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The Enemy Within: episode reviw.

truespock

Lieutenant
Red Shirt
Certainly 'The Enemy Within' is ONE of the most thought provoking TOS eps. Robert Louis Stevenson was the first fiction writer to speculate upon the ramifications of physically splitting our 'good' and 'evil' sides into two independent beings, in the form of 'Dr. Jekyll and Mr. Hyde', back in the mid 1800's. One of the things about THAT story which always took my attention was the stress placed upon the fact that Hyde was quite small in stature and physically weak, while Jekyll was a fairly robust man...inferring that the 'evil' side of him was, perhaps, intrinsically less influential within the framework of the combined whole. Yeah, we wish!

'Enemy', however, divies things up differently, analyzing the nature of each set of attributes in the process. Good Kirk gets the morals, the reasoning ability and the positive emotions--most notably compassion. Bad Kirk gets the pure fire-in-the-belly strength of will, the daring to do anything, the ability to make the tough choices, but thoroughly lacks any trace of intellect and hence direction. The all-too-evident moral of this story is that we humans need both the good and the evil aspects of ourselves in order to function, but that the good must keep the evil under strict regulation to obtain the best results.

My question is, If evil has the strength, is good going to be able to consistently reign in his antithesis with only the use of morality and intellect? Looking at the history of our race and the current state of affairs in our corner of the universe, my answer would have to be a resounding, "NO!" Spock readily points out that, "Being split in two is no mystery to him...", giving us a chance to see that the Vulcans have simply taken the human condition a step further. He then concludes that, "His intellect wins out over BOTH, making them live together!" Kirk's more visible version of the ordeal merely makes the concept a bit more accessible to us.

'Enemy' very stylishly distills that daily struggle we each must face into a clearly writ tableau of our decision making process--social stereotypes included. What is the subtle difference between being a 'wimp', and being a 'jerk' in any given situation? At what point should our instinct for simple self preservation give way to the realization that addressing the greater good may well be the path to an improvement in our own situation? Just exactly how much bad in us is actually good for us?

Jekyll never figured it out. Kirk, with Spock's help, seemed to. Once again, Star Trek serves us as a blueprint for living in the 'real world'.

Retired clinical psychologist and university professor, happily married, untimate Spock fan
 
One thing pointed out in The Enemy Within that I believe is quite valuable is the necessity for intellect to rule over emotion. McCoy astutely observes that "evil Kirk" was afraid where "good Kirk" was not. Fear is at the root of so many of our negative emotions anyway, even if we don't realize it. This episode helped drive that point home and made for, IMHO, a very effective commentary about the importance of self examination and its role in making us better people all around.
 
This is the part where I point out that this episode was written by the great Richard Matheson, author of I AM LEGEND, THE INCREDIBLE SHRINKING MAN, SOMEWHERE IN TIME, "Nightmare at 20,000 Feet," who is still going strong and writing into his eighties.

(And, yes, I'm his editor at Tor.)
 
And it does not hurt that, ESPECIALLY considering its so early in the series shooting order, Shatner, Kelley and Nimoy give incredible...if not defining performances.

It is truly amazing how after 45 years, how Shatner's performance can still truly move oneself. Not only the outrageous end of the 'evil' Kirk, but the studied underplaying of the 'good' one. One can truly see his mild Kirk searching inside himself for something missing..looking for that undefinable thing he cannot find. And the last scene on the bridge is simply brilliant - the basic survival instinct of the 'Alpha' Kirk making him confess that he needs, no WANTS to go back...but is afraid to. And the 'Beta' Kirks calm reaching out to the other one, confessing in his own his need...and his trepidation of the rejoining - all incredibly done by Shatner. There are very few moments in all of Trek that come close to it.
 
And it does not hurt that, ESPECIALLY considering its so early in the series shooting order, Shatner, Kelley and Nimoy give incredible...if not defining performances.

It is truly amazing how after 45 years, how Shatner's performance can still truly move oneself. Not only the outrageous end of the 'evil' Kirk, but the studied underplaying of the 'good' one. One can truly see his mild Kirk searching inside himself for something missing..looking for that undefinable thing he cannot find. And the last scene on the bridge is simply brilliant - the basic survival instinct of the 'Alpha' Kirk making him confess that he needs, no WANTS to go back...but is afraid to. And the 'Beta' Kirks calm reaching out to the other one, confessing in his own his need...and his trepidation of the rejoining - all incredibly done by Shatner. There are very few moments in all of Trek that come close to it.

And it gave us that GIF of evil Kirk in the "I'm captain Kirk!" scene.
 
My question is, If evil has the strength, is good going to be able to consistently reign in his antithesis with only the use of morality and intellect?


Evil doesn't have all of the strength, or even the same kind of strengths in the same areas. And, great strength can flow from one's sense of morality and intellect. As you have said, "evil" strength fuels daring, ambition, initiative...in other words "the balls to take risks and get stuff done. However, the "good" strengths temper this initiative with compassion, thoughtfulness, insight, and self-reflection.

Throughout our history, there have been several eras during which people have thought that they were living in apocalyptic times....and yet, we have survived. There is still hope, I think we are getting closer to the United Earth in TOS. We probably will not see that in our lifetimes, but we are getting closer.
 
This is the part where I point out that this episode was written by the great Richard Matheson, author of I AM LEGEND, THE INCREDIBLE SHRINKING MAN, SOMEWHERE IN TIME, "Nightmare at 20,000 Feet," who is still going strong and writing into his eighties.

(And, yes, I'm his editor at Tor.)

WOW!!!

That might be the coolest thing I've encounted here, ever.
 
This is the part where I point out that this episode was written by the great Richard Matheson, author of I AM LEGEND, THE INCREDIBLE SHRINKING MAN, SOMEWHERE IN TIME, "Nightmare at 20,000 Feet," who is still going strong and writing into his eighties.

(And, yes, I'm his editor at Tor.)

WOW!!!

That might be the coolest thing I've encounted here, ever.


Thanks! Believe it or not, Richard had a new story in F&SF last year, published a new novel (Other Kingdoms), and is currently working on a Broadway musical version of Somewhere in Time.

I hope I'm half as productive in my eighties!
 
Enemy is as quintessentially Trek as any episode, due to its examination of what it is to be human. Plus some great writing. Plus cheezy 60s stuff (space doggy, tympany, under-lighting of id-Kirk).

Due to the OP's line of work, here's a thread about using this ep in the h.s. psych class I teach. http://trekbbs.com/showthread.php?t=131624
 
This is the part where I point out that this episode was written by the great Richard Matheson, author of I AM LEGEND, THE INCREDIBLE SHRINKING MAN, SOMEWHERE IN TIME, "Nightmare at 20,000 Feet," who is still going strong and writing into his eighties.

(And, yes, I'm his editor at Tor.)
It must be tough for a younger, relatively (to Richard Matheson) newer writer to edit a master, huh?
 
This is the part where I point out that this episode was written by the great Richard Matheson, author of I AM LEGEND, THE INCREDIBLE SHRINKING MAN, SOMEWHERE IN TIME, "Nightmare at 20,000 Feet," who is still going strong and writing into his eighties.

(And, yes, I'm his editor at Tor.)
It must be tough for a younger, relatively (to Richard Matheson) newer writer to edit a master, huh?


I admit that I was a bit intimidated the first time I had to edit Richard, on Seven Steps to Midnight, but I've been Richard's editor at Tor for nearly twenty years now, so I've had a little more time to get used to the idea! :)
 
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