The Vulcan, series
Table of Content:
Ep. 1: The Needs of the Many
Ep. 2: The Needs of the Few
Ep. 3: 'T' Minus Negative
Ep. 4: A Pon Too Farr
Ep. 5: Seeing is Believing, Part 1
Ep. 6: Seeing is Believing, Part 2
Ep. 7: Mind in a Vat
Ep. 8: The Job
The Vulcan Character Highlights
Episode 7: Mind in a Vat
The captain's quarters, aboard Vulcan
On S'Talla's screen is her father, Kospak. He is in his office on Vulcan.
Kospak is saying, "S'Talla, Councilor T'Rai is providing me with everything she can to help with the investigation. We don't know who originally commissioned the plans for the V5, but there was a shell corporation through which most of the original work was contracted."
S'Talla asks, "Who brought the program to the councilor's attention and asked her to fund it? There must be a connection that leads back from Counsilor T'Rai. It is my understanding that the Yon-Ha'gel project was already in place when T'Rai's support was provided."
"Yes," answers her father. "We have already followed that trail. Commander Skaul was the one who brought the program to T'Rai's office. He works under Admiral Syjak and picked up the project when a defunding request came across his desk. Skaul read the program's statement of intent, looked at the benefits to cost analysis and concluded that it would be best to keep the project funded under the Office of Advancement and Research by going to T'Rai for support. He doesn't know where how or when the program started. The original order records do not seem to exist."
S'Talla says, "The Admiral told me the Office of Advancement and Research oversees more than twelve thousand independent projects that range from scientific theory investigation to off-world diplomatic first contact. It would not be difficult to start a project the scope of the V5-Beta, but three years without tripping any red flags is statistically unlikely. Have you been able to have someone talk to the construction station? Do they have a contact person on record from the original commission and plan approval?"
"Yes. Commander Skaul," answers Kospak. "But that checks out. He admits that he took the lead on the project and setup the construction schedule, but only after he brought T'Rai onboard. We are thinking that who ever originally planned the project, intentionally let the funding run out so it would come up for review in the commander's department. They set him up to carry it forward. It is as if we have been fed only what someone wants us to see."
Kospak looks past the screen for a second and adjusts his seat to lean in. "S’Talla, It was a relief to your mother and me when T'Rai brought us in and told us you were alive. I will not ask you where you are. Admiral Syjak asked me not to. He won't even tell T'Rai. It is good to know you are not a terrorist that died stealing a star ship. I will investigate on my side and keep you and the Admiral updated."
S'Talla responds, "Thank you. It is good to be able to talk to you again, too. It is late, by the ship's time. I still have my log to dictate. I know it is late on Vulcan, as well. I will say good night and we will talk again when we have more to report. Reason will prevail."
Kospak, sitting up straighter, says, "Of course. I will let your mother know we have talked. She may be able to help, too. Good night S'Talla, let logic guide you always."
S'Talla, sitting at her desk in her quarters, closes the video link between her father and herself. The lights have dimmed slightly. There is a back-lit ambient window panel on the wall behind her that emits a soft, sunset light, orange-yellow at the bottom, a mid-tone chromatic blue fading to a deeper dark blue above. Its colors and pattern imitate the time of deepening twilight. She opens her Captain's Log and begins dictating before turning in for the night.
"Captain's Log, stardate: seven dash three two seven one point nine. We decided to take the shorter course through Klingon space. A brief interruption from a Klingon patrol ship proved Waugg A'nol true to his word. Providing our destination, reason for travel through Klingon space, with a short explanation of our meeting aboard the PIn'a Tlhutlh, and a flash of the pendant I wore around my neck, and the patrol ship captain welcomed us to the Klingon Empire. He allowed us to continue with a caution to check in with port authorities, if we should make a planet or space station stop, then allowed us to continue on our way.
"The crew is coming together very well. I have implemented a sixteen hour rotating watch schedule of, four-on-twelve-off, over the simulated diurnal cycles. Only a skeleton crew of four are necessary to maintain a watch over course and engines. This allows the crew some flexibility to choose their times on duty.
"It is twenty two hundred hours standard Vulcan time. Spalloz is sitting in command with T'Pree second, and T'Perl and Mr. Chang in engineering. Most of the crew have established their sleep rhythms to the ship's clock and are finding a regular sleep cycle easily enough."
S'Talla closes her log. The ambient light panel has grown darker, the orange light at the bottom is gone, the top of the panel is almost black and the pin points of stars have begun to appear. The Vulcan woman moves to her sleep area. A view port next to her bunk has now transformed to a fully clear image of the warp streaked space outside. Shedding her outer robe and hanging it on a nearby hook, S'Talla slips into bed.
Vulcan says, "Have a good night Captain S'Talla."
"Good night Vulcan. Alert me if anything needs my attention."
Vulcan answers, "Of course." The cabin lights dim gently. A quiet traditional music plays in the background to help induce sleep.
A boundless space filled with pairs of Bynars facing each other at small tables
Ya and Ne are talking about the interesting beings they have come across since venturing out from Bynar. They are facing each other. Between them is a holographic file system in which they catalog their daily subjects. Ne fits a sheet representing the subject into its file location. Ne reaches the metallic sheet or file towards the holographic file tree. Once the sheet makes contact with the 3D file tree, it changes to become part of the tree and the holograph. Ne then adjusts the shrunken file to fit within the tree's structure. Ya, across the table, works to update a set of indexes for efficient reference and retrieval. The holographic structure of the index appears like a layered tower with lines of light connecting to the files on the file tree.
Behind Ya and Ne is a vast expanse of Bynar couples all sitting at partner desks organizing their day's experiences. Ya and Ne are somewhat removed from the crowd. They are physically and socially removed from the rest of their planet's inhabitants.
Ya draws with a stylus connecting field names to a table on the next metallic file labeled, new experiences. Ya checks a box that says, value and a holographic sliding scale pops into being before Ya.
Ya says to Ne, "I am labeling magic shows at positive zero one one zero one one one zero with a quality attribute of enjoyable."
Ne nods in agreement. "It was highly enjoyable. I will index that to the Earth table as well as Cultural Entertainment with a secondary key to Historical Careers. I am giving it an association with Klingons, Theft, and Random Encounters. Key words will include Thaddeus Mudd, The Great Zaddius and Company, and Grifters."
Ne looks up from the work Ne was doing on the index tower.
"Have you found the ship's computer to perform well? It seems to approach problems, since our time in Stardate: four dash five one seven one, in a fashion more like a… Vulcan or an Earthling. Very different for a computer. I had not noticed such functioning before that."
Ya looks past the file tree and the holograph fades to allow better visual contact with Ne. Ya takes on a thoughtful look. "The Vulcan computer is the only analog computer I have worked with. To your observation and question, we must establish an expected outcome and add to a pre-time travel norm. We can assess based upon known historical data for similar known behaviors."
While Ya is talking, Ya draws a boolean equation in the space between the couple.
A = Normal
B = pre-time travel behavior
AB = expected normal computer.
A∧B = 1.
Post time travel = ¬B
Current analog computing =¬A
A∧¬A¬B∧B∨A= 0
Ya pauses in his formula writing. "List the possible explanations," Ya directs Ne.
They are interrupted in their conversation by a humanoid who appears before them. "Hello, my name is Tutu." Tutu is black of skin covered in fine soft fur, with a mane of wild, dark golden hair that encircles his face and covers his throat, as well as his head. The furry tips of his round ears, peek out through the thick hair to the sides.
Ya and Ne don't feel alarmed or even surprised. They simply ask in unison, "Where did you come from?"
Tutu answers, "I've always been here. But you are new. Where did you come from?"
Ya and Ne glance behind them towards the crowd of Bynar couples only to see stars and darkness.
An institutional hallway
Sam is in a hurry. Her long flowing red hair streams out behind her as she hurries down the hall. She is late for an exam. She hadn't studied and when she arrives at the door of the classroom, she realizes she had forgotten her clothes. It's too late. She can't go home, she has to sit and take a test she is completely unprepared for.
Sam is not only late, but it doesn't help that she's the only human in a Vulcan school. Every pointy eared student turns to stare at her, and she can see they all have one judgmental eyebrow raised. Sam sees at the head of the class, once she fumbles to her seat, front and center of the columns and rows of desks and she finally sits down, is a professor she doesn't recognize. He's black-skinned and furry. His face is surrounded by a wild mane of thick golden hair.
"I'm so glad you could make it." He says, "You are different. Where are you from?" His tone isn't cutting, but Sam feels intense guilt and embarrassment.
A busy urban street
Francesca Gödel is struggling to escape a crowded street. People are bumping into her, getting in her way, cutting her off. She needs to get out of there, but the crowd won't cooperate, and Francesca is panicking. When she looks back, she is being pursued by a black blob, a humanoid shape, that then splits into two, then into four pursuers. Francesca races across the intersection, only to be arrested in her flight by a traffic cop with a furry black face, a mane of gold in an unruly band encircling his dark features.
He puts his hands out to say stop, "Slow down. No need to be in such a hurry. Where are you from? I've not seen you before."
The tone is friendly and helpful. Francesca feels her anxiety drop just a notch until she looks back over her shoulder. The four pursuers have become eight.
An uncultured path beside a stream on Vulcan
T'Pia is walking with a young Vulcan boy, a Vulcan girl, two Vulcan teenage boys, and a young adult Vulcan woman, and T'Pia holds an infant in her arms. They are all her children and she is taking the opportunity to spend her time with them. T'Pia recites a poem to them.
"Curious.
"Playful.
"Children grow.
"Parents stay focused.
"The next generation needs guidance.
"A child's wonder will teach them so much.
"They are free to look in wonder because they have other's eyes watching.
"When they go, those other eyes grow sharper.
"They need to see far.
"Children wander away.
"They learn.
"Focus.
"Logic.
The seven of them come upon a strange looking black man with wild golden hair.
"What an interesting way of speaking," the man says. "Where did you learn to talk like that? Where are you from?"
T'Pia stops and says, "It is a poem in the builder's palindrome meter. I do not remember learning it."
The man answers with an understanding nod, "I find I often know things I never learned."
A bedroom in a Vulcan apartment
Skyvik is with a woman. They are in bed, getting ready to make love. The woman, snuggled into the crook of Skyvik's arm, her head laying on his chest, rolls up over him. She is smiling down at the big Vulcan below her.
"Skyvik, we are about to get married; you can not go on another assignment now. They have other teams they can send."
Skyvik slides his hands gently up over her hips, covered only in the bedsheets. He answers, "I told them, T'Patia, but the logical choice is to send my team. We have the experience. It is a simple reconnaissance assignment. There is little likelihood there will even be any Klingons there. It is not within Klingon territory. There may be a small scouting platoon, at most."
"Where then?" T'Patia wants to know. "It is logical to follow orders. You have a duty and a good, prosperous career, but I fail to see the logic of your taking this extra mission. You also have a responsibility to me. How do you know you will come back? You told me there is always a chance you will meet the ene…"
Skyvik does not hear the end of T'Patia's plea, because a voice interrupts, "Yes, where? Where is Klingon territory? Everything is so new today. I am having such a good time."
Skyvik becomes focused on the being standing at the foot of his bed. Unlike the others, Skyvik rolls for a phaser on the nightstand. T'Patia gone. Skyvik levels the phaser and fires. He misses?
The being chuffes with glee. "Ha! That was an attack. It's been awhile, but…"
Skyvik fires again, but the golden maned being is by the door, not at the foot of the bed. Skyvik leaps from bed in pursuit.
The gymnasium at the Temple of Pure Reason
S'Talla is in the circular martial ring, laying on the mat, bald-headed Master Sparoe looking down at her.
Master Sparoe observes, "You must keep your balance centered. You stopped paying attention. You let your mind wander, that is why you lost your center."
S'Talla, in a very serious tone, announces, "I will not lose my center again." She gets up and takes her fighting stance.
Facing off once more in the arena, Master Sparoe can not disturb S'Talla's balance. She deflects lightning kicks that move her backwards, she is thrown over Master Sparoe's shoulder. She flips in mid-air and lands on her feet. The master strikes rapidly at her upper body, forcing S’Talla to bob and weave until he steps past S'Talla and sweeps across her chest with both arms in another attempt to knock her over. S’Talla flows with the quick press of arms and flexes backwards with the movement. She remains on her feet. Master Sparoe drops and spins to sweep S'Talla's legs. His instep connects with S'Talla's foot, but her feet remain glued to the mat, her entire body slipping sideways as Master Spareo's powerful leg-sweep connects with S'Talla's ankle. Her posture holds, unmoved.
The master breaks from his attack and says, "Very good. You are starting to listen and keep your balance centered. We practice martial arts to sharpen our focus and hone our awareness. You make excellent progress, but you still have a lot to learn."
S'Talla replies, "It is as you teach. I will not lose my balance again."
In the Temple garden
The two are walking in the garden side-by-side. S'Talla is asking, "I understand that our martial studies are simply a vehicle to learning control and sharpening our senses, but are there not less… 'violent' methods for developing these attributes? I am becoming a great fighter, but what about honing my logic, improving more applicable skills?"
They were just crossing a garden foot bridge when the master stops and turns towards his student, "Yes, of course." And he reaches up gently and pushes S'Talla with two fingers against her sternum. S'Talla teeters backwards and steps back to catch her balance. Her foot misses the edge of the bridge. She rocks unexpectedly backwards and falls over the side of the bridge and into the water.
The surprised student splashes to the surface and stands in the waist deep water, looking up in confusion at her master standing above her.
Master Sparoe asks his soaking wet student, "We practice martial arts as a way to learn balance, control, quickness of thought, and awareness. Why do we wish to do these things?"
S'Talla stands in the water and answers seriously, "To improve our nature and become better Vulcans."
"Yes. Do you think the martial arena is the only time you need to be a better Vulcan?"
"No Master Sparoe, we strive to be better Vulcans always."
The master states, "Yet the only time I can not disrupt your balance and surprise you is in the arena. You said you would not lose your balance again. Do you think your lessons are only for combat?"
S'Talla sags slightly, as she makes to climb out of the pond. Then, she adds with conviction, "I understand. The lessons I learn are for always, in and out of the arena."
The master quips, "In the arena, out of the arena. There is no difference, there is no arena, only logic and control."
"I see that now. Thank you Master." S'Talla, having reached the path and the middle of the bridge, bows with respect to Master Sparoe.
Just then, a dark stranger with golden hair comes walking along the path
The middle of open space
Professor Kazzak is working on a gravity theory in the middle of open space. Planets and stars all have cords of light curving between them.
Kazzak, a stylus to his chin, muses, "Since space is curved, it is logical to look for the force that is causing that curve. Energy has to be going into curving space. Unless it is a perception of curving space, like the curves created by intersecting soap film enclosing adjacent pockets of space."
This idea prompts Professor Kazzak to tap at his screen with the tip of his stylus while he considers the alternate frame of reference. A subtle sheen of soapy planes appear to fill the open space all around the professor, as if he were inside a sudsy collection of cosmic bubbles, the celestial bodies each at an intersection where adjacent bubbles merge and share their soapy membranes. "They might, then, appear to look like strings, lines where planes intersect…"
A figure, distant, coming from one of the closer planets, is sliding at high speed, along one of the light cords created by intersecting bubble walls that connects the planet of origin to the professor's holo-board. The figure coalesces into a humanoid, then, getting closer, is seen to be a being with a black face, a wild mane of golden hair and a multi- colored coat, below which are paws instead of feet. He does have hands, which, like his face, are black.
Once he arrives, he hops off the curving slide of light and faces the professor. "Hi. Where'd you come from?" He looks around. His gaze taking in the vastness of the Universe. "I like what you've done with the place."
Professor Kazzak takes a moment to assimilate what is going on.
"Tutu, by the way. Where are my manners?" The new arrival stretches out a hand in greeting. He curls his fingers into a fist and holds it steady, expecting a response.
"No? Okay, usually I get it right. What sort of greeting is called for here?" asks the being.
Professor Kazzak finally responds, his gaze moving from the intruding being to look at the dark space around him. Kazzak then looks down at his feet. He is standing, but there is nothing there to stand upon. The professor finally responds while turning back to look at his equations. "The usual way my people greet one another is by holding the right hand up in a spread of two pairs of fingers and then say something like, 'live long and prosper' or 'may logic guide you', but I have no time for such things."
Kazzak loses his attention on the newcomer and points his stylus at the board. "This is all wrong." Everything changes and he is in his lab. The holo-board has switched to the one from his lab and the equations, numbers, and the diagrams of gravity fields, slide around nebulously over the surface. Some of the content spills out into 3D space.
"Francesca!" the professor shouts.
Tutu says, "I was just helping someone named Francesca get rid of some monsters. I'll go get her."
He is back before he was gone with Doctor Gödel at his side. Francesca is wearing pajamas.
"I have met others who seem… like you. This might not work with them, they are different, but I'll see if I can…" Tutu spreads his arms out and does a pirouette.
S'Talla, Sam, Ya and Ne, Art Santayana, T'Pia, Naxx, Cialoa, Damian, and Sadek are there in the Professor's lab. Then Skyvik appears and he levels a phaser at Tutu. They were simply there, no flash or wink into being. It was like they had been there all along.
Skyvik growls, "What is going on?" With so many of the Vulcan's crew in the Professor's laboratory, Skyvik doesn't want to be quick to fire his weapon.
The crew are surprised by Skyvik, naked and pointing a phaser, but they are not alarmed to a panic.
Sam is near and puts out a hand to cover Skyvik's weapon. "I'd tell you to put that away, but I see neither of us has a way to do that." Sam is still naked, as well.
When Skyvik calms, and lowers his weapon, he looks down and finds himself dressed.
Sam quips, "Okay, now I really feel embarrassed." The red of a freckled blush glows with unusual intensity.
Francesca speaks without her usual stutter, "I hope we have eluded… uh…" She pauses, unable to give a name to the thing that was chasing her.
Naxx, standing next to her asks, "Eluded who?"
Francesca turns to Naxx and tries to answer, "Ah… I never know."
Naxx notes, "I thought you had a stammer?!"
Francesca Gödel looks off into space in reflection.
Art, at the same time, is smiling at Samantha Kelly. He scans his eyes up and down Sam's naked body. "Forget something? I have to say, I love the look." His hand to his chin thoughtfully, he adds, "When did you grow your hair out?"
Sam shoots back, "I am late for an exam, and I don't know…" Sam looks down and finds herself dressed in business wear. "Huh. Weird, but better."
The oddest part is that no one in the party has trouble simply accepting the surreal situation. They are capable of noticing the oddity of some changes, but they react as if everything is normal, except for Ya and Ne. They are highly agitated and confused.
Ya says to Ne, "We need to go."
Ne nods, and agrees. "This is not where we should be."
Ya says, "We still have more data to file."
Ne observes, "It is odd, but we don't know how to find our catalog desk from here."
Ya suggests, "Maybe we should stay with the others."
Ne agrees, "We should stay and experience this new adventure."
Ya says. "Yes, learn what is going on and file it with the rest ..."
"later." Both Ya and Ne say together.
Naxx asks Skyvik, "Why were you holding that phaser on Mr. Tutu?"
Skyvik answers, "He invaded T'Patia's and my apartment while we were in bed together."
Skyvik looks at his phaser, gestures towards Tutu, and asks Naxx, "Do you know this being?" Skyvik clips the phaser away on his belt.
Naxx shakes his head 'no'. "I was helping my parents in the mines when he found me trapped in a collapse." Naxx gets thoughtful. "Funny, but it feels like that's happened before." He shrugs and turns to look at the group.
T'Pia says, "I have to get back to my children. They need me."
Tutu says to everyone, "I am so happy to run into you all. I was afraid I had experienced every strange thing in the Universe, now I meet you and I cannot explain what it is you are. This is very exciting."
Table of Content:
Ep. 1: The Needs of the Many
Ep. 2: The Needs of the Few
Ep. 3: 'T' Minus Negative
Ep. 4: A Pon Too Farr
Ep. 5: Seeing is Believing, Part 1
Ep. 6: Seeing is Believing, Part 2
Ep. 7: Mind in a Vat
Ep. 8: The Job
The Vulcan Character Highlights
Episode 7: Mind in a Vat
The captain's quarters, aboard Vulcan
On S'Talla's screen is her father, Kospak. He is in his office on Vulcan.
Kospak is saying, "S'Talla, Councilor T'Rai is providing me with everything she can to help with the investigation. We don't know who originally commissioned the plans for the V5, but there was a shell corporation through which most of the original work was contracted."
S'Talla asks, "Who brought the program to the councilor's attention and asked her to fund it? There must be a connection that leads back from Counsilor T'Rai. It is my understanding that the Yon-Ha'gel project was already in place when T'Rai's support was provided."
"Yes," answers her father. "We have already followed that trail. Commander Skaul was the one who brought the program to T'Rai's office. He works under Admiral Syjak and picked up the project when a defunding request came across his desk. Skaul read the program's statement of intent, looked at the benefits to cost analysis and concluded that it would be best to keep the project funded under the Office of Advancement and Research by going to T'Rai for support. He doesn't know where how or when the program started. The original order records do not seem to exist."
S'Talla says, "The Admiral told me the Office of Advancement and Research oversees more than twelve thousand independent projects that range from scientific theory investigation to off-world diplomatic first contact. It would not be difficult to start a project the scope of the V5-Beta, but three years without tripping any red flags is statistically unlikely. Have you been able to have someone talk to the construction station? Do they have a contact person on record from the original commission and plan approval?"
"Yes. Commander Skaul," answers Kospak. "But that checks out. He admits that he took the lead on the project and setup the construction schedule, but only after he brought T'Rai onboard. We are thinking that who ever originally planned the project, intentionally let the funding run out so it would come up for review in the commander's department. They set him up to carry it forward. It is as if we have been fed only what someone wants us to see."
Kospak looks past the screen for a second and adjusts his seat to lean in. "S’Talla, It was a relief to your mother and me when T'Rai brought us in and told us you were alive. I will not ask you where you are. Admiral Syjak asked me not to. He won't even tell T'Rai. It is good to know you are not a terrorist that died stealing a star ship. I will investigate on my side and keep you and the Admiral updated."
S'Talla responds, "Thank you. It is good to be able to talk to you again, too. It is late, by the ship's time. I still have my log to dictate. I know it is late on Vulcan, as well. I will say good night and we will talk again when we have more to report. Reason will prevail."
Kospak, sitting up straighter, says, "Of course. I will let your mother know we have talked. She may be able to help, too. Good night S'Talla, let logic guide you always."
S'Talla, sitting at her desk in her quarters, closes the video link between her father and herself. The lights have dimmed slightly. There is a back-lit ambient window panel on the wall behind her that emits a soft, sunset light, orange-yellow at the bottom, a mid-tone chromatic blue fading to a deeper dark blue above. Its colors and pattern imitate the time of deepening twilight. She opens her Captain's Log and begins dictating before turning in for the night.
"Captain's Log, stardate: seven dash three two seven one point nine. We decided to take the shorter course through Klingon space. A brief interruption from a Klingon patrol ship proved Waugg A'nol true to his word. Providing our destination, reason for travel through Klingon space, with a short explanation of our meeting aboard the PIn'a Tlhutlh, and a flash of the pendant I wore around my neck, and the patrol ship captain welcomed us to the Klingon Empire. He allowed us to continue with a caution to check in with port authorities, if we should make a planet or space station stop, then allowed us to continue on our way.
"The crew is coming together very well. I have implemented a sixteen hour rotating watch schedule of, four-on-twelve-off, over the simulated diurnal cycles. Only a skeleton crew of four are necessary to maintain a watch over course and engines. This allows the crew some flexibility to choose their times on duty.
"It is twenty two hundred hours standard Vulcan time. Spalloz is sitting in command with T'Pree second, and T'Perl and Mr. Chang in engineering. Most of the crew have established their sleep rhythms to the ship's clock and are finding a regular sleep cycle easily enough."
S'Talla closes her log. The ambient light panel has grown darker, the orange light at the bottom is gone, the top of the panel is almost black and the pin points of stars have begun to appear. The Vulcan woman moves to her sleep area. A view port next to her bunk has now transformed to a fully clear image of the warp streaked space outside. Shedding her outer robe and hanging it on a nearby hook, S'Talla slips into bed.
Vulcan says, "Have a good night Captain S'Talla."
"Good night Vulcan. Alert me if anything needs my attention."
Vulcan answers, "Of course." The cabin lights dim gently. A quiet traditional music plays in the background to help induce sleep.
A boundless space filled with pairs of Bynars facing each other at small tables
Ya and Ne are talking about the interesting beings they have come across since venturing out from Bynar. They are facing each other. Between them is a holographic file system in which they catalog their daily subjects. Ne fits a sheet representing the subject into its file location. Ne reaches the metallic sheet or file towards the holographic file tree. Once the sheet makes contact with the 3D file tree, it changes to become part of the tree and the holograph. Ne then adjusts the shrunken file to fit within the tree's structure. Ya, across the table, works to update a set of indexes for efficient reference and retrieval. The holographic structure of the index appears like a layered tower with lines of light connecting to the files on the file tree.
Behind Ya and Ne is a vast expanse of Bynar couples all sitting at partner desks organizing their day's experiences. Ya and Ne are somewhat removed from the crowd. They are physically and socially removed from the rest of their planet's inhabitants.
Ya draws with a stylus connecting field names to a table on the next metallic file labeled, new experiences. Ya checks a box that says, value and a holographic sliding scale pops into being before Ya.
Ya says to Ne, "I am labeling magic shows at positive zero one one zero one one one zero with a quality attribute of enjoyable."
Ne nods in agreement. "It was highly enjoyable. I will index that to the Earth table as well as Cultural Entertainment with a secondary key to Historical Careers. I am giving it an association with Klingons, Theft, and Random Encounters. Key words will include Thaddeus Mudd, The Great Zaddius and Company, and Grifters."
Ne looks up from the work Ne was doing on the index tower.
"Have you found the ship's computer to perform well? It seems to approach problems, since our time in Stardate: four dash five one seven one, in a fashion more like a… Vulcan or an Earthling. Very different for a computer. I had not noticed such functioning before that."
Ya looks past the file tree and the holograph fades to allow better visual contact with Ne. Ya takes on a thoughtful look. "The Vulcan computer is the only analog computer I have worked with. To your observation and question, we must establish an expected outcome and add to a pre-time travel norm. We can assess based upon known historical data for similar known behaviors."
While Ya is talking, Ya draws a boolean equation in the space between the couple.
A = Normal
B = pre-time travel behavior
AB = expected normal computer.
A∧B = 1.
Post time travel = ¬B
Current analog computing =¬A
A∧¬A¬B∧B∨A= 0
Ya pauses in his formula writing. "List the possible explanations," Ya directs Ne.
They are interrupted in their conversation by a humanoid who appears before them. "Hello, my name is Tutu." Tutu is black of skin covered in fine soft fur, with a mane of wild, dark golden hair that encircles his face and covers his throat, as well as his head. The furry tips of his round ears, peek out through the thick hair to the sides.
Ya and Ne don't feel alarmed or even surprised. They simply ask in unison, "Where did you come from?"
Tutu answers, "I've always been here. But you are new. Where did you come from?"
Ya and Ne glance behind them towards the crowd of Bynar couples only to see stars and darkness.
An institutional hallway
Sam is in a hurry. Her long flowing red hair streams out behind her as she hurries down the hall. She is late for an exam. She hadn't studied and when she arrives at the door of the classroom, she realizes she had forgotten her clothes. It's too late. She can't go home, she has to sit and take a test she is completely unprepared for.
Sam is not only late, but it doesn't help that she's the only human in a Vulcan school. Every pointy eared student turns to stare at her, and she can see they all have one judgmental eyebrow raised. Sam sees at the head of the class, once she fumbles to her seat, front and center of the columns and rows of desks and she finally sits down, is a professor she doesn't recognize. He's black-skinned and furry. His face is surrounded by a wild mane of thick golden hair.
"I'm so glad you could make it." He says, "You are different. Where are you from?" His tone isn't cutting, but Sam feels intense guilt and embarrassment.
A busy urban street
Francesca Gödel is struggling to escape a crowded street. People are bumping into her, getting in her way, cutting her off. She needs to get out of there, but the crowd won't cooperate, and Francesca is panicking. When she looks back, she is being pursued by a black blob, a humanoid shape, that then splits into two, then into four pursuers. Francesca races across the intersection, only to be arrested in her flight by a traffic cop with a furry black face, a mane of gold in an unruly band encircling his dark features.
He puts his hands out to say stop, "Slow down. No need to be in such a hurry. Where are you from? I've not seen you before."
The tone is friendly and helpful. Francesca feels her anxiety drop just a notch until she looks back over her shoulder. The four pursuers have become eight.
An uncultured path beside a stream on Vulcan
T'Pia is walking with a young Vulcan boy, a Vulcan girl, two Vulcan teenage boys, and a young adult Vulcan woman, and T'Pia holds an infant in her arms. They are all her children and she is taking the opportunity to spend her time with them. T'Pia recites a poem to them.
"Curious.
"Playful.
"Children grow.
"Parents stay focused.
"The next generation needs guidance.
"A child's wonder will teach them so much.
"They are free to look in wonder because they have other's eyes watching.
"When they go, those other eyes grow sharper.
"They need to see far.
"Children wander away.
"They learn.
"Focus.
"Logic.
The seven of them come upon a strange looking black man with wild golden hair.
"What an interesting way of speaking," the man says. "Where did you learn to talk like that? Where are you from?"
T'Pia stops and says, "It is a poem in the builder's palindrome meter. I do not remember learning it."
The man answers with an understanding nod, "I find I often know things I never learned."
A bedroom in a Vulcan apartment
Skyvik is with a woman. They are in bed, getting ready to make love. The woman, snuggled into the crook of Skyvik's arm, her head laying on his chest, rolls up over him. She is smiling down at the big Vulcan below her.
"Skyvik, we are about to get married; you can not go on another assignment now. They have other teams they can send."
Skyvik slides his hands gently up over her hips, covered only in the bedsheets. He answers, "I told them, T'Patia, but the logical choice is to send my team. We have the experience. It is a simple reconnaissance assignment. There is little likelihood there will even be any Klingons there. It is not within Klingon territory. There may be a small scouting platoon, at most."
"Where then?" T'Patia wants to know. "It is logical to follow orders. You have a duty and a good, prosperous career, but I fail to see the logic of your taking this extra mission. You also have a responsibility to me. How do you know you will come back? You told me there is always a chance you will meet the ene…"
Skyvik does not hear the end of T'Patia's plea, because a voice interrupts, "Yes, where? Where is Klingon territory? Everything is so new today. I am having such a good time."
Skyvik becomes focused on the being standing at the foot of his bed. Unlike the others, Skyvik rolls for a phaser on the nightstand. T'Patia gone. Skyvik levels the phaser and fires. He misses?
The being chuffes with glee. "Ha! That was an attack. It's been awhile, but…"
Skyvik fires again, but the golden maned being is by the door, not at the foot of the bed. Skyvik leaps from bed in pursuit.
The gymnasium at the Temple of Pure Reason
S'Talla is in the circular martial ring, laying on the mat, bald-headed Master Sparoe looking down at her.
Master Sparoe observes, "You must keep your balance centered. You stopped paying attention. You let your mind wander, that is why you lost your center."
S'Talla, in a very serious tone, announces, "I will not lose my center again." She gets up and takes her fighting stance.
Facing off once more in the arena, Master Sparoe can not disturb S'Talla's balance. She deflects lightning kicks that move her backwards, she is thrown over Master Sparoe's shoulder. She flips in mid-air and lands on her feet. The master strikes rapidly at her upper body, forcing S’Talla to bob and weave until he steps past S'Talla and sweeps across her chest with both arms in another attempt to knock her over. S’Talla flows with the quick press of arms and flexes backwards with the movement. She remains on her feet. Master Sparoe drops and spins to sweep S'Talla's legs. His instep connects with S'Talla's foot, but her feet remain glued to the mat, her entire body slipping sideways as Master Spareo's powerful leg-sweep connects with S'Talla's ankle. Her posture holds, unmoved.
The master breaks from his attack and says, "Very good. You are starting to listen and keep your balance centered. We practice martial arts to sharpen our focus and hone our awareness. You make excellent progress, but you still have a lot to learn."
S'Talla replies, "It is as you teach. I will not lose my balance again."
In the Temple garden
The two are walking in the garden side-by-side. S'Talla is asking, "I understand that our martial studies are simply a vehicle to learning control and sharpening our senses, but are there not less… 'violent' methods for developing these attributes? I am becoming a great fighter, but what about honing my logic, improving more applicable skills?"
They were just crossing a garden foot bridge when the master stops and turns towards his student, "Yes, of course." And he reaches up gently and pushes S'Talla with two fingers against her sternum. S'Talla teeters backwards and steps back to catch her balance. Her foot misses the edge of the bridge. She rocks unexpectedly backwards and falls over the side of the bridge and into the water.
The surprised student splashes to the surface and stands in the waist deep water, looking up in confusion at her master standing above her.
Master Sparoe asks his soaking wet student, "We practice martial arts as a way to learn balance, control, quickness of thought, and awareness. Why do we wish to do these things?"
S'Talla stands in the water and answers seriously, "To improve our nature and become better Vulcans."
"Yes. Do you think the martial arena is the only time you need to be a better Vulcan?"
"No Master Sparoe, we strive to be better Vulcans always."
The master states, "Yet the only time I can not disrupt your balance and surprise you is in the arena. You said you would not lose your balance again. Do you think your lessons are only for combat?"
S'Talla sags slightly, as she makes to climb out of the pond. Then, she adds with conviction, "I understand. The lessons I learn are for always, in and out of the arena."
The master quips, "In the arena, out of the arena. There is no difference, there is no arena, only logic and control."
"I see that now. Thank you Master." S'Talla, having reached the path and the middle of the bridge, bows with respect to Master Sparoe.
Just then, a dark stranger with golden hair comes walking along the path
The middle of open space
Professor Kazzak is working on a gravity theory in the middle of open space. Planets and stars all have cords of light curving between them.
Kazzak, a stylus to his chin, muses, "Since space is curved, it is logical to look for the force that is causing that curve. Energy has to be going into curving space. Unless it is a perception of curving space, like the curves created by intersecting soap film enclosing adjacent pockets of space."
This idea prompts Professor Kazzak to tap at his screen with the tip of his stylus while he considers the alternate frame of reference. A subtle sheen of soapy planes appear to fill the open space all around the professor, as if he were inside a sudsy collection of cosmic bubbles, the celestial bodies each at an intersection where adjacent bubbles merge and share their soapy membranes. "They might, then, appear to look like strings, lines where planes intersect…"
A figure, distant, coming from one of the closer planets, is sliding at high speed, along one of the light cords created by intersecting bubble walls that connects the planet of origin to the professor's holo-board. The figure coalesces into a humanoid, then, getting closer, is seen to be a being with a black face, a wild mane of golden hair and a multi- colored coat, below which are paws instead of feet. He does have hands, which, like his face, are black.
Once he arrives, he hops off the curving slide of light and faces the professor. "Hi. Where'd you come from?" He looks around. His gaze taking in the vastness of the Universe. "I like what you've done with the place."
Professor Kazzak takes a moment to assimilate what is going on.
"Tutu, by the way. Where are my manners?" The new arrival stretches out a hand in greeting. He curls his fingers into a fist and holds it steady, expecting a response.
"No? Okay, usually I get it right. What sort of greeting is called for here?" asks the being.
Professor Kazzak finally responds, his gaze moving from the intruding being to look at the dark space around him. Kazzak then looks down at his feet. He is standing, but there is nothing there to stand upon. The professor finally responds while turning back to look at his equations. "The usual way my people greet one another is by holding the right hand up in a spread of two pairs of fingers and then say something like, 'live long and prosper' or 'may logic guide you', but I have no time for such things."
Kazzak loses his attention on the newcomer and points his stylus at the board. "This is all wrong." Everything changes and he is in his lab. The holo-board has switched to the one from his lab and the equations, numbers, and the diagrams of gravity fields, slide around nebulously over the surface. Some of the content spills out into 3D space.
"Francesca!" the professor shouts.
Tutu says, "I was just helping someone named Francesca get rid of some monsters. I'll go get her."
He is back before he was gone with Doctor Gödel at his side. Francesca is wearing pajamas.
"I have met others who seem… like you. This might not work with them, they are different, but I'll see if I can…" Tutu spreads his arms out and does a pirouette.
S'Talla, Sam, Ya and Ne, Art Santayana, T'Pia, Naxx, Cialoa, Damian, and Sadek are there in the Professor's lab. Then Skyvik appears and he levels a phaser at Tutu. They were simply there, no flash or wink into being. It was like they had been there all along.
Skyvik growls, "What is going on?" With so many of the Vulcan's crew in the Professor's laboratory, Skyvik doesn't want to be quick to fire his weapon.
The crew are surprised by Skyvik, naked and pointing a phaser, but they are not alarmed to a panic.
Sam is near and puts out a hand to cover Skyvik's weapon. "I'd tell you to put that away, but I see neither of us has a way to do that." Sam is still naked, as well.
When Skyvik calms, and lowers his weapon, he looks down and finds himself dressed.
Sam quips, "Okay, now I really feel embarrassed." The red of a freckled blush glows with unusual intensity.
Francesca speaks without her usual stutter, "I hope we have eluded… uh…" She pauses, unable to give a name to the thing that was chasing her.
Naxx, standing next to her asks, "Eluded who?"
Francesca turns to Naxx and tries to answer, "Ah… I never know."
Naxx notes, "I thought you had a stammer?!"
Francesca Gödel looks off into space in reflection.
Art, at the same time, is smiling at Samantha Kelly. He scans his eyes up and down Sam's naked body. "Forget something? I have to say, I love the look." His hand to his chin thoughtfully, he adds, "When did you grow your hair out?"
Sam shoots back, "I am late for an exam, and I don't know…" Sam looks down and finds herself dressed in business wear. "Huh. Weird, but better."
The oddest part is that no one in the party has trouble simply accepting the surreal situation. They are capable of noticing the oddity of some changes, but they react as if everything is normal, except for Ya and Ne. They are highly agitated and confused.
Ya says to Ne, "We need to go."
Ne nods, and agrees. "This is not where we should be."
Ya says, "We still have more data to file."
Ne observes, "It is odd, but we don't know how to find our catalog desk from here."
Ya suggests, "Maybe we should stay with the others."
Ne agrees, "We should stay and experience this new adventure."
Ya says. "Yes, learn what is going on and file it with the rest ..."
"later." Both Ya and Ne say together.
Naxx asks Skyvik, "Why were you holding that phaser on Mr. Tutu?"
Skyvik answers, "He invaded T'Patia's and my apartment while we were in bed together."
Skyvik looks at his phaser, gestures towards Tutu, and asks Naxx, "Do you know this being?" Skyvik clips the phaser away on his belt.
Naxx shakes his head 'no'. "I was helping my parents in the mines when he found me trapped in a collapse." Naxx gets thoughtful. "Funny, but it feels like that's happened before." He shrugs and turns to look at the group.
T'Pia says, "I have to get back to my children. They need me."
Tutu says to everyone, "I am so happy to run into you all. I was afraid I had experienced every strange thing in the Universe, now I meet you and I cannot explain what it is you are. This is very exciting."
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