There's really no excuse for that when you and your girlfriend are reporters....apparently not even bothering to give interviews
There's really no excuse for that when you and your girlfriend are reporters....apparently not even bothering to give interviews
There's really no excuse for that when you and your girlfriend are reporters....
Yeah, this is something that always rubbed me wrong about Superman. A bigger deal than Superman telling Lois that he never lies to her, but is lying about his identity.I've recently been reading some collections of 1942 Superman comics I got from the library, and it's ridiculous how constantly Clark uses his unfair advantage to scoop Lois on stories about Superman's exploits. I do wonder how ethical it is for Clark to report on Superman in the first place, given the conflict of interest and the obfuscation of certain key facts, but constantly making sure that Lois fails to get the big story seems particularly nasty. I'm kind of surprised she managed to keep her job.
I was actually surprised how much Lois had to do in this movie. I thought she was would be a glorified cameo with all the heroes around. I was also surprised to see them living together... and seeing her bewbs.
Wasn't Wonder Woman's theme just an electric guitar riff?
I read reprints partway through '41, and he was definitely still occasionally inflicting mortal harm on criminals on purpose in those stories. It really fits with his M.O. at that early time...he was effectively the guy who bullied the bullies (and sometimes killed the killers).1942 Superman sometimes indirectly brought about the deaths of criminals
Guess that gives me a little more motivation to schlep out to the theater tomorrow....and seeing her bewbs.
I haven't seen the movie yet but with all the talk of aesthetics and so on you think they would go for a more traditional portrayal of Luthor at least once in the movies.
I'm thinking more than just being bald, if no one has any clue what I mean about a more traditional Luthor I guess I'll just drop it right here. I guess Hackman/Spacey/Eisenberg have nailed it.We got that with Lyle Talbot in 1950. And the Hackman/Spacey Luthor was briefly seen bald a few times, when he wasn't wearing one toupee or another.
Yeah but I happen to like electric Guitar rifts.
Although it was a strikingly literal and faithful adaptation of the style and approach of the Batman comics of the '50s and early '60s, [the Adam West Batman] was made with the deliberate attempt to mock them and invite people to make fun of them. And yet it's one of my favorite Batman adaptations ever, and one of the most beloved today, though it went through a period of being widely scorned (and Miller's The Dark Knight Returns -- and therefore this movie -- only exists as a reaction against the campy comedy of Batman '66).
The thing that gets me about Snyder's grasp on it - and I actually enjoyed the film - is that when he was defending the film (this was in the same series of UK interviews that produced the 'sad Affleck' meme), he said something like 'Well, if you look at the original comics, I've totally captured their aesthetic.'
When I read that, before I saw the film I couldn't help but marvel that, apparently, the most important thing to him was capturing the aesthetic. Not the spirit, not the heart, not the essence of the characters but the aesthetic. Yes, it's a visual medium and he undoubtedly makes great-looking films, but if he thinks people are satisfied solely because films look like the source material, he's missing the point.
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