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recommend me a great ST book please

Oh yeah, Q-In-Law was a great story. And if you can find the audio adaptation, it is really funny to listen to John de Lancie and Majel Barret do the voices for everyone, and then at the end get right down as Lwaxana Troi and Q. It's to bad that they never appeared on TV together.

Q-in-Law is an old favorite of mine. Lots of fun. If any novel should've been adapted to tv it's this one. Q and Lwaxana's interactions are priceless and the audio adaptation is a brilliant companion piece, but since it's heavily abridged, I'd recommend reading the whole novel first.
 
Unfortunately now that Majel Barret has passed away, we won't be able to see any scenes on screen between her and de Lancie.

Of course with the audio book, it would be interesting to see if they actually did do a full reading, and then the abridgement that we got was just an edited version of the reading.
 
Since they weren't doing unabridged audios for Trek then (or now) I doubt that an unabridged reading exists. I expect they did their readings from an abridged script.
But I'd be thrilled if I was wrong and it was possible to get an unabridged reading by de Lancie and Barret.
 
I wouldn't exactly call Hambly's Ishmael "great." Or The Final Reflection, or Ford's other opus, How Much for Just the Planet. Nor the old Bantam release, Trek to Madworld, by the original were-koala himself, Stephen Goldin.

But all four are a lot of fun. Ishmael is particularly fun if you've seen enough episodes of Here Come the Brides to get the crossover.
 
Q-in-Law is an old favorite of mine. Lots of fun. If any novel should've been adapted to tv it's this one.

Peter David mentioned this very thing at Farpoint two weeks ago, that in TNG's later years Majel wanted Q-in-Law done as an episode. The response was, "No, we can't do that. It's a book."

In other words, it was a "Not Invented Here" problem. It didn't come out of the Paramount lot, after all.

Now that I think about it, Q-in-Law could've worked on Deep Space Nine, too. Sisko would've had fun. :)
 
Isn't Dr. Who pretty much the only TV series to ever adapt a tie-in product?
 
Isn't Dr. Who pretty much the only TV series to ever adapt a tie-in product?

No. Two episodes of The New Batman Adventures, "Holiday Knights" and "Mad Love," were adapted from Batman: The Animated Series tie-in comics (albeit ones by Paul Dini and Bruce Timm themselves). And the Gargoyles episode "The Price" was loosely inspired by a tie-in comic. Also, ST:TNG's "Where No One Has Gone Before" was very, very loosely based on Diane Duane's The Wounded Sky.
 
Isn't Dr. Who pretty much the only TV series to ever adapt a tie-in product?

In the third season, Supernatural had an episode ("Time is on my Side") that was a sequel to a story in the Supernatural: Origin comic series. The main Baddie for that episode (Dr. Benton) was introduced in the comic and an abridged version of the comic story (Papa Winchester's run-in with Benton) was told as exposition.

Would that count as adaptation or just folding that comic story into on-screen canon?
 
Now I actually might have to check out Supernatural: Origins. I saw it a couple months ago on Comixology and I was wondering if it was any good.
Isn't Dr. Who pretty much the only TV series to ever adapt a tie-in product?

No. Two episodes of The New Batman Adventures, "Holiday Knights" and "Mad Love," were adapted from Batman: The Animated Series tie-in comics (albeit ones by Paul Dini and Bruce Timm themselves). And the Gargoyles episode "The Price" was loosely inspired by a tie-in comic. Also, ST:TNG's "Where No One Has Gone Before" was very, very loosely based on Diane Duane's The Wounded Sky.
I can't believe I forgot about WNOHGB. I was actually was just reading an article on either Comic Book Resources or Newsarama all about Harley Quinn, and now that you mention it, I think they did say something about Mad Love being adapted. I can't believe I forgot about that one too. I guess it is a more common practice than I thought.
 
The Voyager novel "Violations" was written prior to the Da Vinci episode where the ship's computer was stolen, and yet both stories are extremely similar, making one wonder whether the writers of the show adapted the book.
 
An entire arc of Star Wars: The Clone Wars was adapted from one of the series' tie-in comic arcs from several years before.
 
The Voyager novel "Violations" was written prior to the Da Vinci episode where the ship's computer was stolen, and yet both stories are extremely similar, making one wonder whether the writers of the show adapted the book.

"Extremely similar" proves nothing. Different stories by different writers are constantly extremely similar by accident. The main reason episode pitches get rejected, in fact, is "We're already doing a story like that." It happened to me three times when I pitched to Trek. My TNG spec script had similarities to "Quality of Life," which aired ten days after I mailed in the script. One of my DS9 pitches was very similar to "Empok Nor," which aired the following year. And one of my Voyager pitches, which I delivered over the phone to Joe Menosky, turned out to be very similar to an unfilmed movie script he'd written.

Laypeople constantly assume that similarity alone is proof of deliberate imitation, but the fact is that you can never assume that, because it constantly, routinely happens by accident. Unless there's actually a credit given for the author of the source material, or unless you've read confirmation from a reputable source that one story was the inspiration for the other, it's more likely that it's just coincidence.

And really, there are a lot of closer parallels than Violations and "Concerning Flight." That episode wasn't really about the computer being stolen, it was about getting Leonardo da Vinci out of the holodeck. So they weren't the same story in terms of their core and inspiration. A closer parallel would be something like Christie Golden's Seven of Nine and the episode "Infinite Regress," both of which involved Seven being influenced by the memories of the Borg's victims. Although that was definitely a coincidence. If "Infinite Regress" had been based on the novel, it would've been a better episode.
 
"Extremely similar" proves nothing. Different stories by different writers are constantly extremely similar by accident. The main reason episode pitches get rejected, in fact, is "We're already doing a story like that." It happened to me three times when I pitched to Trek.

Unless there's actually a credit given for the author of the source material, or unless you've read confirmation from a reputable source that one story was the inspiration for the other, it's more likely that it's just coincidence.

Or as you and the other Trek authors on these forums have pointed out before, the stories and characters in the books are owned by Paramount/CBS, since they are works-for-hire, which means that Paramount/CBS could use anything from the books without needing to give screen credit. And we know that the TV shows have used bits and pieces from the books in the past, from Sulu and Uhura's first names, to the Klingon's having the "Day Of Honor" holiday, and a Starfleet Admiral building a warship.
 
^ The films and TV series could use isolated details without credit, yes. If they lifted entire plots, they would still be within their rights to do so without paying any additional compensation, but in some cases the Writers Guild might require them to credit the author of the source material, if the amount borrowed was significant enough in quantity and uniqueness. As with all questions pertaining to publishing, the answer is always, "It depends."
 
In general, it doesn't seem the makers of the shows paid much attention to the books. They were busy making the actual shows, which is a full-time job and then some, leaving little time for reading. That's why they had licensing people whose job it was to check and approve the tie-ins. So as a rule, any similarity between an episode and a book that came out anywhere near each other in time was probably a coincidence.

Sulu's first name being used in a movie was a fluke that came about because someone involved with the novels happened to be on the set one day and mentioned it to Takei who mentioned it to Nicholas Meyer. Uhura's name showing up in a movie was the result of the screenwriters having been fans of novels written a generation earlier, before they even became screenwriters. The Day of Honor crossover did happen due to communication between the novel editor and the producers, but that was just a general concept; the producers did not copy the actual plot of any of the DoH books, but came up with their own story using the holiday. And it was the exception, not the rule.

And "A Starfleet admiral building a warship" is far too generic to assume it was based on Dreadnought!; as I said, that kind of broad similarity between different stories happens all the time.
 
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