the water wheel. The revelation of why Becky let people think she was Renee was rather heartbreaking.

I think the episode did strain to fit into the required two-Hulkouts formula. David's first Hulkout was triggered in a rather Rube-Goldberg fashion, and his confused rampage through the empty house didn't really contribute anything meaningful to the plot. I'd be tempted to think it was another one of those generic TV scripts rewritten to fit this show, except that it was generated in-house -- the story was by the show's story editors Karen Harris & Jill Sherman. The screenplay was also the TIH debut of Andrew Schneider, who would later be a producer on this and on Kenneth Johnson's Alien Nation.

Carol Baxter (Renee/Becky), meanwhile, would go on to write the Hulk episode "Wax Museum" in season 4, as well as several She-Ra episodes. She and John O'Connell (Bernard) will both be back in the season 4 debut "Prometheus."

MacGyver did an episode with a similar (but not identical) gimmick to this one, "Two Times Trouble," with Audrey Landers as the "twins."
 
"Haunted"--

David: "Believe me, I'm stronger than I look."

Har, har. I guess David is sort of comfortable enough to joke about his usually tormented other half / life?

David Barron(?) gets a job helping young artist Renee Stevens drive as part of her move back to her old family home. An old friend / real estate agent (Fred Lewitt) tries to dissuade her from moving in based on the death of her twin sister that occurred there during her childhood (20 years earlier). Arriving at the home, Renee believes she sees a little girl running by; reaching out to her, the girl scratches her arm. Searching through the house, she is traumatized by...something, causing her to hyperventilate. David helps her recover, telling Banner she thinks the girl appeared to be her deceased sister, Becky.

Although David tries to lighten the mood, Renee is still disturbed by the little girl--seeing her skip by in the courtyard. Touring the home, they run into Bernard, the odd caretaker who is put off that Renee is moving in--and makes a point to ask her if she's visited the mill. On that note, Renee takes David to see the old mill on the property; David finds it fascinating, but Renee warns that its not safe to explore, as its site of Becky's death.

Later, Renee is distraught at the childish scribblings on a mirror, convincing herself that its the work of her sister; Lewitt visits, trying to get Renee to sell, but she's not interested, leading to a confrontation between Lewitt and Bernard, who warns that the house will not be bought & torn down in favor of commercial development, as in other parts of the once historic town.

Lewitt is convinced he will succeed.

That night, David overhears the singing of a child; Renee finds the source--the same little girl, who refuses to talk to Renee. David carefully searches the dusty basement for the source, too--hearing (what sounds like an adult) mimicking a child asking him to go away. As he explores, someone is locking doors, trying to frighten the man. When a broken overhead light socket electrifies a gate David grabs, the Hulk is triggered. The creature breaks out of the basement, but calms down once he finds a doll (placed next to framed photos of Renee & Becky). He returns to his David side before Renee can witness the transformation, but becomes a bit irate about the doll--revealing as children, Becky tried to take it from her, but ended up falling in the water to her death.

Bernard watches...

Renee is panicked--thinking Becky has returned, with David belieivng he heard a child's voice. However, David concluded someone is trying to scare her away from the house, but convinces her to stay in town for the evening.. Bernard balks at David's "interference" and storms off. The next day, Lewitt approaches David about the property, getting into the tale of the two sisters, once known as "sunshine" (Renee) and "rain" (Becky). But he's more interested in convincing David to press Renee to sell the home (in the interest of a developer he's indebted to).

David returns to the mill seeking answers, but runs into Bernard; the caretaker thinks she needs professional psychiatric help (mentioning a breakdown when her sister died). David finds the doctor (Rawlins) who sent Renee away after that breakdown; he explains that Renee had a pronounced heart murmur, which--coupled with the trauma of her sister's death--was the reason he sent her away. David later discovers Renee has vacated the town motel--thanks to a child's drawing belonging to her dead sister...

David returns to the house, frantically searching for Renee; outside, Renee begs the "Becky" girl to talk; Becky accuses Renee of not trying to save her when she fell in the water, but when David spots Renee, she is talking to no one--she is the one creating the childish voice of her late sister. David tries to reach Renee by reminding her of her heart issue, but Renee slips back into her "Becky" persona, saying that they will go back to the mill, so Renee can fall into the river--exchanging lives with Becky. It turns out that Renee is actually Becky--Renee (the loved twin) died, so Becky assumed her identity. Trying to settle this guilt in her mind, Becky inches toward the weak mill walkway to kill herself; David chases after her, but ends up falling in the water--the wheel pulling David and Becky under. David is flung over the wheel, causing him to Hulk out. In the process, he wrecks the wheel, but saves Becky.

An emotional Becky apologizes to the memory of her sister...while hugging the Hulk for comfort.

Days later, Becky tells David she thought the Hulk was part of her hallucination (whew!). Becky asks David to stay, but he cannot, of course. Bernard (now knowing the truth) and David settle their differences, as David walks off.

NOTES:

This is not a cure-related episode.

This could have been a warmed-over Scooby-Doo episode ("..and I would've got away with it, if not for you pesky kids!"), but there were no fake boogeymen / scares from Lweitt or Bernard (though we were meant to believe that well into act three).

Jack McGee & The National Register are not seen or mentioned in this episode. McGee will return with force in the next episode...

David collected coins as a child.

GUEST CAST:

Carol Baxter (Renee Stevens) will return to Bannerland as Dr. Charlene McGowan in the memorable 2-parter, "Prometheus." Baxter would also write the 4th season episode "Wax Museum." Other fantasy assignments include "Saga of a Star World," the pilot movie for Battlestar Galactica, and one regular series episode, "The Lost Warrior". In 1979, she had a small part in "The Curse of Dracula," one of three segments from the failed anthology series Cliffhangers! (NBC, 1979).Baxter took her talents to Filmation, where she penned 4 episodes of the He-Man and the Masters of the Universe spin-off, She-Ra: Princess of Power (1985-86).

Johnny Haymer (Fred Lewitt) While Haymer is best known for his recurring role as Zelmo Zale from M*A*S*H*, his fantasy contributions leaned heavily toward animation, providing voice work for The Plastic Man Comedy / Adventure Show (ABC, 1979-80), Spider-Man and His Amazing Friends (NBC, 1981-83), G.I. Joe (syndicated, 1985), The Transformers (syndicated, 1985-87) and Duck Tales (syndicated, 1987--until his death in 1989.

Randi Kiger (Renee in childhood) had a very short career spanning 1978 - 79, with her final role being the voice of young Darla Hood in the animated spin-off of Hal Roach's Our Gang/Little Rascals--The Little Rascals Christmas Special (ABC, 1979) This version is not related to the 1982 Hanna-Barbera series.

Jon Lormer (Doctor Rawlins) --strong list with a few quality drops along the way:
  • One Step Beyond (2 episodes)
  • The Twilight Zone (4 episodes - "Jess-Belle," "The Last Rites of Jeff Myrtlebank," "Dust" and "Execution")
  • The Invaders ("Valley of the Shadow" - 1967)
  • Voyage to the Bottom of the Sea ("Fatal Cargo" - 1967)
  • Batman ("How to Hatch a Dinosaur" - 1967)
  • Star Trek--Dr. Theodore Haskins in "The Cage" / "The Menagerie," Tamar in "The Return of the Archons" and the old man in "For the World is Hollow, and I have Touched the Sky."
  • Planet of the Apes ("The Legacy" - 1974)
  • Creepshow (Warner Brothers, 1982)
 
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