Well any excuse to see Ray Walston on the screen is OK by me. But 8472 started out as genocidal bigots, too, a fact conveniently overlooked. Ray made them nice and cozy like an episode of "My Favorite Species 8472". I kept waiting for him to give Chakotay dating advice.
So like the Borg, their unstoppable malevolence was soon rendered a formulaic technobabble technicality and foregone conclusion. This is one of my main criticisms of this series: the plot dictated the effectiveness of the scitech, and not consistently.
For example, in Latent Image, they needed a death so they made Jetal's injury so improbably technical that only a surgeon could provide triage, and only to one patient at a time. Yet all he does is wave a device at her - and Tom couldn't have even tried doing that? It is all so convenient and rushed almost an afterthought. Did the aliens who shot them even need a motive? A MacGuffin? Any reason at all? They disappeared as mysteriously as they appeared once their plot point was set in motion.
Too formulaic, which is why the series had ratings issues by season 4, IMO. (Solution: More T&A! More T&A! Yeah, that's the ticket)! They had everything down too pat. IT WASN'T FRESH, it was predictable, it was a technobabble manipulation called plot. Oh, Rachel has a new job! Oh, she didn't get it and she was fired! Oh, she got another offer in Paris! Oh, her old job asked her back! Oh, her Paris job offered more money so she refused! Oh, her NY job offered more money and she accepted! Oh, now she is whining about her never-before mentioned lifelong dream of living in Paris! Oh, Ross flip flops and tells her she should go! Oh, she will, will she? Will she?? She's ON THE PLANE - GUESS WHAT?? Ugh, such cheap manipulation that is somehow supposed to hold viewer interest throughout a series?
Well what do I know, Friends was huge. I think it was the clothes, saturated colors and the dialogue; but the plots were paper thin. Anyway, what was I on about? 8472. Trapped in the Neutered Zone. Like the writers.