Copyright covers several distinct types of copyright works, and "literary" (written) works are distinguished from "audovisual works" (movies.)
That's fine, but the script was never published in any form.
Copyright covers several distinct types of copyright works, and "literary" (written) works are distinguished from "audovisual works" (movies.)
One would assume that fan films' scripts change less radically than professional productions over time. If you've only got a small budget, you want to establish exactly what you need to shoot a script and stick to it. Changes mean more expenditure. Less money to spend on carpets.Clarify something here. Was there just one script being reviewed? Because the kids and picnic opening sounds exactly the same as the script reviewed on reddit, which has a date from 2011. If that's so, it can hardly be a locked script. It wouldn't be the same 4 years later.
Simply put, as many as they can allege and prove. Not to be vague, but if we assume that the copyright in a Star Trek episode or film encompasses copyrights in the visual design (including ships and appareance of characters), characters, dialogue, etc., then there are potentially many infringements. Reproducing a Klingon image or set on a coffee label. Creating a derivative work of existing ST ship design elements by creating a new ship that "fits in" with the accepted ST design ethos. Using characters and settings created. It's a bit mind-boggling how many separate infringements C/P could claim (but that's not the same as saying they could prove them all for purposes of copyright liability.)
Can a judge order damages based on infringements from an unproduced script?
That's fine, but the script was never published in any form.
I count way more than 11 just based on the review:
Klingons
Vulcans
Andorians
Federation
Starfleet
Garth of Izar
Captain Pike
Captain April
Captain Robau
USS Enterprise
D-7 Cruiser
Q'onos
Orions
Vulcan (planet)
Soval
Sarek
Kirk
Mitchell
Chang
602 Club
And I would not be surprised if there are many more name drops and walk-ons. Additionally, are"phasers," "transporters" and "tricorders" copyrighted? What about the insignias such as the Starfleet Delta? What about the "distinctive look and feel" of Star Trek ships, technology and uniforms?
Again though, these are just within an unproduced script. Maybe they could get an injunction on production, but could they really get damages for infringements that didn't happen yet?
That's fine, but the script was never published in any form.
Not sure what you are getting at. "Published" versus "unpublished' has no bearing on whether a work is protected by copyright or whether it infringes another work. The only thing that distinction would go to is calculating damages - i.e., if the script is published, chances are the defendant made more profit from it that the plaintiff can go after. But even if the defendant made zero profit from an unpublished script, the plaintiff may be able to recover statutory damages. See my post above.
M
One would assume that fan films' scripts change less radically than professional productions over time. If you've only got a small budget, you want to establish exactly what you need to shoot a script and stick to it. Changes mean more expenditure. Less money to spend on carpets.
How many are we talking? Can they count stuff in a script that was never produced? Does it then just fall on the "Vulcan Scene"? Or is Prelude included?
Not sure what you are getting at. "Published" versus "unpublished' has no bearing on whether a work is protected by copyright or whether it infringes another work.
Mike:
I've already shared why we feel perfectly legal in our coverage overnight of the leaked script. Could you share your opinion on that?
Yes.Imagine if an aspiring screenwriter wrote a Star Trek script and shopped it to CBS and Paramount. Could they turn around and sue him for damages?
Imagine if an aspiring screenwriter wrote a Star Trek script and shopped it to CBS and Paramount. Could they turn around and sue him for damages?
Your scenario doesn't have the writer raising a million dollars without permission and published plans to produce the movie.
I understand that it still infringes (i'm not talking about any profit or whether its protected), but the script is essentially just something someone wrote and is sitting in a drawer. Yes, they had intentions to film it, but it never was (and likely never will be). It only got out there because it was leaked.
Are you saying that I could write fan-fiction and keep it in my desk drawer-- no one could ever see it-- and they could be awarded damages?
Yes, fan-fiction infringes, but it's published at least-- people put it out there. I just am having a hard time imagining a judge awarding 150K damages per infringement on a script that nothing was ever done with.
The act of creating an unauthorized work is an infringement (technically), entitling them to damages even if you never took it out of your drawer (as you recognize).
However, because you never took it out of your drawer, you could argue fair use (it had no effect on the marketplace for the copyright owner's own work - one of the factors of a fair use analysis) or, failing that, that copyright owner suffered no "real" damages and should not be entitled to more than the barest minimum statutory damages ($100), if that.
M
Could axanar argue this over this script? Could they claim that-- while they may have INTENDED to film the script, they never did, and it only got out based on a leak. And would that claim hold any water with a judge?
Could axanar argue this over this script? Could they claim that-- while they may have INTENDED to film the script, they never did, and it only got out based on a leak. And would that claim hold any water with a judge?
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