Cool.
Is that music from the movie or from some other film we hear in the interview segments?
^Thanks for saving me the trouble, SalvorHardin. In the caps of Pine the bridge looks Hugh!
I've never heard it before. Sounds a bit TWOK mixed with a bit of John Williams.
Could it be from the movie?
That bridge looks absolutely great when it's not lit up like an operating theatre.![]()
I guess we've yet to see how the bridge will look throughout much of the movie - there are a few scenes in ST:TMP, for example, where the bridge set is very brightly lit but most often it's more subdued.
"Big"... "action"... "spectacle"... hmmm, makes me wonder...
"Big"... "action"... "spectacle"... hmmm, makes me wonder...
I also heard "wonderful characters"... "heart"... "emotion"... makes one wonder even more
will they capture the heart and soul of Trek...
Depends on how much he relies on shooting with long lenses. on SUPERNOVA, Walter Hill made a deliberate decision to shoot telephoto throughout, which is the opposite of how most in-ship stuff is done, since it is the equivalent to parking the camera outside the ship and shooting in through a window whether there is one there or not.I wish they had an intimate bridge - more tension that way. But I guess he needed breadth and scope and room to position the camera.
Well, I hope the t.v. version will be more intimate.
"Big"... "action"... "spectacle"... hmmm, makes me wonder...
I also heard "wonderful characters"... "heart"... "emotion"... makes one wonder even more
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