I'm intrigued to see a superhero movie that isn't designed and doesn't play as a cog in a giant money-printing press.
Does that mean you don't plan on seeing this, then? Fox certainly hoped and designed this movie as just such a cog, even if the execution seemingly leaves something to be desired.
The trailer looks decent. Gives me more hope than any other theatrical FF iterations have.
Here it seems we have once again a FF that was assembled by the marketing department...
A fair description of most of the Marvel movies.
I'm intrigued to see a superhero movie that isn't designed and doesn't play as a cog in a giant money-printing press.
Now what sets Marvel movies apart, at least for me, is that they respect the core material enough that even die hard Marvel fans enjoy the movies (some of them, others will always find something to bitch about).
Of course Marvel follows a quite simple formula.. humor, hot main actor/actress, cool CGI and some smaller and a gigantic climax battle.
Now what sets Marvel movies apart, at least for me, is that they respect the core material enough that even die hard Marvel fans enjoy the movies (some of them, others will always find something to bitch about).
Now what sets Marvel movies apart, at least for me, is that they respect the core material enough that even die hard Marvel fans enjoy the movies (some of them, others will always find something to bitch about).
I don't think respect for the core material, in and of itself, makes a movie good. Being good makes a movie good, whether it respects the core material or not. Singer's X-Men films took enormous liberties with the core material, but they were still excellent movies. The next few X-Men films, if anything, drew on more elements from the comics, but did so in a clumsy and mediocre way. The Green Lantern movie suffered from being too slavish to the core material, trying to cram decades of continuity and worldbuilding into two hours and not having a strong enough story on its own merits.
The most important thing, always, is the story. If the story works, the movie works, whether it's honoring the source material or taking massive liberties with it.
Story and plotting is the most important thing but there are a few key tonal elements that really set apart the better Marvel movies. The intangible element for me is that they just "feel" like you are watching a comic book. They respect the characters while allowing them to retain a sense of humor that is relatively intelligent. Wolverine's quips, Tony Stark bickering with Pepper, Captain America's fish out of water lines, etc.
Story and plotting is the most important thing but there are a few key tonal elements that really set apart the better Marvel movies. The intangible element for me is that they just "feel" like you are watching a comic book. They respect the characters while allowing them to retain a sense of humor that is relatively intelligent. Wolverine's quips, Tony Stark bickering with Pepper, Captain America's fish out of water lines, etc.
Still, it is possible to make a good story without respect for the source material. Kenneth Johnson, maker of the Bill Bixby Incredible Hulk TV series, had no respect whatsoever for the source material and tried to use as little of it as possible. He changed Dr. Banner's first name, ditched all his supporting cast and enemies and origin story, and even tried to turn the Hulk red until Stan Lee put his foot down (a Red Hulk? Who ever heard of such a thing?). It's just about the least faithful superhero adaptation ever, possibly exceeded only by the '40s Captain America serial that wasn't even about Steve Rogers. And yet it's so beloved by fans that it gets referenced in Hulk movies today and Lou Ferrigno keeps getting brought back to do the Hulk's voice. And that's because it was simply good on its own merits.
It also respected the characters. It was quite a serious drama for the time and did treat Banner like a silly comic book character.
It also respected the characters. It was quite a serious drama for the time and did treat Banner like a silly comic book character.
Yes, but it didn't respect the source. David Banner had little in common with Bruce Banner beyond his mean, green affliction. He'd never designed a bomb or worked for the military, he had no Betty Ross or Rick Jones in his life, etc.
People keep trying to say that the quality of an adaptation has to do with its source or its context or anything except the quality of the work in and of itself, which is really the key thing. Sure, it's good if it respects the source, but that is not the thing that determines its quality. Its own internal merits do that, and respect for the source is just a bonus.
It also respected the characters. It was quite a serious drama for the time and did treat Banner like a silly comic book character.
Yes, but it didn't respect the source. David Banner had little in common with Bruce Banner beyond his mean, green affliction. He'd never designed a bomb or worked for the military, he had no Betty Ross or Rick Jones in his life, etc.
People keep trying to say that the quality of an adaptation has to do with its source or its context or anything except the quality of the work in and of itself, which is really the key thing. Sure, it's good if it respects the source, but that is not the thing that determines its quality. Its own internal merits do that, and respect for the source is just a bonus.
I see. I was perhaps unclear. What I meant in my first response was that it is important for the film to respect the character (as portrayed in the film) not necessarily the source. This also is different than be "respectful". It is caring enough to make the character fully realized rather than a two dimensional cut out (something I think Green Lantern was guilty of).
Venardhi's point is important as well--there does need to be a connection to what made the comic appealing to begin with. The Hulk television series did this by focusing on Banner's isolation and fear of the Hulk which was the essence of the series.
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