The issue of recasting is entirely different from the issue of redesigning. I for one would have preferred a recasting in 1979, but it wasn't going to happen. I also had my doubts about redesigning in 1979, but it turned out very well.
That's the real issue, not should there be a redesign, but what form should the redesign take? I think a
TMP-calibre job is more than acceptable. Indeed it is preferable. I think much of the design work on ENT was very good, if out of touch with the amount of time that series was supposed to be precede
TOS. So it can be done, but I have little confidence it will be done, because the tastes of today's audiences is so different from those of the 1960s.
This last fact is the strongest reason for a redesign. But it also places front and center the question of what
Star Trek really is. Is it a contemporary national myth shared by us all, or the property of one corporation? Is it an art form, or a commodity? We
know the answers to these questions, but there
is truth to the other point of view as well. Myths are reinterpreted for each generation, the
Mona Lisa isn't.
Hamlet can be set in a 21st century White House, or in Elsinore castle.
I don't contest the wisdom or "right" of a filmmaker to toy with the look of
Star Trek. I am simply expressing my preference for once -- one damn time -- to see those designs given their due. The idiots that clamor on about how those designs look "cardboard" or "cheap" or "dated" don't have a clue. Just as I will acknowledge that
Romeo and Juliet can work beautifully in a re-envisioned setting, I'll assert again and again that it is just as legitimate to see it as it was first shown.
Shakespeare in Love would have been a great movie set in 1990s New York, but it was even more interesting done with an eye to the detail of late-Elizabethan England.
Give the work of the people that made this myth its due,
just once. Respect the fact the look, sound, and words all contributed to the effect. At least you will be going with something that is tried and true, that motivated
generations of people to dress up and build sets and models and make movies. You'll be going with a look that has been deemed worthy of preservation by the Smithsonian itself.
And you'll be making me happy. And that's really all I care about.