I like the early shuttle concepts that had the warp nacelles (or what looked like them) above the ship, so I decided to take the TOS shuttle and give it a similar configuration.
I made the shuttle a little larger, and made the nacelles larger simply because I always thought the ones on the series shuttle were a little to dainty. It's not that I don't think the technology wouldn't allow for a small nacelles, it's just that I wanted to make it stand out as being a bigger shuttle then the TOS type.
I also liked the explanation that the nacelles had to be kept away from the ship due to the hazzards associated with the engines, and that's why mine are so far away.
There is a washroom in the compartment ahead of the warp reactor. This compartment is also the room to access the warp and impulse systems.
The mid-section on this shuttle is geared specifically to science support missions. The systems are completely swappable and therefore can be configured to meet specific mission requirement.
I look forward to your comments!
For scale, I included some of the uniforms from the Uniform chart created by Ben Potter.
I made the shuttle a little larger, and made the nacelles larger simply because I always thought the ones on the series shuttle were a little to dainty. It's not that I don't think the technology wouldn't allow for a small nacelles, it's just that I wanted to make it stand out as being a bigger shuttle then the TOS type.
I also liked the explanation that the nacelles had to be kept away from the ship due to the hazzards associated with the engines, and that's why mine are so far away.
There is a washroom in the compartment ahead of the warp reactor. This compartment is also the room to access the warp and impulse systems.
The mid-section on this shuttle is geared specifically to science support missions. The systems are completely swappable and therefore can be configured to meet specific mission requirement.
I look forward to your comments!
For scale, I included some of the uniforms from the Uniform chart created by Ben Potter.
