First half of "Curse of Fenric" tonight.
I'm enjoying it a lot.
I mean, it is like they just found someone who knows how to do a story for it. The costumes work. The story doesn't have 6 different things going on at once--you've got your "good guys," your "bad guys," and your Ancient Evil that is taking over people for its Evil Army, with The Doctor and Ace in the middle of it. The acting is solid. About the most odd thing is the guy having a replica of a Nazi office, but I'll allow that. So far there aren't any muwhahahahahaa eeevil characters or people doing things that make me want to bash my brains out. So far a very enjoyable little story.
Oh, and The Doctor acts like The Doctor--he doesn't do anything stupid or whacky, he just walks into the middle of the situation and presents an air of authority that is credible, like in the old 3 and 4 Doctor days. Even the forged pass was entertaining.
McCoy will never be my favourite Doctor, but this remains one of my favourite stories, it has a few problems but on the whole it's a really solid story that you imagine could have worked in any era. Even the celebrity cameo works (the Reverend is Nicholas Parsons who at the time was most famous for presenting a quiz show called Sale of the Century--yes he's a vastly experienced actor but at the time I think most people just thought of him as a game show host)
Be interesting to see what you think of the second half.
Yeah. The second half isn't nearly as strong as the first half. It kind of falls apart, but after so many horrible stories, this one is watchable.
For the long version:
They tried to point out the whole "descendants of the surviving Vikings" thing, but it isn't really clear. This is partly because that's just a crutch to explain when characters are doing inexplicable things. Why does the British commander know so much of what is going on? He's a Wolf of Fenric. How come none of the other Wolves of Fenric seem to be in on the joke? Beats me.
Why does the Big Bad have his Toad King destroy all the other vampires? Beats me. Because otherwise you've got to somehow tie up that loose end after everything else.
Why does the Big Bad fall for the same trick 1,700 years later? Beats me. And how, in the rules of chess, can the black and white pawn work together? If the key to solving the puzzle is to cheat, doesn't that make the whole thing kind of pointless?
During the siege of the church, why does Ace run up on the roof to climb down a ladder so she can climb right back up the ladder? Apparently to fill up some time.
Then there's the minor nitpicks. We get a scene of the Doctor using his umbrella because it is raining out. Then the foreshadowing that the vampires are going to attack the church is because there's a puddle--but the Doctor says it isn't raining out. Then we get some more scenes in the rain. Does the Doctor think leaky roofs of ancient buildings are like light switches, where they are instantly on or off? Was the maid supposed to have mopped up the puddle after the previous rain?
And the whole boner over Communism. The Soviet captain's faith in Communism vanquishes the vampires. (Oh, and if the Doctor knew how to drive off the vampires the whole time, why did he wait until we had about 10 minutes of "Night of the Living Dead" before springing that little Deus ex Machina?) But I digress. Communism. The Soviets are all noble and good while the British soldiers are largely weak, stupid, or evil. Speaking of which, what about the one that got gut-shot by the Commander and is at death's door but stages pretty much a full recovery by the end of the episode? Was there a "Monty Python and the Holy Grail" running gag going there that no one told us about?
So yeah. First half is awesome. The second half is considerably weaker, but it gets by on the good will the story has built up and doesn't do anything TOO horrible. The Doctor and Ace have a really nice chemistry together and the Doctor is written the best he's been in a couple seasons or so. If I had a couple hours to kill and it was on, I'd certainly sit down and catch it.
Still, I'll to