It seems insane that they wouldn't be able just to work out some agreement with the union, where the musicians got some more money every time their old recordings were re-used.
UnknownSample said:
It seems insane that they wouldn't be able just to work out some agreement with the union, where the musicians got some more money every time their old recordings were re-used.
Tharpdevenport said:
Number one: it's not a song.
Considering the state of musical education in the US it's not all that surprising.A beaker full of death said:
Tharpdevenport said:
Number one: it's not a song.
That makes me nuts. Are people so unfamiliar with music?
NathanielM said:
Many people of this new generation of the 80's and some from the 70's don't know what Star Trek is. Neither would they understand the music associated to a turmoiled time.
66-69 was pretty turmoiled. After all Vietnam, Draft Protests and Civil rights. It was a turmoiled time because they were being forced into a new age. Despite the time, it was a fresh look at the future and not too bad of show.
It wasn't Bonanza or Gunsmoke, or Lost in Space, but it was something that was innovative for the time.
Webster's Revised Unabridged Dictionary -
Turmoiled
Turmoil \Tur*moil"\, v. t. [imp. & p. p. Turmoiled; p. pr. & vb. n. Turmoiling.] To harass with commotion; to disquiet; to worry. [Obs.]
It is her fatal misfortune . . . to be miserably tossed and turmoiled with these storms of affliction. --Spenser
Belar said:
Just recently I listened to all of my TOS original soundtrack recordings and was wondering why they can't release more of these -- or even all. As I'm new to this forum I'm not quite sure if it was discussed before, but is it so difficult to get the fantastic work of the likes of George Dunning, Samuel Matlovsky or Jerry Fielding all on CD? Not to speak of the not completely released music by Sol Kaplan, Fred Steiner and the wonderful Gerald Fried. After all there aren't THAT many TOS episodes with original music. Often it was tracked from ohter episodes. And to make it clear, I don't want no "newly recorded" stuff -- I want the originals.
Is there someone else who thinks, TOS had the most talented composers on it? (The spin-offs most memorable scores came from Ron Jones and occasionally Jay Chattaway I think.) Or am I the only one interested in the music of Trek?
I kinda like the idea of certain themes for certain situations. The clarinet based theme for female guest stars, the low-pitched drum/piano/brass thing for desperate situations, the classic ending fanfare, ahh, TV used to be so good.
It would be really cool if the new film featured musical movements similar to the original score. It would be a way to connect old fans to the movie in a way they may not be conscious of
A beaker full of death:
Gunsmoke was innovative in many ways, and Bonanza was a fine show. And both had excellent music.
Hence no real reason to re-do the fantastic music of The Original Series like they do on remastered Trek (i.e. the main theme). I can't understand why they do it! To me classic Star Trek (or every series or movie of its time for that matter) is a piece of art -- and you wouldn't add 3D effects to a painting of Rembrandt just beacause you can do that today.VulcanJedi said:See 100 years from now; no one will watch trek for the effects; only the drama, the acting and the stories and what they say about us. The music will still be great 100 years from now too.
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