Thank you for backing me up, LiChiu!LiChiu said:
It does look better without the stars.
Sorry for not acknowledging you sooner.
Thank you for backing me up, LiChiu!LiChiu said:
It does look better without the stars.
Chris_Johnston said:BTW, did anybody look at the Firefly screenies I linked to earlier?
Yeah, and I feel the absence of stars works fine in Firefly, since in it the shooting (like in nBSG) is consciously done to simulate the camera work of a "real life" documentary (shaky movement, delay on focus, etc.)Chris_Johnston said:
BTW, did anybody look at the Firefly screenies I linked to earlier?
That's interesting. Maybe they should do camera work like that on star trek just for a different look.iguana_tonante said:
Yeah, and I feel the absence of stars works fine in Firefly, since in it the shooting (like in nBSG) is consciously done to simulate the camera work of a "real life" documentary (shaky movement, delay on focus, etc.)Chris_Johnston said:
BTW, did anybody look at the Firefly screenies I linked to earlier?
Star Trek shooting, OTOH, is more naturalistic.
In TMP -- one of the few times in modern Trek they've actually cared so much about the scientific accuracy of the visual details -- Douglas Trumbull came to exactly the same conclusion.Chris_Johnston said:
In interstellar space this wouldn't be unrealistic (but then the Enterprise would need to be lit by the onboard floods).
Must... have... USS Constitution... in Celestia!LiChiu said:
After playing around with celestia I am convinced the starless background looks better.
[image]http://i166.photobucket.com/albums/u118/duck_duck1991/connie1.jpg[/image]
I believe it was in the Romulas and Remus pack. I remember the ship was orbiting Romulas and I just moved it to be in Earth orbit. It is easy to put it anywhere.Chris_Johnston said:
Must... have... USS Constitution... in Celestia!LiChiu said:
After playing around with celestia I am convinced the starless background looks better.
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Where did you get that? I don't see it on any of the Add-On sites!
Thanks for reminding me to go hunt down some screenies from TMP, CoveTom!CoveTom said:
In TMP -- one of the few times in modern Trek they've actually cared so much about the scientific accuracy of the visual details -- Douglas Trumbull came to exactly the same conclusion.Chris_Johnston said:
In interstellar space this wouldn't be unrealistic (but then the Enterprise would need to be lit by the onboard floods).
On the TMPE documentaries, he mentions how that if you are outside of a solar system, there is no sun there is a key light and so he felt that the source of illumination had to be the Enterprise herself. That's why his version of the Enterprise has very distinct floodlights illuminating the hull from various angles. Now, he also admits that once he had justified the lighting that way, then he and his special effects team added a bunch more lighting to the ship that would not really be there.
To me, that seems like a good approach -- think about how something would really happen, do a little work to make it look realistic, and then enhance or change it as necessary for proper dramatic effect.
NiceChris_Johnston said:
Thanks for reminding me to go hunt down some screenies from TMP, CoveTom!CoveTom said:
In TMP -- one of the few times in modern Trek they've actually cared so much about the scientific accuracy of the visual details -- Douglas Trumbull came to exactly the same conclusion.Chris_Johnston said:
In interstellar space this wouldn't be unrealistic (but then the Enterprise would need to be lit by the onboard floods).
On the TMPE documentaries, he mentions how that if you are outside of a solar system, there is no sun there is a key light and so he felt that the source of illumination had to be the Enterprise herself. That's why his version of the Enterprise has very distinct floodlights illuminating the hull from various angles. Now, he also admits that once he had justified the lighting that way, then he and his special effects team added a bunch more lighting to the ship that would not really be there.
To me, that seems like a good approach -- think about how something would really happen, do a little work to make it look realistic, and then enhance or change it as necessary for proper dramatic effect.
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