If you can't trust a prop broker with a history of misleading bidders by creating fake shipping companies and slamming them with hidden fees, who can you trust?
Hi, all:
After a long break, I’m just chiming in here to offer some guidance on what W&S is trying to do in their motion to dismiss (and why it’s a huge fallacy, albeit a valiant attempt to make a purse out of the sow’s ear they were given.) Frankly, a good many people here already sussed out the rationale for this, so my comments are more support of what others have said, rather than “schooling” anybody. Most peoples’ instinct around here are right on the money, even if based more on just plain old common sense than any legal training.
Here’s why the nit-picky “no element of Star Trek cited by the Plaintiffs is copyrightable” is a bust of an argument from a legal perspective.
1. First, you have to start with the “idea-expression dichotomy” embodied in the U.S. Copyright Act (17 USC 102(b).) In short, no one can claim a copyright in an idea; ideas are free for everyone to use. However, the particular way one person expresses an idea – the creative choices he or she makes to express an idea– is protectable by copyright.
2. Next, let’s look at things from the other end – how a plaintiff proves that his or her copyright is infringed and wins the case. There are two ways – through “direct evidence” of copying and, where there is no direct proof, by circumstantial evidence of copying:
a. “Direct evidence” – believe it or not, this is actually pretty strict – you really need a confession by a person that he copies, or a photo of them engaged in the act of copying etc. Such direct evidence is actually rare.
b. “Circumstantial evidence” - When you don’t have “direct evidence”, the law allows you to raise an inference that copying occurred through circumstantial evidence if you show two things:
i. The defendant had access to your copyrighted work, and
ii. The defendant’s work is “substantially similar” to your work.
You get the drift? Even without any direct evidence of copying, the law will let you prove your case if you can show its more likely than not the defendant copied your work because he or she was exposed to your work in some way and came up with something substantially similar to it – the idea being that it beggars the imagination that it could only be sheer coincidence that their work was so similar to your work. In the present case, it’s clear SuperStarTrekFan Alec had access to the Star Trek works , and the work he has/is/might-maybe-someday-create is substantially similar to Star Trek.
Unfortunately, the inquiry doesn’t end there. Plaintiff only wins if he can show that the “substantial similarity” arises from copying of the copyrightable elements of his work. Since anyone is free to use ideas or uncopyrightable material, there is no infringement unless something that is proprietary to the Plaintiff is copied.
So this is the basis for Ranahan’s breaking everything down to its most basic level and point-by-point claiming each constitutent part is unprotectable. “You say we copied the word ‘Vulcan’? ‘Vulcan is a god’s name.” “You say we copied pointy ears? Wombats have pointy ears.” In short, she’s trying to state that any similarities are due to unprotectable elements. But I know you all get that.
But here’s the rub, and the fallacy in her argument, and why I think it will ultimately go down in flames. The law recognizes that “copyrightable expression” is by definition made up of a combination of uncopyrightable components. In fact, that’s what “copyrightable expression” is – the specific, creative way that one person chooses to combine those uncopyrightable components to express an idea. Let’s face it – it’s black letter law that single words and short phrases are not copyrightable. But a novel – which consists of nothing more than a creative combination of uncopyrightable words and phrases – is 100% copyrightable. Same thing for music – single notes are not copyrightable and there are only twelve notes in the entire (Western) musical scale – but there are thousands of creative combinations of those notes, and thousands of copyrighted songs. Thousands of different ways of expression, all built from the same public-domain pieces. It’s the choices and combinations that are copyrightable.
And just like you can’t avoid copyright infringement in a song by claiming “well, A-flat has been used before, and C-sharp has been used before” and knocking out through all other ten individual notes in the scale the same way – you can’t avoid copyright infringement for a Vulcan character by saying “Vulcan is a god’s name, and wombats have pointy ears, and people have been logical since before Socrates.” Because what is protected by copyright is the overall expression – the creative choices the authors made – to express their own unique conception of an alien race by combining preexisting elements in a creative way. Alien races can come in all shapes and forms – the bug-eyed “grays”, the fat Jabba the Hutts, the warlike Xenomorphs, the lovable E.T. and so on. C/P’s protected expression in their “alien” consists of the sum of the creative, original choices they made to express an alien that is logical, aloof, and peaceful with pointy ears and greenish skin.
If – using Vulcans as just one example - C/P can show that one ground of substantial similarity between ST and Axanar is that both contain an alien that is logical, aloof, and peaceful with pointy ears and greenish skin, then this will raise a legal inference that C/P’s copyrightable expression was copied – and no amount of trying to tear down the individual components (claiming “no individual note of the song is copyrightable, and no individual word in the book is copyrightable”) is going to save Axanar. As noted above, if the “system” worked any differently, then no book, play, song or poem would be copyrightable. Luckily, that's not how the system works.
M
(And just to prove my point - the post above is my copyrightable expression of my ideas, even though it's made up entirely of public-domain words. And anybody who quotes my post - in whole or in part - in any subsequent post is gonna get the living bejesus sued out of them by me. Eh, I'm just joshin' with ya. Just wanted to see if anyone managed to read this far without falling asleep.)
I'm following it. At this time he seems to be holding. I'm noticing his 'method' of reply causing friction now and then, but not yet (that I've seen anyway) friction in his courtesy toward the questioners. Currently he seems to be doing a more than reasonable job in this PR nightmare he's been handed and is maneuvering through. There are a couple of skirmishes that have been attempted from both 'I Stand With' sides which so far have been handled decently and mitigated. And I've read several posters who are putting up the same questions that I have been asking for so long.Mike Bawden, the Axanar PR person, has been good to his word so far about allowing everyone to comment now in the various articles and blogs on the Axanar website.
How long it lasts is anyone's guess?I'm not a donor, so I'm not reading their discussions. Are the zealous among the fans self-policing the rest now? Are any real questions getting on the table?
Choose any or all of the above (in no particular order):
- Some form of argument must be made, as defendants are entitled to a zealous defense (and we legal types are required by the Code of Professional Responsibility to offer same
- This case is more about the nerdy or fanficcing or free speechifying folks who will come down the pike later and will need defenses and can/will engage the firm's services and not for pro bono publico (like it or not, lawyers do have to advertise their wares, and sometimes it can be in a roundabout fashion)
- The desire to try to chip away at what @mkstewartesq wrote (see, I'm giving you credit. Please don't sue me. I like my house.
), e. g. maybe some sort of argument will be bought and a precedent, however narrow and flimsy, will be set
- Maybe she thinks it really will fly
- Aliens, generic or otherwise
- What @mkstewartesq said
I'm following it. At this time he seems to be holding. I'm noticing his 'method' of reply causing friction now and then, but not yet (that I've seen anyway) friction in his courtesy toward the questioners. Currently he seems to be doing a more than reasonable job in this PR nightmare he's been handed and is maneuvering through. There are a couple of skirmishes that have been attempted from both 'I Stand With' sides which so far have been handled decently and mitigated. And I've read several posters who are putting up the same questions that I have been asking for so long.
I definitely see what I call Party Line holding in his answers. I will grant him that this is his role though. But I do not read him to be stonewalling. Reading him one could say he is "politely answering" with the same answers that before this fans have been Banned, Hit Over The Head With and Beaten Down With vitriol in reply, threatened with a lawsuit, mocked, or ad hominem diatribe employed. But that, in and of itself is new. And important. And has long been needed.I'm wondering in particular about specific pointed questions from donors and the concrete or fantasy answers being given (he could be *politely* telling them his nonsense about not being advised how far they could go disqualifies copyright law, for example), and about any donors who may be raising the possibility of legal action and trying to organize with each other. Also whether he is trying to shift the blame in answers or refuse to disclose specific financial waypoints, the way Alec does, or whether he is trying to argue in favor of Sarek is a minor character and Vulcans are not distinctive enough. That kind of thing.
Not asking for an inventory of everything... just curious as you note things which parallel questions here and on axamonitor, 1701news, and g&t in particular. They could be quite polite (except in that haters diatribe), while still completely stonewalling and making misstatements to donors.
I can think of another reason why she might be sticking with the case: she (or her firm) is being paid.
AFAIK, pro bono is treated differently depending where you are. But where I work, we do pro bono work for nearly all our clients. The rub is, if your case stays with us and goes beyond the initial interview+advice+occasional follow up if we can't deal with it on the day, then we start charging.
So for eg. I can take on a client and interview them. I can then give them some intial advice, write up some letters or forms, do some research for them, and even represent them in a hearing if it's a minor enough (for eg. Traffic or Bail). And I will probably do all that pro bono.
But if the client needs more help and chooses to stay with us, then I'll open a file and the case will usually be passed on to another solicitor more specialised in that area (or who just has the time). That persons work, even though we're both from the same place, won't be pro bono.
It's entirely possible Ranahan got this case got dumped on her lap and now has to keep Alec happy. It he doesn't like what's she's doing, then the firm could lose a paying client.
Great post - and there is a simple answer to your questions: Mike isn't trying to construct a sound argument or win a debate. His job is to take the facts and spin/ignore/restate/selectively emphasize them in such a way to portray his client in the best light and to follow his client's instructions - which in this case appear to be "keep as many donors as possible in the fold." Fostering an "Us versus Them" attitude is an excellent way to keep donors from waking up and realizing they have been duped.Mike has been very polite and respectful to people, one on one. Even jovial within the Facebook group. I'd definitely have a beer with him [insert drink of choice].
The trouble with his diatribe was him zooming out and impugning the motives of an entire group of people with a broad brush, under the cover of delineating them under seven categories, making it seem like an entirely reasonable approach.
But the premise — that everyone in that group wants to "tear down" Axanar or "hates" Alec Peters — is inherently flawed, using his desired conclusion instead as his premise. Is there truth lodged within his seven categories. Indeed, there is. I could myself point to individual examples illustrating each of his seven types of detractors. But the question is, do they all add up to those seven categories? Of course not. I could just as easily find people who don't fit any of those categories.
Moreover, his list doesn't merely categorize behavior, it describes motivations which — unless he has ESP — Mike can't really know. For each accurately described behavior he ascribes his theoretical motivation and applies it to every single person who behaves in that particular way, then finds a way to dismiss them.
For myself, I can see that I must fall into his group number 6 —
A select few of the "detractors" who have found their posts and claims about Axanar Productions, Alec and Rob drive traffic to their websites. Is there a commercial advantage to doing so? If there is one, I can’t believe it’s too much of one – the audience involved here is pretty small – but having the ability to drive people to your website gives one a sense of control that can be intoxicating.
Since my website, AxaMonitor.com, is non-commercial, clearly no commercial advantage accrues to me. That leaves, of course, only one another motivation in Mike's estimation. Surely, what drives me is "having the ability to drive people to [my] website," offering me "a sense of control that can be intoxicating." So I'm either a greedy bastard or a control freak drunk on power. Not a very broad spectrum of motivation Mike offers me: I can only be evil, or more evil.
In fact, he sums up all the detractors as either being people who feel they've been unfairly wronged and who can make appeals to a kinder, gentler Axanar, or being "bullies, harassers and conspiracy theorists." There's no room in the world he describes for Axanar's supporters for anyone who simply wants to hold Axanar accountable to the standards of openness and transparency with which it touts itself, for anyone who cares about how the professional, commercial venture trading off CBS and Paramount's property — the studios' words, not mine — imperils all other fan films.
I take Mike at his word that he zealously represents his client because he cares about the project, that he wants to see Axanar made, that it embodies an idea of Star Trek that thousands of fans want to see brought to life. I don't see why he can't offer me the same courtesy, instead seeking to discredit what I've published about Axanar by impugning my motivations. Why not engage my critiques on their merits, with logic and facts and open discussion?
He has never once pointed to anything on AxaMonitor and said, "That's wrong. That's inaccurate. That's unfair." Despite the meticulous sourcing of each article, no objection of substance has ever been lodged that I haven't answered. Instead, we see the setup of a straw man "detractor," motivated by greed or narcissism or some intoxicating mixture of both, easily dismissed. It appears to be more convenient to attack that opponent than one who brings facts to bear, and critical questions and a sincere desire to see fan productions survive this debacle.
Great post - and there is a simple answer to your questions: Mike isn't trying to construct a sound argument or win a debate. His job is to take the facts and spin/ignore/restate/selectively emphasize them in such a way to portray his client in the best light and to follow his client's instructions - which in this case appear to be "keep as many donors as possible in the fold." Fostering an "Us versus Them" attitude is an excellent way to keep donors from waking up and realizing they have been duped.
So the answers in both cases as to why the attorneys and PR people here are making false statements is, they choose to self define their jobs as being exempt from accountability for their statements as long as the client ordered the act. Kinda like Alec self defines his story as not accountable to copyright as long as the fans ordered the act.
I fully understand that the professions serve a purpose within the debatable areas of human opinion. But these folks just don't seem to be drawing any lines. Vulcans are not copyrightable? Copyright doesn't apply because CBS wouldn't set explicit boundaries? What is up with these people?
That's true of anyone (PR person, CEO, hell the Janitor) making public statements for an organized group or company.It's a question of accountability. A PR person should still be held accountable for what he says.
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