Re: Trek_God The link gave the overall amount of profit for Warner bros, and then showed the percentage of avenues that generated it. You might find it ridiculous, but you haven't actually posted anything that proves that number wrong either, other than 'But...But Treks been running longer!
I gave you numbers--on the other hand, you made the still unsubstantiated claim that
Potter produced more merchandise than
Star Trek, which is patently false, otherwise it would be easy to prove.
I also don't have to prove how 'ingrained in culture' Potter and Trek are, because I never claimed one beat the other in the first place.
In determining the value and placement of a franchise, a property's place in the general culture is an essential part, so if one seeks to upgrade Potter at the expense of ST as a franchise, then an analysis of how ingrained it is in the general culture cannot be avoided. If you choose to avoid it, and focus on dollars, then I can just cite
Avatar--which outgrossed any of the Potter films, and the discussion is over. Moreover, Potter is not SF, so its as out of place here as superhero and Bond films.
I was just pointing out that relying on Treks merch sales to help prove its high position was pretty flawed.
I barely introduced sales, after talking about ST's cultural impact--repeatedly.
Second, it's nearly impossible to prove 'impact'. That sort of argument inevitably going to fall into the 'my anecdote trumps your anecdote!' trap, especially once somone tries to claim 'but the actual number of people who repeatedly watched it doesn't mean anything.'
No, it is not impossible. Cultural study is real, and you will find its use in almost every published study or filmed documentary on a media production of note, whether it is film, like (for example)
Star Wars, a TV series such as
Star Trek, or music, like that produced by The Beatles of Michael Jackson. It is as much a part in understanding and judging a work as its dollar value.
Any sort of published 'Greatest/Best-selling/Must Read' list I can find it on also includes Potter, seemingly because they focus on the more...quantifiable expressions of success.
Again, you add "best selling", but where are the critical articles seriously counting Potter books among the great works of fiction in history? I've not read any critical analysis stating that at all.
Pretty much anytime something space related comes up, there's a pretty good chance you'll get a reference to one of the ST or SW, and if contemporary fantasy comes up you'll get a Harry Potter reference. I don't really remember ever seeing those kinds of references to Avatar in the last few years.
LOTR is the standard bearer of written or filmed
fantasy--from its own conventions that were/are endlessly cloned/ripped off/borrowed by equally endless books, comics, and filmed media, to its longstanding place as "must read" literature in education, etc. Potter is not on that level.
People talk about the big character death in the sixth book, just as much as they do that scene in the movie, if not more. JK Rowling is probably even more closely related to the franchise than David Yates or Daniel Radcliffe.
People went to bookstores are midnight and lined up around the block outside of them for the new Harry Potter books, and I doubt that happened when The Godfather came out.
The Godfather was a major best seller when it hit the stands in 1969, and inspired both critical praise and very vocal hatred from the aforementioned real world organized crime figures (breaking their usual desire for anonymity), and of course, the novel's impact was the reason the rights were sold so quickly for adaptation as a film.
Harry Potter started a lot of kids reading
Innumerable publications can make that claim. The same was said of Golden Age comic books, the same was said of LOTR. The same was said of the works of Lucy Maud Montgomery. The same was said of
Spidey Super Stories and other CTW spin-off publications. The same was said of major publishers distributing their catalogs to the old "book mobiles". And yes, in the 1970s, the popularity of
Star Trek has been said to have inspired young fans of the TV series to take up reading by discovering the James Blish novel adaptations. It goes on and on and on, if you know how this history unfolded.
I doubt very much that the Godfather book had that kind of impact, if it did I probably would have known it existed before just a few years ago.
The following is not an insult, but your lack of awareness only speaks to
you--not the cultural impact of a novel that's been one of the best known works for nearly 50 years.