First, let me say that I hardly ever *get* popular music. I've tried listening to albums such as Coldplay's Viva La Vida, which many called one of the best of 2008, and apart from one or two songs, was befuddled by the general mishmash of sound. I tried the Black Keys' album Brothers, and the songs, while quite listenable, were virtually indistinguishable. The AV Club gave British Sea Power's latest a B+, so I gave that a spin, but heard very little beyond ultra-loud screeching.
Because I don't much watch TV or listen to the radio, I was vaguely aware of OneRepublic's "Apologize", but didn't think much on it. Then, a while back, I heard their "All the Right Moves" in a Safeway (I know, I know, I'm super-uncool, music-wise), and thought it was pretty good, so I gave the album a try. And while it's full of the same sort of musical wanderings as Viva La Vida, and thus took me a couple spins to really get into... well, I did.
I then gave their first album Dreaming Out Loud a try, and wasn't impressed - it was much flatter, back to the random noise stuff, and when contrasted with Waking Up, I really appreciated for one of the first times the role of production in album-making. Consulting some critics, I was heartened to find myself vindicated in this:
LAT:

Anyone else have an opinion on the album/baffled by much contemporary pop in general?
Because I don't much watch TV or listen to the radio, I was vaguely aware of OneRepublic's "Apologize", but didn't think much on it. Then, a while back, I heard their "All the Right Moves" in a Safeway (I know, I know, I'm super-uncool, music-wise), and thought it was pretty good, so I gave the album a try. And while it's full of the same sort of musical wanderings as Viva La Vida, and thus took me a couple spins to really get into... well, I did.
I then gave their first album Dreaming Out Loud a try, and wasn't impressed - it was much flatter, back to the random noise stuff, and when contrasted with Waking Up, I really appreciated for one of the first times the role of production in album-making. Consulting some critics, I was heartened to find myself vindicated in this:
LAT:
EW:Much of that [first] record and Tedder's outside writing were a weak broth of dorm-room-canoodling ballads and R&B with very little rhythm or blues. Fortunately, on OneRepublic's second album "Waking Up," they've internalized a lot of the things that made Timbaland such a compelling producer -- that good sounds are paramount, songs should move in odd directions and many different ideas can constitute a hook.
Unlike recent Springsteen albums, Waking Up isn't all winners - I skip all four tracks from the deluxe edition as well as the closer "Lullaby" - but while Slant may hold that "if anyone's ever complained about Coldplay being too edgy, Waking Up could be their dream come true", I at least can "get with" most of its songs, as kids like to say. Liked to say. Back in the 70s.OneRepublic's sophomore disc, Waking Up, reflects that studio experience with loads of sleek synth licks and juicy percussion tricks; it's much more flavorful than the band's Fray-like debut.

Anyone else have an opinion on the album/baffled by much contemporary pop in general?
