Well, I saw it. Pretty packed for the first showing in the morning on a Sunday, I'd think, but maybe people were trying to get it out of the way early to make way for Easter dinner.
It...wasn't that bad. Like MoS, there's a good movie in there that has something to say, but it isn't being told as well as it could be. It is possible to convey weighty subject matter without evoking such a grimdark atmosphere.
And it definitely could have used some trimming, which could have been done in a way that wouldn't have lost any important story beats. For example, did we really need the credits montage to retell Batman's origin? Seriously? I know they want to tell their own story, but whatever continuity they may take place in, there have been SEVEN major Batman films in the last 27 years (not to mention his presence in other media in that time, notably various animated series)...we know this shit, get on with it. Take a cue from the Adam West series and drop an early passing reference to Bruce's parents having been killed by dastardly criminals if you must. Bruce's brief flashback during the "Martha" scene could have been all that we saw of Batman's origin and it would have gotten the point across.
One bit that struck me was how they played "Night and Day" at the party where Bruce and Clark first meet...which might be a nice wink if these versions of Superman and Batman were really as different as day and night, as they've often been portrayed in the comics. Here it seems like Superman lives in Batman's world...Metropolis isn't the day to Gotham's night.
And what the hell was Lex's ultimate motivation anyway? I'm not convinced that he was initially motivated by some contact with the Fourth World...that knowledge could be something that he picked up during the film from the Kryptonian ship. Seems like he wanted to kill Superman because that's what Lex Luthor does. Byrne's Luthor, to use an example, only wanted to destroy Superman after it was clear that Superman wouldn't work for him.
(BTW, in that last scene, Luthor is saying "Ding ding ding," in reference to bells, not "Ping ping ping.")
Luthor definitely did come off like something of a Joker wannabe, but I wonder if they were partially going for something else? Lex Luthor as an eccentric, wisecracking billionaire genius...a little stab at the competition's most popular character, perhaps...?
There was a very small smattering of applause at the end of my showing, and relatively few and weak audience reactions to some parts. The senator's "tea" jar got the most audible reaction.
In that scene with the warning (which seemed to be happening after Bruce's vision, not during it), I wouldn't have known who the Flash was supposed to be if I hadn't read it here.
On the subject of who knows whose secret identities...there were rumors after MoS that Perry was supposed to be in the know, but if he was, he was keeping his cards pretty close to the vest.
As for the greater DC franchise...I haven't had any interest in
Suicide Squad, don't expect that to change...looks like next up after that are
Wonder Woman and
Justice League next year...think I'll see those and go from there.
In the wake of the events of this film, I have to wonder if they shouldn't have done
Shazam! sooner. It seems like, in-universe, there's a void he could have attempted to fill, that probably won't need filling by the time he's introduced.
(and I also liked their nod to the Arrowverse with the term "metahumans" as well)
They've been using that term in DC Comics since at least the '90s...it's not an Arrowverse-specific thing.