lalorm said:
I think that the soundtrack should remain true to that in the original series. Not just the opening credits by Alexander Courage, but the entire score.
Any thoughts on this?
lalorm said:
Sure, I mean I don't want a mono soundtrack or anything. I'm thinking something like what they did for the score of Superman Returns. They took the original score, and created a very good soundtrack that every now and then brings in a well known theme from the original film to give the film a 'Superman movie' feel.
So my choice for composer would be John Ottman for the work he did on the Superman Returns soundtrack.
Have a listern to the samples here...
http://www.amazon.com/Superman-Returns-John-Ottman/dp/B000FMGTTE
lalorm said:
So my choice for composer would be John Ottman for the work he did on the Superman Returns soundtrack.
Couldn't have said it better myself.dalehoppert said:
Overall, I want something grand and of a bigger scale than TOS music, but I also want to hear lots and lots of familiar themes and cues... the musical touchstones should be there. There should be moments that feel just like TOS and others where I'm blown away by the scope and scale of the music.
I agree with everything you just said, except for a small "lie of omission." (Sorry, not calling you a liar... just using a slang term!)JacksonArcher said:
John Ottman is a brilliant composer, who proved with his score for Superman Returns that he can take famous existing themes and extrapolate them in a magnificent way. Of course, if Bryan Singer were directing, Ottman would be composing and editing, but since Michael Giacchino (Lost, Alias, Mission: Impossible III) is J.J. Abrams' right-hand man when it comes to scoring, he's the man to do the job for Abrams' Star Trek.
Not that I don't admire Giacchino -- his work for M:i-III was absolutely terrific, and one of my favorite scores for last year. I think he'll do a great job at adapting Alexander Courage's iconic theme and much like Ottman did for Superman updating Courage's work while also paying homage to what made it so successful in the first place.
Starship Polaris said:
A composer has already been selected, Michael Giacchino.
Cary L. Brown said:
Sol Kaplan's stuff in particular is every bit as iconically "Star Trek" to me as anything Courage wrote... and has been sorely neglected for far too long, IMHO. I'd REALLY like to hear a revisitation of Kaplan's "Kirk's Command" fanfare... you know, the OTHER "Star Trek Fanfare" with the high brass hit, followed by two lowering notes, then up and down a few times slightly faster... something that says "Star Trek" to me more than anything Courage or Goldsmith or Horner or anyone else ever wrote.
You can hear it for the first time in "Charlie X," by the way...
What does that mean in English?xortex said:
I would like music that is overly dramatic that 'floats'. This can be accomplished by the use of figurations and dissonant whole tone or chromatic polytonality whenever possible.
You're absolutely right, I stand corrected... that's what I get for posting after a design review day... brain-fried.aridas sofia said:
Cary L. Brown said:
Sol Kaplan's stuff in particular is every bit as iconically "Star Trek" to me as anything Courage wrote... and has been sorely neglected for far too long, IMHO. I'd REALLY like to hear a revisitation of Kaplan's "Kirk's Command" fanfare... you know, the OTHER "Star Trek Fanfare" with the high brass hit, followed by two lowering notes, then up and down a few times slightly faster... something that says "Star Trek" to me more than anything Courage or Goldsmith or Horner or anyone else ever wrote.
You can hear it for the first time in "Charlie X," by the way...
Wasn't that by Fred Steiner?
Jack Bauer said:
What does that mean in English?xortex said:
I would like music that is overly dramatic that 'floats'. This can be accomplished by the use of figurations and dissonant whole tone or chromatic polytonality whenever possible.![]()
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