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Observations on Janice Lester's isolation room

Just a Bill

Lieutenant
Red Shirt
All these years, and I keep finding things I never noticed before. As a kid watching Turnabout Intruder, I thought Kirk (in Janice Lester's body) was hospitalized in the sickbay Ward Room like everyone else over the three seasons, but today I finally noticed that in fact he was in his own single-bed, single-door isolation room (obviously needed by the plot, to make it hard for him to escape or even to easily access McCoy).

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I'm certainly not the first to notice this; the late, great Greg Schnitzer mentioned it in 2011, and he also pointed out the on-screen signage identifying an "Astro-Medicine Isolation Ward" in that corridor.

One of my ongoing projects is a physical representation of the Desilu set, similar to the Matt Jefferies model, so I wanted to figure out where this room was located. I wondered if they redressed Sickbay with some false walls (the iso room is very cramped), or set it up somewhere else and built an additional biobed just for this. Then I remembered that the third biobed seen in Journey to Babel (needed for the final scene with Kirk, Spock, and Sarek all hospitalized) was "wild" (movable). Here it is shown in the Stage 9 studio set plan for Babel; all I've done is blank out some other plan details and colorize the wild bed module.

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In Turnabout, we see that the yellow door of the isolation room is clearly the one immediately counter-clockwise of the teal doors into the officers' quarters set (colorized below). All the comings and goings of Kirk, Lester, and other characters are consistently to and from that door. What I wanted to know was whether the filming interior of that room was actually on the other side of that same door, or positioned somewhere else on one of the Desilu stages and spliced in with camera cuts. Building the isolation room in that area would seem to pose a conflict, as the Brig was also needed in that very same episode and it occupies most of the space behind that door:

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However, I'm convinced this is exactly what they did. During interior scenes in that room, whenever someone goes in or out the door you can see across the hall to another yellow door, in the exact spot where the Laboratory's yellow door is; and you can tell that the corridor curvature matches as well.

At least three of the brig's rear walls are "wild" and thus easily removed, as indicated by the curved dash-dot lines on the set plan. It's hard to see here at this scale, but it's the last three wall segments in the roughly octagonal arrangement to the right of the BRIG callout. I believe that the next segment connected to these (the one by the desk and chair) was probably also wild, even though not marked as such, since this space was used as a multi-purpose area for plenty of episodes over the seasons. It's possible that the wall was originally built-in and was then made wild some time after Babel. Or, since Turnabout was the very last episode filmed (and the producers knew this during photography), perhaps they filmed the Brig scenes earlier in the filming week, and then tore down that "permanent" wall to quickly redress for the Isolation Room. In any case, the iso room is a very small and simple set, needing only the rolling bed/monitor/walls assembly, a few more plain wall segments, and a mirror on the wall; so it would not have been a difficult redress at all.

So... does it fit then? Yeah, if you knock down that fourth segment then the wild biobed module fits easily. Add a few blank walls, run a strip of foil tape to cover up the seam between that smallest dog-leg addition and the door frame panel, hang a mirror, and you're good to go. (Below I use red to show approximations of the added temporary walls.) Just make sure you've got all your Brig scenes in the can, so you don't have to re-re-dress that location back to normal for pickup shots in the brig. Then go home and have a good meltdown because today, January 9, 1969, even as you are still working with Bill Shatner and Sandra Smith to get those last scenes on Day 7 of filming, the Bridge and Transporter sets are already being struck forever.

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I thought this would be TLDR, but it was good. And I'll bet your theory is exactly right. The isolation room was a heavy redress of the brig, using the wild Sickbay bed (Kirk also used that bed in Return to Tomorrow, and that was another body switch).

The funny thing for me is, I too always thought that Sandra Smith was held in the main Sickbay ward at the beginning of the episode, wrong, and I thought the yellow door there was just an example of single-episode weirdness, that they put a door where it was convenient.

And I thought that, after Sandra escaped the ward and Bill knocked her unconscious, she was then locked up in a different room way down the hall, probably a redress of Kirk's quarters. Wildly wrong, because I just wasn't watching closely and seeing how it all tracked with the Stage 9 floor plan.
 
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Kirk also used that bed in Return to Tomorrow
Thanks... I knew there was at least one more I was forgetting!

and I thought the yellow door there was just an example of single-episode weirdness, that they put a door where it was convenient.
Heh, yeah, I thought this too. At first I thought they just replaced the sliding part with a yellow one to make it harder to spot the re-use, until I realized it was also in the wrong place relative to the bed. Then I started thinking about how hard it would have been to shoehorn a new door into that spot, since the wall there is thick, hollow, and designed as a tunnel for stagehands to go pull the rope for the real sickbay door. Nearly impossible to add a moving door, a corridor, and a fake door on the other side all at believable depth from the camera, and all without impeding the function of the sickbay main door, used frequently in this episode. Obviously, the room had to be somewhere else.

And I thought that, after Sandra escaped the ward and Bill knocked her unconscious, she was then locked up in a different room way down the hall, probably a redress of Kirk's quarters.
My misunderstanding here was goofier than that. Working from memory, I had thought she was taken from the ward room directly to the brig (right direction, wrong destination). Once I rewatched and saw that it was iso-iso-brig, not ward-brig-brig, and that the iso was a separate room, then I knew I had to figure out if it was reasonable for it to overlap the brig.

Anyway, these last few years I have been marveling at how they made the Stage 9 structures (relatively small by later standards) seem like such a vast, extensive vessel. Not only clever camera angles but also changes to many little details. I love it every time I find a new one.
 
I always thought "Turnabout" was filmed after a hiatus (explaining why Majel Barrett had gone back to brunette) and maybe they'd already struck the Sickbay set and had to whip up a smaller substitute. But Memory Alpha says it started filming just a day after "All Our Yesterdays" wrapped.
 
I always thought "Turnabout" was filmed after a hiatus (explaining why Majel Barrett had gone back to brunette) and maybe they'd already struck the Sickbay set and had to whip up a smaller substitute. But Memory Alpha says it started filming just a day after "All Our Yesterdays" wrapped.
Isn't it part of Star Trek lore (apocrypha?) that pre-production for "The Joy Machine" (with Shatner as director) and another, 26th and final episode was under way when NBC decided (during the filming of Turnabout) to limit their S3 order to 24 episodes? I found the claim a little odd since there doesn't seem to be any evidence of that pre-production (including any consensus as to what that 26th episode would have been).
 
Isn't it part of Star Trek lore (apocrypha?) that pre-production for "The Joy Machine" (with Shatner as director) and another, 26th and final episode was under way when NBC decided (during the filming of Turnabout) to limit their S3 order to 24 episodes? I found the claim a little odd since there doesn't seem to be any evidence of that pre-production (including any consensus as to what that 26th episode would have been).

If so, it's probably something from those very inaccurate Marc Cushman books, because I never heard an inkling of such a thing in all the Trek reference and behind-the-scenes books and articles I read growing up.
 
If so, it's probably something from those very inaccurate Marc Cushman books, because I never heard an inkling of such a thing in all the Trek reference and behind-the-scenes books and articles I read growing up.
Yeah. Joan Winston detailed her week-long set visit to "Turnabout Intruder." She chatted with all the actors, was there at "wrap" when stage hands started tearing down the Enterprise sets, and she never mentioned any canceled "next episode" that Bill was supposedly about to direct.
 
Yeah. Joan Winston detailed her week-long set visit to "Turnabout Intruder." She chatted with all the actors, was there at "wrap" when stage hands started tearing down the Enterprise sets, and she never mentioned any canceled "next episode" that Bill was supposedly about to direct.

Oh yes, I still have that book, though I haven't reread it in ages. Yeah, if there ever was any consideration of doing more episodes or letting Shatner direct one, it was probably far more tentative or hypothetical than current lore would have it.
 
And FWIW the "Undeveloped TOS Episodes" page of Memory Alpha appears only to cite to Cushman for this lore. Re-reading that page, I guess this as good a place as any to lament the fact that we never got "Rock-A-Bye Baby, or Die!"
 
Two related tidbits I discovered while pulling corridor/sickbay screenshots:

The wild bed was actually situated in the Brig itself for The Way to Eden, just 4 episodes earlier. If they left it there afterwards, then for Turnabout they really just needed to spin it around and push it over a few feet.
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It's interesting that we see only the foot of the wild biobed set module. This avoids having to add more walls to fill in the open side of the Brig set, and also allows depicting "just a bed" rather than revealing expensive sickbay equipment (the life signs monitor), which could have been narratively dubious in a brig scenario. (As well as distracting. All this shot really needed were Dr. Sevrin's unconventional sitting posture and lack of eye contact with Spock.)

This same multipurpose space was also redressed in Eden as a... catch-up-with-your-old-girlfriend lounge?
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Isn't it part of Star Trek lore (apocrypha?) that pre-production for "The Joy Machine" (with Shatner as director) and another, 26th and final episode was under way when NBC decided (during the filming of Turnabout) to limit their S3 order to 24 episodes? I found the claim a little odd since there doesn't seem to be any evidence of that pre-production (including any consensus as to what that 26th episode would have been).
I just looked in the Roddenberry papers from UCLA . On November 15, 1967, Bob Justman had written a memo to John Meredyth Lucas about Sturgeon's November 8-13, 1967 teleplay, lamenting:

I fear that we shall not be able to get a revision on this property in time to shoot this season, since there is evidently so much to do. Hopefully, we will have a third season of "STAR TREK". In which case we can put someone on it to re-write it from scratch.

The only "The Joy Machine" teleplay there was written by Meyer Dolinsky and dated October 21, 1968. It's not a draft that went to mimeo.

I think it was a dead issue long before any prospective Shatner-directed episode.
 
I just looked in the Roddenberry papers from UCLA [...]

The only "The Joy Machine" teleplay there was written by Meyer Dolinsky and dated October 21, 1968. It's not a draft that went to mimeo.
Thanks for this! Very helpful.

Just curious: have you come across many full teleplays for unproduced TOS episodes in the Roddenberry papers? EDIT: Just to be clear, I'm not asking you to share-- I'm just curious about what's in there.
 
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Thanks for this! Very helpful.

Just curious: have you come across many full teleplays for unproduced TOS episodes in the Roddenberry papers? EDIT: Just to be clear, I'm not asking you to share-- I'm just curious about what's in there.
There are a number of them, yes. Off the top of my head:
From the First Day to the Last (part 2, IIRC)
Portrait in Black and White
The Joy Machine
He Walked Among Us
 
The brig set served as a "swing set" which housed many different sets during the series second and third seasons. Whenever they needed a episode specific set; it was usually located at the brig. For example, it was the control center in "I Mudd" (mistaken for the Auxiliary Room Set but it is not). There are other examples.
 
The brig set served as a "swing set" which housed many different sets during the series second and third seasons...
A few more from Season 3 would include Kollos' quarters in "Is There In Truth No Beauty?," the Armory in "Day of the Dove," and the small lounge where Commissioner Bele is entertained in "Let That Be Your Last Battlefield." The door had been swapped to red in all these examples.
 
Yeah. Joan Winston detailed her week-long set visit to "Turnabout Intruder." She chatted with all the actors, was there at "wrap" when stage hands started tearing down the Enterprise sets, and she never mentioned any canceled "next episode" that Bill was supposedly about to direct.
Actually she does. On page 190 of my paperback copy of Star Trek Lives!, she mentions that while talking to GR he said the NBC had just passed "on their option for two additional programs for this season." This season meaning the 3rd.
And she goes on to quote GR: " 'I just told Bill and he was quite disappointed. He was to direct the last episode.' "

So, at least Joan W recollected it that way a few years after her visit.
 
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