Andy Probert was just last week telling me what a difficult time he had convincing people to shoot the images for the TNG viewer dimensionally and not flat.It's pretty cool but would be cooler if it were a hologram or was also a window.
Andy Probert was just last week telling me what a difficult time he had convincing people to shoot the images for the TNG viewer dimensionally and not flat.It's pretty cool but would be cooler if it were a hologram or was also a window.
Hey, who are you calling "quaint"?Maybe the NX-01 Enterprise should have had a black-and-white screen with a round-ish tube just to look quaint.
Awesome!While not the answer to the Enterprise main viewscreen—since solid state electro-luminescent (el) products did not exist in the 1960s—el material can be found in a variety of forms today. You can outline your TV with it, strap the remote to the armrest of your favorite captain's chair, and enjoy your own private Idaho, er, Enterprise right in your living room.
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Ellie had to get into the shot when she thought her name was mentioned (or thought—I have a mind reading cat).
I've always loved that. Does anyone know the story behind the TV cabinet prop? Was it custom-built for Trek, or left over from a prior TV show or movie? In researching furniture and appliances of the era, I don't rermember seeing this exact thing commercially available from department stores. But I could be wrong.Hey, who are you calling "quaint"?
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My guess is that the dummy TV screen was a stock piece of set dressing and the triangular cabinet was probably purpose-built for the show (it's fairly simple in construction).I've always loved that. Does anyone know the story behind the TV cabinet prop? Was it custom-built for Trek, or left over from a prior TV show or movie?
Can we all agree this was the best and coolest widescreen TV ever?
I'll second that. And the First Federation ship wasn't half bad, neither.
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My rough measurements put the aspect ratio extremely close to modern television's 16:9. Which raises a couple of questions.
1) Is it a coincidence? The bridge screen is unlike any monitor that existed in 1966 (recall the rounded "mini-CRT" in the classic Tricorder), and it looks exactly like today's 16:9 flatscreen TVs. Were the designers of widescreen TV influenced by Star Trek, as happened with the flip phone?
2) Does anybody have a fix on the actual size of the main viewing screen, as it existed on the studio set? If so, what are you basing it on? The Michael McMaster blueprints put the length at 6 feet even, and the diagonal measure looks like about 81 inches, give or take. Franz Joseph doesn't give us a square-on view. But neither of them are entirely authoritative anyway.
Maybe Pike liked watching really old movies for recreation.
"Ah, The Searchers ... John Wayne and that dopey young guy Jeffrey whatsisname. "
Window? What the hell good would a window do you when you're usually 100,000 miles from the closest anything?It's pretty cool but would be cooler if it were a hologram or was also a window.
Pike was into watching 300-year-old reruns of Gunsmoke, Bonanza and The Rifleman.
But seriously, did anyone place the pre-TOS "The Menagerie" / "Where No Man Has Gone Before" Bridge main viewscreen under the same kind of scrutiny ( size and aspect ratio-wise) as the squared-off TOS one that's been discussed here?
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