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Picardo's "A Beautiful Deception" in Tucson

Jeri

Vice Admiral
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I just noticed this happened last weekend. (Tucson's my home town, but I'm not living there at the moment.) The following interview is from the newspaper. There's another interview in this month's "Tucson Lifestyle" magazine, which I can probably scan and post.

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Published: 02.08.2008

Actor, career linked by fate

picardo.jpg


By Cathalena E. Burch
ARIZONA DAILY STAR

In the perfect world of his mother's wildest dreams, Robert Picardo would have been a doctor.

Instead, he played one on TV.

Twice — the hologram Doctor on "Star Trek: Voyager" and the lovable Dr. Dick Richard on "China Beach."

"I had the vicarious thrill without the malpractice insurance," Picardo joked during a phone interview from his Los Angeles home in late January.

How Picardo came to ditch doctoring for acting is a story that has become Hollywood legend.

Picardo, who will perform Saturday in Chamber Music Plus Southwest's "A Beautiful Deception," relishes telling how American classical music icon and cultural hero Leonard Bernstein convinced Picardo's mother that her little boy should be an actor.

The setup: Picardo was a 19-year-old sophomore at Yale University, majoring in — you guessed it — pre-med when he landed a role in the Yale production of Bernstein's Mass. The Mass had been commissioned a few years earlier by the family of John F. Kennedy to inaugurate the Kennedy Center in Washington, D.C., in 1971.

Bernstein's Mass was more music theater than classical music, involving 200 performers — musicians, singers, choir and dancers.

The story, as told by Picardo: "It was an extraordinary experience. The maestro was very kind to me. He called me the 'Great Picardo.' I didn't know he was really goofing on the 'Great Caruso' (Enrico Caruso). He likes Italian names, I guess.

"He pulled me aside and said, 'What are you going to do with your life?' I said, 'I'm pre-med.' He goes, 'Oh. You have a really natural stage energy that's unusual. You should consider doing this for a living.' I looked him in the eye and said, 'You'll have to tell my mother.' Because I was not about to break the news that she was going to lose the family doctor. . . .

"At the opening night party, I dragged my mother over to him and he repeated those words of encouragement. He was such an iconic figure for all Americans, my mom in particular. He was the classical music god to her, so the fact that he said something kind about her son made her sit up, take notice and give me my one-way ticket out of pre-med with her blessing. That was sort of the validation that enabled me to try a performing career."

What happened next: He traveled with the Yale cast to Vienna for the European premiere of the Mass. He returned to Yale and changed his major to theater and fast-tracked out in three years with a vow to his mom that he would give acting a couple years — until he was 25. If it didn't hold by then, he pledged they could revisit his career plans. By age 25, he had two Broadway leads to his credit and was well on his way.

"Ironically, I haven't done any music theater since the Mass until I got on 'Star Trek'," Picardo mused aloud. His character in "Star Trek" sang in a few episodes.

The fate of the Picardo family doctor: That rests with his sister, a Phoenix psychiatrist. "Fortunately my sister, 18 months older, became a doctor, so everything ended up all right," he said with a sigh.

Preview
"A Beautiful Deception."
• Presented by: Chamber Music Plus Southwest.
• Cast: Robert Picardo with pianist Sanda Schuldmann and cellist Harry Clark.
• Written by: Harry Clark.
• Summary: Erik Satie, the Parisian composer, takes the spotlight in a humorous look at an eccentric and fascinating musical figure. Satie earned a place in pop culture long before the phrase was coined when he penned the original soundtrack to the 1924 surrealist short film "Entr'acte." Saturday's multimedia performance will include a showing of the film.
• When: 3 p.m. Saturday; pre-concert chat at 2:30 p.m.
• Where: Berger Performing Arts Center, 1200 W. Speedway.
• Tickets: $30 through Chamber Music Plus Southwest, 400-5439.
● Contact Cathalena E. Burch at 573-4128 or cburch@azstarnet.com.
 
And here's the scanned one; please forgive any typos.
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Tucson Lifestyle Magazine -- Datebook (Feb 2008 issue, p. 40)

Feb.9, 3 p.m.
Chamber Music PLUS Southwest

A Beautiful Deception: From Impressionism to Surrealism

It's only fitting that Robert Picardo will star in a production called A Beautiful Deception, since he has deceived us so beautifully for years.

You see - he's not really from the future.

You'd never know that by the legion of Voyager and Star Gate fans who are so convinced by the talented actor's science-fiction-based portrayals that they probably expect him to dematerialize in front of their eyes.

Talking with the genial, Yale-trained actor, the first thing that hits you is his magnificent voice, which manages to be musical, comforting and authoritative in the same breath. Little wonder that he started out expecting to be a musical theater actor. Performing in Leonard Bernstein's Mass while at Yale, and hearing from the maestro himself that he had a real future in dramatic acting, led to a slight change in plans and he went on to perform in David Mamet's Sexual Perversity in Chicago and Larry Kramer's The Normal Heart, for which he won a Drama-Logue Award.

Many guest appearances in TV shows throughout the 1980s finally brought him to the roles where he first gained fame: over-starched Coach Cutlip in The Wonder Years, and Dr. Dick Richard in the Vietnam War series China Beach.

But it was as the computer-program physician on Star Trek: Voyager where he truly came into his own. "I have a lot of fond Star Trek memories that usually center around having a great laugh with the cast. Practical jokes, etc.," he reflects. "There's one episode that especially stands out -the one that we shot about the doctor's fantasy life. The whole notion of a computer program having entitlement issues and wanting to have a fantasy life is an amusing place to start anyway. We had a scene in the briefing room that turns out to be the doctor's fantasy, but the audience doesn't know that. All three of the female leads were desperately throwing themselves at the doctor. As a middle-aged bald man who looks more like a shoe salesman than a matinee idol, it was fun for me to have Jeri Ryan, Kate Mulgrew and Rosario Dawson all over me, even if it was only in my character's imagination. I remember the captain trumped the other two ladies by explaining that she had a lower back problem, and then placed my hand on what had to be the longest back problem in medical history, and as I said at the time, it was great to have my hand on the seat of power!"

For Chamber Music PLUS Southwest, Picardo will become Erik Satie, the French composer who was a contemporary of Ravel, Debussy, et aI., and whose work reflected (and sometimes rejected) the artistic movements of Impressionism and Dadaism. Satie is credited with writing the first original movie score - for Rene Clair's Entr'acte - and this film will be shown at the CMPS performance with its piano accompaniment. "It's really exciting to me to try to get inside another artist's mind," Picardo notes of the show.

He previously has worked with playwright/cellist Harry Clark on a show about Ira Gershwin, and is looking forward again to being on stage with stellar musicians, but don't think he has lost his love for the real stars. He has been on the advisory board for the Planetary Society for a number of years, and has enjoyed meeting a number of real moonwalkers and space explorers.

He and actor John de Lancie have performed a Star Trek-themed concert with a number of orchestras, and he's also in demand as a speaker at future information technology symposiums. As for what he hasn't tackled yet that he would like to, he mentions that he would love to play Willie Loman in Death of a Salesman.

Like the future, he will always be full of surprises, so fans should stay tuned for a wide range of characters to come from his deep pool of talent. ''I've always been the type of actor who likes to read works as a whole," he concludes with characteristic modesty. "If I'm moved by, entertained by, enlightened by the material, I look at my role as to how I can serve the whole." -Berger Center. 400-5439.
 
As a middle-aged bald man who looks more like a shoe salesman than a matinee idol, it was fun for me to have Jeri Ryan, Kate Mulgrew and Rosario Dawson all over me, even if it was only in my character's imagination.

:guffaw:

Anyway, the very idea of Robert Picardo as Erik Satie is very, very cool. :) Shame I'll never see it...
 
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