More Pics (unfortunately not showing which way Pines hair is swept this time. Will it be the STID way or TOS way?)
http://trekcore.com/blog/2015/07/chris-pine-in-spotted-in-vancouver/
Jim Kirk would be proud.
More Pics (unfortunately not showing which way Pines hair is swept this time. Will it be the STID way or TOS way?)
http://trekcore.com/blog/2015/07/chris-pine-in-spotted-in-vancouver/
Have you noticed frayed edges on fabric?
Would it be a old uniform? A missing ship?
You know, while it's kind of cool that they have a bunch of uniforms in Starfleet, there sure are a LOT of them. I'm surprised there aren't different uniforms for different departments. Perhaps there are for different ships? Or a uniform to walk down the hall? And one for sitting? One for standing?
Seriously though, will we see the wraparound variant in Beyond? Casual uniforms? Away team uniforms? So many questions from that patch... just about uniforms.
(would be abit harsh of Pegg to write out a fellow brit!)
It wouldn't necessarily be his decision. Writers have essentially no power in feature films, unless they're also directing and/or producing. And sometimes actors just aren't available because of other commitments, or because the studio won't agree to their agents' contract terms, or whatever.
Besides, STID was criticized for riding too heavily on continuity nods like Carol, Khan, "Ship... out of danger," etc. This time, it sounds like they're trying to go in the other direction and do something more original and less dependent on the past (or at least that's my vague impression). So that could be a reason for dropping Carol.
You know, while it's kind of cool that they have a bunch of uniforms in Starfleet, there sure are a LOT of them. I'm surprised there aren't different uniforms for different departments. Perhaps there are for different ships? Or a uniform to walk down the hall? And one for sitting? One for standing?
Seriously though, will we see the wraparound variant in Beyond? Casual uniforms? Away team uniforms? So many questions from that patch... just about uniforms.
I'm still trying to figure out how you're supposed to know what rank female officers are. They have no braids on their sleeves!
You know, while it's kind of cool that they have a bunch of uniforms in Starfleet, there sure are a LOT of them. I'm surprised there aren't different uniforms for different departments. Perhaps there are for different ships? Or a uniform to walk down the hall? And one for sitting? One for standing?
Seriously though, will we see the wraparound variant in Beyond? Casual uniforms? Away team uniforms? So many questions from that patch... just about uniforms.
I'm still trying to figure out how you're supposed to know what rank female officers are. They have no braids on their sleeves!
Some do. Some don't.
And from the vibes I get from Pegg, I wonder if Uhura's role will also be severely scaled back to make it all about the boys. He's too biased about the guys and him admitting he doesn't know how to write 'for women' gives me 'guilty conscience' vibes as if he already knows people won't like the way the female characters are written in his movie.
I guess I have to wait and see.
Female Starfleet officers don't discuss this matter with outsiders.I'm still trying to figure out how you're supposed to know what rank female officers are.
Female Starfleet officers don't discuss this matter with outsiders.I'm still trying to figure out how you're supposed to know what rank female officers are.
Female Starfleet officers don't discuss this matter with outsiders.I'm still trying to figure out how you're supposed to know what rank female officers are.
I wasn't keen on her character in either of the first two. Particularly ITD - it felt like she was being written primarily as Spock's girlfriend rather than the strong independent woman that I feel Uhura should be.
And strong, independent women can't be in relationships?
Maybe it was Spock who was being written as Uhura's boyfriend. I think she came across as the stronger one in that partnership, because she was the one who pushed Spock to confront his grief and work through it rather than just wallowing in avoidance bordering on a death wish. She was also the one who stopped Spock from killing Khan. Strength isn't about how hard you can punch people, it's about how well you master yourself, and can help others do the same. Uhura was far stronger than Spock in STID. Without her guidance and balance, he would've gotten himself and Kirk killed.
Granted, the film fails the Bechdel Test -- it has more than one named female character, but they don't interact and their plotlines are about supporting men. So, yeah, they could do better.
But that doesn't mean Uhura's portrayal is as bad as many people assume. You want "relegated," watch TOS and all the "Hailing frequencies open" lines. At least the new Uhura is a participant in the core group of characters, rather than a marginal player in the background.
I don't mind the Unura/Spock pairing, and I defended it in 09. But in STID, it did feel like most of her scenes revolved around worrying about Spock. Which are fine scenes to have, but it would be nice if there was also a few more 'stabbing Klingons in the balls' scenes to balance it out.
Yeah, I don't hold much truck with the Bechdel Test anyway. It has some good points, but I don't think the two would necessarily need to interact to pass my own, personal, non-scientific test as feeling like positive examples of women on screen.
True, it's just that I see that as at least progressive for 60s TV audiences, but the new ones as being behind the times for the 21st century.
I don't mind the Unura/Spock pairing, and I defended it in 09. But in STID, it did feel like most of her scenes revolved around worrying about Spock. Which are fine scenes to have, but it would be nice if there was also a few more 'stabbing Klingons in the balls' scenes to balance it out.
And I really dislike the idea that the way for a female character to be strong is to fight and hurt people. Violence isn't strength. It's sexist in itself to insist that the only way women can be "strong" and "equal" is to conform to stereotypical male behaviors. If we really valued equality, we'd celebrate men being nurturers and caregivers as much as we celebrate women being fighters -- and vice-versa. As I said, I think that Uhura talking Spock down from violence in the climax was a greater expression of strength than Uhura fighting with Klingons was.
Yeah, I don't hold much truck with the Bechdel Test anyway. It has some good points, but I don't think the two would necessarily need to interact to pass my own, personal, non-scientific test as feeling like positive examples of women on screen.
It's not meant as an absolute arbiter of an individual project's worth; it applies more in the aggregate, for assessing how an overall body of works handles inclusion. An individual film can "fail" the test yet still portray women well (e.g. Gravity or Pacific Rim), or can technically pass it yet still not be woman-friendly (e.g. Showgirls). But if the majority of films fail the test -- and they do -- that points to an overall failure of representation.
And it can be useful for making a point about an individual film, as long as one uses it advisedly and with the understanding that it's not meant to simplify the discussion to a mere binary question, but rather to contribute to a discussion involving numerous factors.
Yes, I think they made a mistake by treating this as an alternate timeline where the basic characters and fundamentals of the world were the same, because that means perpetuating unfortunate things from the original, like a core cast with only one woman, the miniskirt uniforms, etc. If they'd done a full reboot, they could've gender-swapped a couple of characters, made the cast more diverse, etc.True, it's just that I see that as at least progressive for 60s TV audiences, but the new ones as being behind the times for the 21st century.
The ironic thing is, J.J. Abrams's track record is mostly very female-positive. Every TV show he's personally created or co-created except LOST (and one failed pilot movie) has had a top-billed female lead -- Felicity, Alias, Fringe, Undercovers. His Mission: Impossible III was the first film in that series to handle its female lead well (or to give its male lead an actual personality, for that matter), and its climax was gloriously subversive of conventional gender roles in action movies. And Kurtzman & Orci have a relatively good track record in that respect too, having been producers on Xena: Warrior Princess, writers on Alias and M:I:III, and co-creators of Fringe and Sleepy Hollow (which has a top-billed male lead, but one of the best female leads on TV today).
So really, one would expect these creators to be handling female characters better. The problem is that they've been too faithful in adapting a 1960s series that didn't handle female roles all that well. (Well, better than a piece of misogynistic drivel like The Man from UNCLE, but worse than something like The Avengers or even Get Smart).
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