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STC, tweaking the script...

Warped9

Admiral
Admiral
Generally speaking I've been quite content with the efforts of Star Trek Continues. But there are momentary lapses where I feel something was off or didn't quite ring true. So to that end I've decided to take a pass at tweaking one of their scripts to see how I might have done it.

In the first case I've chosen the script for "Lolani." In my view this has been STC's strongest effort to date, and it was their second episode. However, as much as I enjoyed it there were moments I think where it could have been a bit better.

And so, just for fun, here we go.


Here's how I tweaked this scene:

INT. SICK BAY
Lolani rests, seated and huddled on a sick bay bed, still frightened. She is beaten up a bit and bruised. Security chief Drake stands by in case she becomes violent. DR. MCCOY checks on her as Kirk and Spock enter.

KIRK
: Bones. How’s our patient?

MCCOY: 
Oh, she was confused when she came to, but she settled down during our tests. There are bruises and contusions indicating she’s been in some altercation. I also detect traces of blood that’s not hers. (he looks at her in frustration) Not that I can get a word out of her to confirm any of that.

DRAKE: 
Captain, a further scan of the transport revealed the bodies of three Tellarites. We’re likely to find more answers over there.

KIRK: 
Agreed. You and Mr. Spock beam over and see what you can find out.

MCCOY
: Also, the girl has been tattooed with some kind of symbol.

DRAKE
: It’s an index symbol we were able to use to track down a partial record.

KIRK: And?

DRAKE
: She was sold 4 days ago to a Tellarite by the name of Sev Bim Jor directly from one of Rigel VIII's wealthiest traders.

KIRK
: Perhaps someone wasn’t happy with the transaction.

SPOCK
: There is the only person still alive who can confirm that. (Kirk approaches the girl) Careful, Captain. The power of the Orion pheromones is a…

KIRK: Spock, it’s fine.

Kirk approaches Lolani.

KIRK (CONT’D): What’s your name?

Lolani says nothing.

KIRK (CONT’D)
: We’d like to help you. But to do that, we need to know what happened.

Lolani looks at him mistrustfully and turns away. Kirk steps back to McCoy and Spock.

MCCOY
: You’re losing your touch, Jim. (Kirk gives McCoy a look.) I know she can hear...maybe she can’t understand us. Maybe she can’t talk.

SPOCK
: More likely discouraged from doing so. Approximately seventy years ago the Orion women held dominion over the men. But after a revolt and civil war, the males gained control. Rather than abolish the slave trade, they continued it and in many ways, made it worse.

Lolani remains silent and wary, listening to his words.

SPOCK (CONT’D): The women are bred without education or opportunity. In part, to keep them subservient, and in part, as an act of revenge.

KIRK
: First the men were slaves to the women, now the women are slaves to the men...

MCCOY: 
Why does anyone have to be a slave to anyone?

Dr. MCKENNAH enters carrying a clipboard.

MCKENNAH: Gentlemen. (to Kirk)
 Dr. McCoy requested my presence.

MCCOY: 
I thought her expertise might be useful in communicating with our patient.

KIRK: 
Either she can’t speak or won’t speak.

MCKENNAH
: I find it hard to believe she spent years around slave traders without picking up any language at all.

LOLANI: 
Lolani. (They all turn and look at her in surprise)

LOLANI (CONT’D): My name is Lolani.

Kirk looks at McCoy.

LOLANI (CONT’D): Please don’t be angry with me. I apologize if I’ve harmed anyone.

SPOCK
: Not only can you speak...you do so quite well.

LOLANI: 
Not knowing if you were friend or foe, I remained silent.

KIRK (to Spock): Logical.

LOLANI: 
I was born and raised off world. But when my parents died unexpectedly I was taken back to Rigel VIII and forced into slavery. The things they did to me...the things I was made to do...

KIRK: I’m sorry.

LOLANI (Agitated): 
Please don’t take me back there. You cannot imagine what it’s like...

She shakes with anxiety. Kirk is moved by her words.

KIRK: 
Easy. We’ll do whatever we can to help. For the time being, you’re safe...and free.

She smiles. She reaches over and touches Kirk’s hand. Kirk and McCoy are being affected by Lolani’s pheromes.

KIRK (CONT’D) (to McCoy): Bones, if she’s medically cleared, perhaps we could move her to guest quarters.

SPOCK (Looking wary)
: Are you certain, Captain?

KIRK: It’ll be fine.

MCCOY (smiling): That sounds like an excellent idea.

KIRK
: Dr. McKennah, if you would accompany her.

MCKENNAH: 
It would be my pleasure.


All I've done in this scene was to tweak the dialogue just a bit so it sounds (to my ears) a bit more like TOS rather than contemporary sounding dialogue.

Although it isn't in spelled out in this draft I chose not to include the part referencing that Kirk kneels in front of Lolani. That struck me as out of character. I do see Kirk approaching her in a non-threatening way and when he puts his hand on the side of the bed Lolani then puts her hand upon his. This is where we get a clear indication that Lolani's pheremones are at work and we get Spock's expression of concern.


Prior to this scene we have the events on the Bridge during the opening teaser. In that scene the only thing I would have changed was the reference to a specific class of ship for the Tellerite transport. TOS never used that practice. As such I would have had Spock or the new Navigator simply say the design was that of a Tellerite transport and not use any specific class name.
 
I honestly don't hear the difference. Please consider adding some notes to the lines you changed.
 
I honestly don't hear the difference. Please consider adding some notes to the lines you changed.
I can do that. I will say that I just tweaked a few lines because overall, while reading the script as is the words do sound very much like the original cast could be saying them. It's the voices of the new cast that can make the words sound differently.

Original:

MCCOY: Oh, she was confused when she came to, but she settled down during our tests. The bruising and contusions indicate she’s been in a scrap. I also detect traces of blood that’s not hers.
(he looks at her in frustration) Not that I can get a word out of her to confirm any of that.

Tweak:

MCCOY: 
Oh, she was confused when she came to, but she settled down during our tests. There are bruises and contusions indicating she’s been in some altercation. I also detect traces of blood that’s not hers. (he looks at her in frustration) Not that I can get a word out of her to confirm any of that.


Original:

MCCOY: Also, the Orion girl has been tattooed with an index symbol.

DRAKE: We were able to use the symbol to track down a partial record.

KIRK: And?

DRAKE: She was sold 4 days ago to a Tellarite by the name of Sev Bim Jor directly from one of Rigel VIII's wealthiest traders.

Tweak:

MCCOY
: Also, the girl has been tattooed with some kind of symbol.

DRAKE
: It’s an index symbol we were able to use to track down a partial record.

KIRK: And?

DRAKE
: She was sold 4 days ago to a Tellarite by the name of Sev Bim Jor directly from one of Rigel VIII's wealthiest traders.


Again, as I said, very minor tweak.

The draft of script I have also includes a line from Spock that was not in the final filmed version. I included the line in my tweak because it sounds like something Spock could say. Of course, the line isn't really necessary.

LOLANI (CONT’D): Please don’t be angry with me. I apologize if I’ve harmed anyone.

SPOCK
: Not only can you speak...you do so quite well.


Reading through the script draft I have there appear to be other changes--lines that were dropped and not included in the filmed version. There are lines given to McKennah where she and Spock debate Lolani's situation in more detail. Spock suspects McKennah has become personally influenced to protect Lolani even in the face of the possibility of her being a murderer. McKennah admits that while she has always been against the idea of slavery in principle this is the first time she has been faced with the issue directly. This exchange is minimized in the filmed version where we don't get the same clear sense of McKennah's closely personal perspective. I don't know if including that exchange in the filmed version would have made the story better, but I think it would have added a touch more depth to McKennah's character.

This story is given some poignancy because Kirk and crew lose this one. They can't save Lolani from her fate. In the end Kirk is willing to take the risk to retrieve Lolani, but the issue is taken out of his hands when Zaminhon's ship explodes. And we are left wondering what happened. Did Lolani manage to get free somehow and cause the ship to blow up or perhaps Kenway helped Lolani arrange the destruction of Zaminhon's ship. We're not given any sort of clue.

I still think Kirk had grounds for stopping the abuse of anyone aboard his ship. While aboard the Enterprise Lolani was under Kirk's protection and it struck me as wrong minded of Commodore Grey to slap Kirk down the way she did. Then again given Kirk is never really reprimanded in any serious way it's a token gesture on Starfleet's part where they unspokenly agree with Kirk actions. But Starfleet ultimately sticks to the letter of the law and force Kirk to turn Lolani over to her Zaminhon.

It would have been nice if we had gotten some inkling for Starfleet's rigid stance, something such as the Federation negotiating with the Orions for some purpose or other and they didn't want to risk damaging those negotians. Give us something, but we get nothing.
 
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This exercise seems somewhat pointless; why don't you write an original script?
 
This exercise seems somewhat pointless; why don't you write an original script?
In the end this isn't the story to tweak. I just rewatched this episode and I have little to gripe about. In my view this episode is the best Trek fan production I've ever seen. It succeeds on so many levels and falters in only a few very minor ways.

I have much bigger issues with "The White Iris."


I was also under the impression that STC wasn't accepting spec pitches. I have a couple of story ideas in mind and I could try to put them into outline or even script form, if I thought they would get a look.
 
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They may not be accepting spec scripts, but I would imagine that a polite inquiry about getting on a list of approved potential writers would have at least a shot at getting considered.
 
Pro Tip: Probably don't want to lead with "I'm the guy who got banned from the FB page for your fan film because all I did was offer critiques about how you could be better at emulating TOS." :lol:
 
Pro Tip: Probably don't want to lead with "I'm the guy who got banned from the FB page for your fan film because all I did was offer critiques about how you could be better at emulating TOS." :lol:
Shows what you know, dummy. I didn't critique STC on their FB page. I pointed out an error on a fan made poster image.

I have been very supportive of STC even when I've shared some fair minded criticism no different that most of what has been posted here, which I know pissess you offf to no end.

You really are a waste of time.
 
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Pro Tip: Probably don't want to lead with "I'm the guy who got banned from the FB page for your fan film because all I did was offer critiques about how you could be better at emulating TOS." :lol:
Shows what you know, dummy. I didn't critique STC on their FB page. I pointed out an error on a fan made poster image.

I have been very supportive of STC even when I've shared some fair minded criticism no different that most of what has been posted here, which I know pissess you offf to no end.

You really are a waste of time.

I don't know man. This is such an clever argument that maybe feek is correct; you should branch out and write something original.
 
Honestly, guys, why so nasty? All he's doing is playing around and illustrating what he thinks would sound more authentic to his ears. Be nice.

To MY ear that scene in the episode should be half the length it is currently.
 
I don't see a reason for Drake or McKenna to be in the scene.
It could have been written that way. Spock could have delivered the information that Drake gives. And McKennah didn't really need to be in the scene, but she does serve a purpose of being someone less likely to seem threatening to Lolani.

Lolani would be accustomed to being used by males and seeing a female who was educated, free and treated as an equal would send her a powerful message.
 
Drake's lines seemed like Spock's and why not Chapel for the McKennah lines?
Although it's never been explained why STC has effectively ignored including Chapel. They are treating her character much the same way Janice Rand was handled way back in TOS Season 1--she's just not there anymore and we're to assume she's off doing something else.

In TMP Chapel is a doctor so one could rationalize that she has left the ship to complete her doctorate for when she reappears in TMP.

Janice Rand could still be aboard the ship even though we don't see her. She could have been promoted and transferred to another department--possibly engineering given we see her manning the transporter later in TMP.

In TOS they could have used Uhura to relate to Lolani instead of McKennah, but in terms of a bit more realism it does make more sense to enlist a psychologist/counselor for the task rather than a communications officer.
 
@warped-

I appreciate that you removed some of the specificity- class of ship, etc. To my ear, less specific jargon is the "tone" of TOS. Occasionally Spock would get overly specific, but not about "inside operations" type things- The audience doesn't care too much about class of ship. (Maybe FASA fiends do, but specificity can make dialogue sound stilted and slow down pacing)

You may have overcorrected with Bones. I feel our ol' country doc would have said "scrape" not "altercation" (unless he paused before saying it) as in "She seems to have been in an... altercation over there" The pause adds a Bones doubt. Bones was not a fella for the 50 cent word.
 
"Scrap" as used to mean a fight sounds too street to my ears and not something I can hear McCoy saying. To me it also sounds too contemporary. "Struggle" is another word he could use.
 
"Scrap" as used to mean a fight sounds too street to my ears and not something I can hear McCoy saying. To me it also sounds too contemporary. "Struggle" is another word he could use.


Bah. I don't want to quibble- as I think in other threads you and I are on the same page about contemporary idiom, term and tech use by productions emulating what was done a half century ago.

I think I've added that staying away from specifics (units of measure, dates, distance, specific area of galaxy and so forth) is also a good thing. Hell look how long the concept of "Star Date" lasted. Faster than light travel would mean relative time changes based on perspective. (Sam Peeples) Let's here it for vague- AKAIK every has Trek used it except Enterprise. An evergreen!

As for dialogue (specifically Bones') -

Over the years Bones has said that he wasn't a mechanic, a coal miner, flesh peddler, escalator, etc. He's claimed to be an ol' country doctor- So unless it was in the setting of a recorded autopsy or something, I'm fine with Bones using "scrap".

Remember in The Tholian Web when Bones was giving Scotty that Theragrin derivative? "... One good slug of this..." Compared to Loloni, the ship itself was in a far more precarious situation so I'd submit he'd have been more tense and formal- he was not...Bottoms up!.

He's colloquial. That's him. I would have also accepted Tight Scrape, Quite a Mess, or Pretty Tight Spot.
 
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"Scrap" sounds very early 20th century to me. It's definitely not a term that Deforest Kelley's McCoy would use a but it sounds sort of natural as something Larry Nemecek's character would say. To me, his character is world's apart from the McCoy we know, so I'm wondering if the script was written with him in mind? I also wonder if Chuck Huber would have used that term if he was cast instead.

The only time I've heard McCoy completely change his idiom was in "This Side of Paradise" when he's actually using an exaggerated Southern Drawl - those Mint Julips must have been effecting him.
 
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