If the idiots meant "33 feet wide," what do the "55' wide" and "21' high" mean in their signage?
Yeup. Any deal he cuts is going to have holding on to the studio as a deal breaker. Sure, they'll toss is some other big sounding "Sacrifices", those will just to distract attention from the studio. If CBS/Paramount is smart they're going to demand he hand over the studio their IP paid for.lYep. At this point he would happily cut a deal with c/p to stop all work on axanar and call it even if he keeps the studio and be can blame them to his fans. Which is why they have to make sure he loses the studio and I'm sure they will.
I don't believe in the rentability of that so called "Studio".
But one thing remains: The faithful donors are the ones being eff'd heavily. I'll have some more popcorn, I guess...![]()
They are so screwed. He better cut a deal with c/p before discovery because I'm pretty sure he doesn't want all the financial details to become known to backers and if he gives it up in discovery I'm sure it will get out.
Does discovery become public record?
Does discovery become public record?
Exactly. And if ever they'd been really serious about giving their donors what they promised them then they would've built their studio somewhere alot cheaper and would possibly have produced something by now. But thanks to the selfish decision to go where they are now this new business venture is in competition with, well , how many other spaces that could be used as a studio? None of which, I'm guessing, have a great big Sword Of Damocles with the initials CBS carved into it's hilt hanging over it.Ok, now the cat is out of the big and it seems to have ugly claws...
But: Who would want to rent such a thing?
Professional film makers? Really? Don't see it coming.
Or Fan films with small to no budget? Neither.
Ok, now the cat is out of the big and it seems to have ugly claws...
But: Who would want to rent such a thing?
Professional film makers? Really? Don't see it coming.
Or Fan films with small to no budget? Neither.
I don't believe in the rentability of that so called "Studio".
But one thing remains: The faithful donors are the ones being eff'd heavily. I'll have some more popcorn, I guess...![]()
To be honest, I'm surprised they didn't have W&S cut a deal with C/P at the get-go, pay some amount of damages (say $150,000) and promise to not make Axanar or do any Trek-related thing in the future. Then reappear a few months later with the studio.Yep. At this point he would happily cut a deal with c/p to stop all work on axanar and call it even if he keeps the studio and be can blame them to his fans. Which is why they have to make sure he loses the studio and I'm sure they will.
See, this is what I'm seeing:
We've all apparently concluded that the nitty-gritties are not important in this trial. There's obviously the intent to recreate Star Trek, so no reason to get into all that, right?
But CBS/Paramount's complaint already assumes that infringement is taking place, and they want damages paid for every infringed work. So the trial won't really be tackling whether or not infringement took place at all, but rather if any "actual damages" were inflicted on CBS/Paramount through said infringement, and which specific works qualify, based on the rhetoric of the complaint.
For that, things will have to get pretty nitty-gritty. The Klingon language debate (for example) will undoubtedly arise again when it comes to figuring out which copyrighted work is specifically being infringed. TMP? Star Trek III?
Does every movie and episode that contains Klingon count as an infringed work, or only the first? Only the licensed books wherein the language was delineated? Or maybe all of the above? The trial will be necessary to hash that all out. It's all still relevant.
Why can't people understand. Axanar has nothing to do with Star Trek, It's a war story that just happens to be set in Star Trek which is okay because Gene didn't like war stories except for that DS 9 thing which really wasn't canon anyway, DS9 just happened to become canon because it was Star Trek. Can't you see how simple it is? Just use a pen name.... yep that will work.See, this is what I'm seeing:
We've all apparently concluded that the nitty-gritties are not important in this trial. There's obviously the intent to recreate Star Trek, so no reason to get into all that, right?
But CBS/Paramount's complaint already assumes that infringement is taking place, and they want damages paid for every infringed work. So the trial won't really be tackling whether or not infringement took place at all, but rather if any "actual damages" were inflicted on CBS/Paramount through said infringement, and which specific works qualify, based on the rhetoric of the complaint. For that, things will have to get pretty nitty-gritty. The Klingon language debate (for example) will undoubtedly arise again when it comes to figuring out which copyrighted work is specifically being infringed. TMP? Star Trek III? Does every movie and episode that contains Klingon count as an infringed work, or only the first? Only the licensed books wherein the language was delineated? Or maybe all of the above? The trial will be necessary to hash that all out. It's all still relevant.
Possibly some semblance of investing has occurred, Peters, Bawden and other members of this scam each investing $1 each to take the 'asset' away from Axanar and so make anything that happens next not attributable to the crowd-funding. I have no expertise in this area (clearly) and I have no idea if something like that could even sever all ties to the law-suit but there's something suspicious afoot. Is is legal?I honestly don't think there are any investors or that anything has changed hands with the studios. I think it is just now Valkyrie studies owned my axanar productions.
There's obviously the intent to recreate Star Trek, so no reason to get into all that, right?
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