The wait for Ahsoka season 2 is even longer than what the wait between the original trilogy movies was.
This is the problem generally when books are adapted into films. Series usually have enough time to do much more, but then there is also a dumbing down of the content. The better adaptations find ways around this. And the best adaptations exceed the book. I'd say Nightmare Alley is a good example of a film surpassing the source material.I didn't even realize they'd made an Anxious People adaptation. But I guess this goes to show some productions are harder to find. I think my problem with Beartown was that the story was distilled down into something that felt quite generic.
I don't think it will be able to continue as it has. While I don't believe that we're going to return to the broadcast/cable model, I could see a scenario where some sort of hybrid may emerge as a sustainable option.It’s a shame about the death of the "movie star" concept and how the rise of streaming services killed off shows with 22–26 episode seasons, as well as mid-tier acting. The emergence of streaming platforms ruined everything. What was the actual upside of streaming, anyway? The US was already the world's leading exporter of shows, and audiences outside the US could already watch them at the same time they aired in America.
The upside was no ads, not worrying about setting the DVR, and watching whenever you wanted. It was also priced a whole lot cheaper than cable at least when I signed up back in 2013 and cut the cord. The only alternative at that time was piracy. I even remember exchanging VHS tapes for anime as late as 2001.It’s a shame about the death of the "movie star" concept and how the rise of streaming services killed off shows with 22–26 episode seasons, as well as mid-tier acting. The emergence of streaming platforms ruined everything. What was the actual upside of streaming, anyway? The US was already the world's leading exporter of shows, and audiences outside the US could already watch them at the same time they aired in America.
This is the problem generally when books are adapted into films. Series usually have enough time to do much more, but then there is also a dumbing down of the content. The better adaptations find ways around this. And the best adaptations exceed the book. I'd say Nightmare Alley is a good example of a film surpassing the source material.
I don't see a downside in getting rid of the 20+ episode series run. I say this as I'm binging season 5 of 24 with 24 episodes. However, I do think 8 episodes is not enough. 13-15 was ideal.
I think the desire to keep watching is inversely proportional to the complexity of the plot. If the first season had an incredibly dense and convoluted storyline, one dreads having to remember every single detail in order to enjoy the second.
The US was already the world's leading exporter of shows, and audiences outside the US could already watch them at the same time they aired in America.
But streaming platforms have ad-supported subscriptions, too?The upside was no ads, not worrying about setting the DVR, and watching whenever you wanted. It was also priced a whole lot cheaper than cable at least when I signed up back in 2013 and cut the cord. The only alternative at that time was piracy. I even remember exchanging VHS tapes for anime as late as 2001.
I don't see a downside in getting rid of the 20+ episode series run. I say this as I'm binging season 5 of 24 with 24 episodes. However, I do think 8 episodes is not enough. 13-15 was ideal.
That is literally the reason why I gave up on Wednesday. And I actually liked the first season!I think you may have a point. Also some series will have too many characters. If you take two years to come back and your plot involves many characters, and the best you can do is a synopsis that still leaves you wondering what happened, failing to draw you back in, that is a problem.
They didn't when I originally signed up.But streaming platforms have ad-supported subscriptions, too?
There is an unspoken price, where folks will pay for streaming and not pirate content. We did see piracy drop off significantly when streaming became available. However, it's now coming back because of price. This is the problem with services raising prices. However, they need to make enough to stay in business.Agreed. I think there comes a point where the number of episodes end up making viewers feel a bit cheated. And this is despite the fact that prices for these services keep going up.
That is literally the reason why I gave up on Wednesday. And I actually liked the first season!
Disney+ just set the precedent of eliminating all ad-free tiers. We're right back to the days of cable.They didn't when I originally signed up.
I pay to not see ads.
Looks like that is Europe.Disney+ just set the precedent of eliminating all ad-free tiers. We're right back to the days of cable.
Long lag times are bad. I still haven't seen the second season of Carnival Row. And I prefer to avoid rewatching stuff unless at least a decade has passed.At least that one is based an already established IP. It must be even more of an uphill battle for something that has to build up recognition on its own merits. I had to stop watching one series for that reason. Liked the first season well enough, but only just. Second season took I think 3 years to come out after the first. In that amount of time, I'd completely forgotten who the characters were or why I should care for them, and the recap just left me feeling confused.
It seems inevitable at this point. This was the next logical step.Someone else mentioned they may require a yearly subscription paid upfront. I suspect a few of them will try that. It's clear they're going to have to either keep raising prices, or offset it with ad revenue. I guess it's true. The more things change, the more they stay the same.Disney+ just set the precedent of eliminating all ad-free tiers. We're right back to the days of cable.
It seems inevitable at this point. This was the next logical step.Someone else mentioned they may require a yearly subscription paid upfront. I suspect a few of them will try that. It's clear they're going to have to either keep raising prices, or offset it with ad revenue. I guess it's true. The more things change, the more they stay the same.
It was (very early on) supposed to be cheaper than cable and you had more control over what you watched.It’s a shame about the death of the "movie star" concept and how the rise of streaming services killed off shows with 22–26 episode seasons, as well as mid-tier acting. The emergence of streaming platforms ruined everything. What was the actual upside of streaming, anyway? The US was already the world's leading exporter of shows, and audiences outside the US could already watch them at the same time they aired in America.
That isn't entirely accurate. They are either produced with very high budgets, or they are made for the same cost as the seasonal budget of a 22-episode TV show.cheaply produced (and looks it) too.
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