The "it's popular so it's washed down for the masses, who are dumb" is what gets me the most. What's so bad about something we love becoming loved by more people? It's a good thing, guys.
What bothers me is the implication that, back in the day, Star trek was some amazing type of intellectual story-telling beyond the ken of mere mortals. It was a TV show. And not even that groundbreaking a TV show, judging by the internal NBC memos that show they were the ones pushing for diversity and a lot of the stuff that people attribute solely to Roddenberry's influence.
Methinks some folks around here bought into GR's self-hype a little too fully.
This cannot be overstated. The "cult of Roddenberry" is, at times, a bit scary.
Onto the thread title and its topic:
TOS "violated" its own "canon/continuity" on a regular basis (and no, 40 years of "fanon" rationalizations do NOT make those go away). A few episodes of all of Trek were noticeably more thought-provoking than other quality television shows (I've seen them all, at least twice, most many more times than that--I'm hard-pressed to think of a dozen out of 700, though). And the "moral lessons" of Star Trek were NEVER "deep" or "complex". That is one of the worst exaggerations by some from the nostalgic set (I'm from the "nostalgic set" as well--been watching since 1973--but until I came to the this board a few years ago, I really thought people stopped believing Trek had "deep" and "complex" morality lessons by the time they reached middle to late adolesence, if not earlier). Oh, the "lessons" were there. No doubt about that--not a majority of the time, but a significant portion of it. But hardly challenging or complex.
In another thread, someone argued that those of us who like the movie were projecting qualities that are not actually in the film owing to our long association with Trek by way of implying a lack of objectivity in our assessment of the film. If true, the reverse also clearly applies. A number of people who dislike the film berate it for lacking qualities that, frankly, were either also absent in the original or, at best, far less significant than nostalgia has come to make them.
People can argue the merits of the film as a film (quite apart from it being Trek) and come away with legitimate differences of opinion. People can argue whether the film is "Trek" as they understand it, also with legitimate differences of opinion (though, in this case, each side of the debate frequently forgets to include a qualifying statement to indicate "as they understand it"--instead they make claims about "any true fan", etc. and presume to speak for all. Some of that can be blamed on the "heat of the moment" exchanges (to which I'll cop one or two instances), but in some cases, it is far beyond that). But people cannot (and should not) attempt to define for anyone but themselves whether the new film (or any element of Trek, really) is "real Trek" for anyone other than themselves.
In the end, it is just a movie, just like all of Star Trek is just entertainment. Anything anyone gets out of it beyond that is a coincidental byproduct, not its main design. Star Trek (the franchise, in its 40+ year history) is and always has been a commercial entertainment product, with varying levels of quality. It doesn't "owe" anything to anyone beyond providing a product for which one has paid. The audience has the right to be pleased or displeased (to whatever degree applies individually) and that's it.