Since its revival in 1979 Star Trek has played safe with the kind of "classical" symphonic scoring established as the default for cinematic epics by John Williams in the 1970s. Bombastic compositions proclaiming "This is Huge! This is important! Be moved!"
It's boring, conservative and doesn't even have the defense that "everybody does it" any more. Everybody doesn't.
Perhaps more pertinent, Trek didn't do it back during the original series. The series employed quite a few composers who brought a range of approaches to their episodes. A good deal of TOS music is modern (for the time) jazz-based; Courage's theme itself leans toward Swing. And some was, yeah, traditional orchestral.
It would be refreshing to hear the new series do something innovative, something experimental - or failing that, just something different and interesting. McCreary's scores for Battlestar Galactica and the music for Farscape come to mind as representative examples. Unusual instruments, something electronic, something rhythmic and percussive. Variety, from story to story.
It's boring, conservative and doesn't even have the defense that "everybody does it" any more. Everybody doesn't.
Perhaps more pertinent, Trek didn't do it back during the original series. The series employed quite a few composers who brought a range of approaches to their episodes. A good deal of TOS music is modern (for the time) jazz-based; Courage's theme itself leans toward Swing. And some was, yeah, traditional orchestral.
It would be refreshing to hear the new series do something innovative, something experimental - or failing that, just something different and interesting. McCreary's scores for Battlestar Galactica and the music for Farscape come to mind as representative examples. Unusual instruments, something electronic, something rhythmic and percussive. Variety, from story to story.