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Rank & Rate: The Matt Smith Era

Emperor-Tiberius

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So, we're in the last era of the original cycle of the Doctor, the Eleventh Doctor - who was revealed to be, drum roll, the THIRTEENTH incarnation of the man, in fact. Yes, it turned out there was a forgotten Doctor (sigh) and Ten's "regeneration" in Journey's End actually counted. Whadyakow?

In any case, the youngest actor to play the part, ever, this is a guy who, like Tennant, helped keep Doctor Who afloat, especially after the former's exit along with the RTD/Gardner team. It was Doctor Who anew again, and he served it well.

Or did he? What do you think? Which of his 38 stories* did you like best? Which one the least? Which series was better than the others?

He's also the Doctor with the most shorts - minisodes, short DVD stories, mini-shorts like Pond Life, dozen prequel minisodes and what not, so you could rate them if you wish at a seperate listing.

Discuss away... Geronimo!

* I count A Good Man Goes to War and Lets Kill Hitler as one story, sorry. I mean, it really is, isn't? Certainly the last one in this era...

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So the notorious Steven Moffat begins. As common wisdom has it, Moffat's era has been wildly inconsistent - both during Matt Smith's time, and even Capaldi's. His penchant for time travel paradoxes was, and is welcome, as OldWho seemed to forget that these were the adventures of a time traveller. However, not welcome remains his penchant for story arcs that ultimately not only made no sense in the long run, but also make otherwise fine stand-alone episodes suffer even in hindsight (River Song is Amy's daughter? Seriously?!). Plainly put, his biggest weakness is the story arcs. Now granted, the Crack in Time arc worked, for the most part, but I wager that he had time to sketch out in ways he didn't in the following seasons - as 2009 was, after all, a gap year, and I presume that gave him appropriate time to work out how it would, well, work out. But clearly, the Death of the Doctor and River Song arcs were, by and large, made up as the show went along. And neither paid off really well, to the point where River, the most welcome surprise of series 5, turned into a smug avatar of Moffat within the show! The Clara Mystery arc of 7 was better, but in turn, her stories suffered - not to mention the first part of series 7 felt, for the most part, largely uninspired, held only together by the great chemistry of the cast. But yeah, because Clara was a character who was the McGuffin, too, she never had a characterization - Moffat would make her a know-it-all smug superior, and other writers would make her less assertive, and so on. As a result, few of her stories with 11 stood out.. with the exception of the grand 50th anniversary story.

Which is, of course, Moffat's strongest script since he decided River was a black kid once, apparently. But even then, Moffat's ego and assertion to put stars above characters brings it down, slightly, by introducting his Time War Doctor, instead of using either Nine or Eight for that matter, thus serving his other purpose, which was to be done with the regeneration limit early. See, Moffat's brilliant, even if limited - but he knows this, and he abuses his talent with his own egotism and laziness. And after RTD, who managed a fairly consistent tone for the show, its especially dissapointing. I mean, this is only the era in which the boring/bad/meh episodes are growing in numbers in relation to the good/mediocre/excellent/great ones.

The bright spot in this era, however, was clearly the actor himself. Matt Smith was, and always will be a fantastic choice for the Doctor. A brilliant young man, who imbued the character not with youth, but his weariness and age-old wisdom. His take on the role, an old-man-in-a-young-man's-body take, is incredible in audacity, and even more so in execution - like Peter Davison and Tennant before him, he would usually be the highlight in even the dreariest of episodes. Really, is there anything to enjoy in The Crimson Horror other than Matt Smith himself?

He's also had the good fortune of having some of the best companions with him - namely, Amy & Rory. I simply love 'em. Clara was decent, and Jenna Coleman clearly had chemistry with Smith, but like I said, her character was underdeveloped.

In any case, I'm sad that he had to go. I'm sad that, while he could've had four series under his belt, he had three, and two of them were so wildly uneven and overally unimpressive, that they ultimately failed the expectations raised by the actor himself. Its such a shame, really, for he deserved better. Unlike Eccleston and Tennant, the show betrayed the actor in this case.

Anyway, ranking:

38. The Crimson Horror
37. Journey to the Centre of the TARDIS
36. The Vampires of Venice
35. The Beast Below
34. Nightmare in Silver
33. Victory of the Daleks
32. The Wedding of River Song
31. A Good Man Goes to War / Let's Kill Hitler
30. The Hungry Earth / Cold Blood
29. A Town Called Mercy
28. Dinosaurs on a Spaceship
27. Asylum of the Daleks
26. The Snowmen
25. Cold War
24. The Curse of the Black Spot
23. The Rings of Akhaten
22. The Angels Take Manhattan
21. The Doctor, the Widow and the Wardrobe
20. Closing Time
19. The Rebel Flesh / The Almost People
18. The Impossible Astronaut / Day of the Moon
17. Hide
16. Night Terrors
15. The Bells of Saint John
14. The Name of the Doctor
13. The Girl Who Waited
12. The Power of Three
11. Amy's Choice
10. The Time of the Doctor
9 . The Lodger
8 . The God Complex
7 . The Pandorica Opens / The Big Bang
6 . The Time of Angels / Flesh and Stone
5 . Day of the Doctor
4 . The Doctor's Wife
3 . The Eleventh Hour
2 . A Christmas Carol
1 . Vincent and the Doctor
 
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* I count A Good Man Goes to War and Lets Kill Hitler as one story, sorry. I mean, it really is, isn't?

No, it's really not. I see no reason to think of "Good Man" and "Hitler" as a two-parter. Other two-parters are clearly one story cut in half, with the same setting, the same guest characters, the same villains, the same tone. Think "Impossible Planet"/"Satan Pit", "Human Nature"/"Family of Blood" or "Rebel Flesh"/"Almost People".

By contrast, "Good Man" and "Hitler" are two completely separate stories with different settings, different guest characters etc, and only the loosest connection via the question of "Who is River?" They are not a two-parter.

.
 
No, it's really not. I see no reason to think of "Good Man" and "Hitler" as a two-parter.
I can see one or two. Namely, the cliffhanger to River regenerating in A Good Man Goes to War being adressed in Lets Kill Hitler. And even more importantly, I guess, Moffat said that they were a two-part story. :)

Other two-parters are clearly one story cut in half, with the same setting, the same guest characters, the same villains, the same tone. Think "Impossible Planet"/"Satan Pit", "Human Nature"/"Family of Blood" or "Rebel Flesh"/"Almost People".
I also think The Pandorica Opens / Big Bang and before that, Sound of Drums / The Last of the Time Lords, too.

By contrast, "Good Man" and "Hitler" are two completely separate stories with different settings, different guest characters etc, and only the loosest connection via the question of "Who is River?"
Which is actually the most important issue here. The fact that it does explore River's origin. Thats the entire point for those two episodes, the link that ties them intricately and the reason they're considered otherwise a two-parter. Like I mentioned, its not directly following up on the previous episode, but the narrative has the same objective, which has the origin of River Song at its center, and in the same the aforementioned series 3 and 5 multi-parters, they take some distance between stories. That doesn't mean they're not one whole story at the end.

They are not a two-parter.
And I contest that they are.

To quote a friend who wrote an article in DoctorWhoTV:

Yes, the episode is a bit of a mess, and does juxtapose oddly with “A Good Man Goes to War”, but Moffat himself has admitted that he prefers to take a tangential direction with the second parts of the double-parters he writes (and Let’s Kill Hitler is, in many respects, the second part of a double-parter).
 
River regenerates at the end of A Good Man Goes to War? I don't remember that? I remember her Regenerating at the end of the Opening two parter of S6, and of course during Let's Kill Hitler.
 
Loved him! By the end of The Eleventh Hour he had me hook, line, and sinker:)

I liked his child-like demeanour and non-sensicality. I also loved his relationship with Amy and Rory. It was very sweet to watch them together. They were probably the only family (since Susan) that he had had for a very long time.

I liked that he was the most insane person in the room yet also the smartest. Half the time he didn't have a plan, and whatever he made up on the spot always seemed to work. Despite being the youngest, he definitely had that "old and wise" sense about him.

But beneath the playfulness was a dark side. A side that rarely showed itself but when you got a glimpse (Pandorica Opens, Day Of The Moon, A Good Man Goes To War) of it, look out! He was definitely not a guy you ever wanted to anger.

Lastly, his speeches were a thing of beauty. TROA was a mediocre episode until that speech happened.

The Eleventh Hour
The Time Of Angels/Flesh And Stone
Vincent And The Doctor
The Lodger
The Pandorica Opens/The Big Bang
A Christmas Carol
The Impossible Astronaut/Day Of The Moon
The Curse Of The Black Spot
The Doctor's Wife
A Good Man Goes To War
The Girl Who Waited
Closing Time
Asylum Of The Daleks
Dinosaurs On A Spaceship
A Town Called Mercy
The Power Of Three
The Angels Take Manhattan
The Snowmen
The Name Of The Doctor
 
So, the 11th Doctor. He was the main Doctor when I first got into Doctor Who, but I got in at the tail end of his era (and I watched it all in order from Rose to Day of the Doctor, then got to watch Time of the Doctor around the same time as everyone else). His run was mostly ok to great, with the bulk of it being solidly Good. The Doctor himself was great, and Amy/Rory are my favorite NuWho companions. Clara...wasn't great, but she's much better with 11 then she ended up being with 12. River was great, and I actually really liked her arc in the show.

My rankings, in categories but not ranked inside the categories (also, I count A Good Man Goes to War and Let's Kill Hitler as two separate stories, sorry ;) Although, since I rank them the same, I guess it doesn't matter)

Great:
The Eleventh Hour
The Beast Below
The Pandorica Opens/The Big Bang
A Christmas Carol
The Day of the Doctor

Good:
Flesh and Stone
Vincent and the Doctor
The Lodger
The Doctor's Wife
A Good Man Goes to War
Let's Kill Hitler
The Girl Who Waited
Closing Time
The Wedding of River Song
Asylum of the Daleks
A Town Called Mercy
The Angels Take Manhatten
The Snowmen
The bells of Saint John
Journey to the Center of the TARDIS
The Crimson Horror
The Name of the Doctor
The Time of the Doctor

Ok:
Victory of the Daleks
The Hungry Earth/Cold Blood
The Impossible Astronaut/Day of the Moon
The Rebel Flesh/The Almost People
Night Terrors
The God Complex
Dinosaurs on a Spaceship
The Power of Three
Hide

Meh:
The Vampires of Venice
The Curse of the Black Spot
The Doctor, The Widow and the Wardrobe
Cold War

Bad:
Amy's Choice
The Rings of Akhaten

Terrible:
Nightmare in Silver

The best episodes in 11's era are really, really good. I can barely pick a favorite, although if I had to it might actually be A Christmas Carol, which is easily in my top 2-3 favorite Doctor Who stories ever.

The worst episodes of the 11th Doctor's era are still better than the worst of the 10th's, but they're still 3 bad episodes. Nightmare in Silver was a mediocre story brought down by one of the many problems in Series 8: children tagging along on the TARDIS. Without the kids, this probably would have been meh or bad. The obnoxious kids bring it down to terrible. The Rings of Akhaten is the most boring, forgettable episode in NuWho, and is only second in the franchise that i've seen (with The Android Invasion being the most boring). Not the worst, just most boring.

The worst enemies in the 11th Doctor's era was probably the Silence. They suck, and they suck a lot. I never found them remotely interesting.
 
Matt acting against himself was the only thing that made Nightmare In Silver worth watching. Actually, Matt's acting in general was also the one thing that made 7B entertaining. It was like once Amy and Rory were gone, the show kind of lost itself.
 
Matt Smith's Doctor is the only Doctor I really couldn't like very much and sadly his era is full of resets, retcons and some very hap hazzardly written story arcs. Unlike Peter Davison's Doctor I could never buy in the idea that he was an old man in a young man's body. And Smith's Doctor was too much like Tennant's in a number of ways.

Moffat believes that the companion is the real heart of the show not the Doctor and I do think that's a mistake. Moffat also turned the show away from science fiction and into a fairy tale, which I also didn't like.
 
Best to worst:

The Eleventh Hour
Vincent and the Doctor
The Doctor's Wife
The Impossible Astronaut/Day of the Moon
A Christmas Carol
Dinosaurs on a Spaceship
Asylum of the Daleks
The Girl Who Waited
The Hungry Earth/Cold Blood
Cold War
A Town Called Mercy
Amy's Choice
The Snowmen
Hide
Journey to the Centre of the TARDIS
The Day of the Doctor
The Crimson Horror
Nightmare in Silver
------------------------------------ cut off for me enjoying the episode
Night Terrors
The God Complex
The Time of Angels/Flesh and Stone
The Beast Below
Victory of the Daleks
The Vampires of Venice
The Lodger
The Curse of the Black Spot
The Rebel Flesh/The Almost People
Let's Kill Hitler
Closing Time
The Power of Three
A Good Man Goes to War
The Angels Take Manhattan
The Bells of Saint John
The Rings of Akhaten
The Doctor, the Widow and the Wardrobe
The Pandorica Opens/The Big Bang
The Wedding of River Song
The Name of the Doctor
The Time of the Doctor

Matt Smith is a good doctor in often mediocre episodes. Really didn't like the way Moffat messed up RTD's time war mythos in Day of the Doctor - this actually goes to a wider problem of Moffat setting up very elaborate stories with pathetic resolutions. It often feels like he doesn't really care about how situations are resolved.

Eleventh hour is a fantastic doctor opening though - second only to spearhead in space in the history of Who doctor openings.
 
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When I first got into Who I first watched most of season one and I liked it. I hopped around seasons 2-4 and found stuff I liked and stuff I didn't and then when I got to season 5 I REALLY didn't like Amy and when she tried to seduce the Doctor and kissed him I was convinced this was crap. But I kept with it. When she and Rory got married it improved ten-fold. But not matter what happened, I LOVED Matt Smith's Doctor. Its his enthusiastic, mad, animated eccentricities. He's the Doc I relate the most with (I guess that makes me a bit odd too). I'm not saying he's the BEST Doctor - that would be Troughton for me - but since Smith modeled his portrayal around #2 that's probably the reason why I enjoy 2 & 11 the most.

Vincent and the Doctor
The Pandorica Opens/The Big Bang
A Christmas Carol
The Impossible Astronaut/Day of the Moon
The Day of the Doctor
The Eleventh Hour
A Good Man Goes to War
The Girl Who Waited
The Snowmen
Let's Kill Hitler
Flesh and Stone
The Lodger
The Beast Below
The Wedding of River Song
The Angels Take Manhatten
The Name of the Doctor
Victory of the Daleks
The Time of the Doctor
The Hungry Earth/Cold Blood
The bells of Saint John
The Rebel Flesh/The Almost People
The Doctor's Wife
Closing Time
Asylum of the Daleks
Night Terrors
The Power of Three
Journey to the Center of the TARDIS
Dinosaurs on a Spaceship
Cold War
A Town Called Mercy
The Crimson Horror
The Vampires of Venice
The Doctor, The Widow and the Wardrobe
The Curse of the Black Spot
Amy's Choice
The Rings of Akhaten
The God Complex
Hide
Nightmare in Silver
 
mythme can I join your oddness? :)

In defense of Amy's attempted seduction, I chalk it up to two reasons. 1. She had just been through a near death experience which can make anyone feel out of sorts. 2. It was the night before her wedding, she probably had cold feet.

I'm not saying that she wasn't attracted to the Doctor at all (she said she fancied him in Victory Of The Daleks) but the kiss and everything else was more than just "Hey I like you, let's do it!"
 
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mythme can I join your oddness? :)

In defense of Amy's attempted seduction, I chalk it up to two reasons. 1. She had just been through a near death experience which can make anyone feel out of sorts. 2. It was the night before her wedding, she probably had cold feet.

I'm not saying that she wasn't attracted to the Doctor at all (she said she fancied him in Victory Of The Daleks) but the kiss and everything else was more than just "Hey I like you, let's do it!"

That's really no way to treat Rory though and I thought it was pretty sad that even on the night before their wedding she hadn't told him that she loves him. And really it seemed rather cold towards him, when he went to hug her in the Hungry Earth she pushed him away. She even thought he was gay back when they were in school together.
 
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