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Why Star Trek MOVs are hit and miss...

Peach Wookiee said:
Nostalgia is good. And you don't go to a Trek film in expectation of Oscar-caliber quality.

TMP should have won for special effects.

And the shat should have won for the Eulogy of Spock :thumbsup:
 
The first Star Trek movie was the only thing new in Trek and was big because of that. You can say the same for the next 3 but they were also well written in a sequenced. You lived those characters life in that timeline for the year if you watch them back to back. You didn't get that feel in 5 and 6(although I like 6) and Generations isn't a good movie. FC and Ins are good movies IMO. And I liked Nem too but it would have been better if it was cut right.
 
I disagree with the concept that playing to the fans is the way to go. Any artistic endeavor, especially film, is best when the filmmakers just concentrate on making a good film. Star Trek fans will go see a *good* Star Trek movie if it's exciting even if it doesn't pander to in-jokes and pre-established villains and plots.

One reason the original Star Wars worked so well is that Lucas threw out the opening exposition and just tossed the audience into the action as it was going, and let them figure it out. They did. If done right, it works.
 
DS9Sega said:
I disagree with the concept that playing to the fans is the way to go. Any artistic endeavor, especially film, is best when the filmmakers just concentrate on making a good film.
There's a great quote from an interview Nick Meyer did with The New York Times back when TWOK came out:

"We got some threatening calls and letters," Mr. Meyer admits. "There was a fringe element that said 'If Spock dies, you die.' We had to have a guard on the set. The studio was nervous about the protests, but I kept saying to everyone, 'The issue is not what we do, but whether we do it well. If we do it well, they'll buy it.' Robert Bresson was the one who said, 'My job is not to find out what the public wants and give it to them; my job is to make the public want what I want.' There's no way of saying this without sounding arrogant, but there's only one person I have to please when I'm working, and that's me. It is impossible to second-guess millions of people whom you have never met. Would you tell me a joke that you didn't think was funny on the off chance it might amuse me? Unfortunately, that's the way many people make movies in this town."
 
Star Trek has always been about exploring 2 things: space and the human condition.

The TOS movies did one or the other all the time.

The TNG movies weren't about exploration. They were about fighting bad guys. And the bad guys just weren't all that exciting.
 
Okay, FC can be excluded.

But the rest...

I mean, Soran was okay. I give GEN some slack only because it came out so quickly after TNG ended. It was like a fun episode on the big screen. I was also 9 years old and it was my first Trek experience in the movie theater.
 
^I was fourteen. And Soran was a pretty good villain. It's Malcolm McDowell, after all, and he pulled the madman thing off quite convincingly.
 
I seem to be in the minority here, but I was fine with the movies being two-part episodes with bigger budgets. When I went to see, or rented in the case of Nemesis, the TNG movies all I wanted to see was the gang reunited for a fun adventure. Nemesis is the only Star Trek film I have a problem with, the rest are all solid movies of varying quality.
 
Peach Wookiee said:
^I was fourteen. And Soran was a pretty good villain. It's Malcolm McDowell, after all, and he pulled the madman thing off quite convincingly.

Am I the only one who doesn't think Soran is a mad man in Generations? :confused:
 
Soran? I just watched Generations two nights ago. It definetly feels like a movie, and the story of it overall is pretty classic Trek.
Soran isn't a "madman" in the sense of being insane. I get the impression that part of the metaphor of the Nexus is hard drug addiction. When Guinan tells Picard, "you won't care about anything, and you won't want to come back", the only thing in our world that parallels it that I can think of is something like crack cocaine or heroin. Soran I think of as the junkie that's completely given over to it. In every scene he's in, he also looks mostly pale, sweaty, unhealthy. Although it must be mentioned it was 100 degrees + on that scaffold set where the Kirk death scenes were done. Run around in a black suit in scorching desert heat, there's show biz for you.
 
Kelthaz said:
I seem to be in the minority here, but I was fine with the movies being two-part episodes with bigger budgets. When I went to see, or rented in the case of Nemesis, the TNG movies all I wanted to see was the gang reunited for a fun adventure. Nemesis is the only Star Trek film I have a problem with, the rest are all solid movies of varying quality.
I actually don't mind Insurrection all that much. I just wish it was more mainstream. The Ba'Ku and Son'a should have been the Romulans and some proto-Vulcans or something like that. As it is, the story is of little consequence to the rest of the Star Trek universe.
 
I think another reason the movies are hit and miss is because they are essentially stripped down and ramped up versions of Star Trek episodes. There is little room in a motion picture for the nuances that a television series allows for, you have more time to tell a story, explore various characters, etc. In a movie...in this case a science fiction adventure movie...you have under two hours (I wonder how long Trek XI will be?) to tell your story and pace it appriately with enough action to entertain and satisify your audience. Not only this...but you have to tell it in a way that people who have never seen your product before will be able to enjoy it. This was one of the problems that Joss Whedeon had with "Serenity" it was set up to be a continuation of the television series but also constructed to be a stand alone movie. I think this is a big reason why film adaptions of movies and you could say the same for novels are hit and misses. You have to modify so much.
 
hutt359 said:
Peach Wookiee said:
^I was fourteen. And Soran was a pretty good villain. It's Malcolm McDowell, after all, and he pulled the madman thing off quite convincingly.

Am I the only one who doesn't think Soran is a mad man in Generations? :confused:

Nigel Bennet would have been better.
 
You could suggest that Soran is simply a very driven man with an agenda if you wanted to avoid calling him a mad man. I think the reason for calling him such in the first place is because he's willing to sacrifice billions of people in order to get back in the Nexus...that's pretty crazy if you ask me.
 
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