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Last Classic Who Story you watched

The Twin Dilemma (pt 4)

Good grief. Three weeks after part one had aired, anyone still watching finally got some payoffs and a much tighter-feeling episode that really is engaging. Just too little, too late. But the story now feels like it's got something to do. Shame that it took three parts of painful and uneven mishaps

The Doctor is largely on form again, save for a couple of brief moments (or perhaps he was upset that Hugo wasn't wanting to travel with him and Peri and that's the only way he felt he could respond at that moment.) Eric Saward's presence is definitely solidified in this episode and one can tell the improvements.

An early scene with the Doctor, Peri, and others discussing Noma and asking if he has fowlpest (bird flu!!) never fails to induce laughter.

Some lines, like "it'll be wonderous to see", "unfounded charges are best made by children", "a mental stroll in a park of psychic tranquility"m and so on, really sweeten the pot. Why weren't the preceding three episodes anything near as lively as part four just became?!

Lo and behind, the baddie states "Find the Time Lord's TARDIS" instead of "find the TARDIS", added by contextual depth in thatit was Azmael who shared his knowledge and likely cannibalized his craft for the sake of helping Mestor (under duress?). The episode, despite being a lot stronger, sadly can't answer every bit of minutiae remaining.

Placing a smaller planet into Jaconda's orbit won't send it crashing out and barreling toward the sun's gravity. Honestly, Mestor's soft-boiled plan is just dumb on so many levels. Maybe not from Mestor's POV as he was handed technology and means to rule, but then why not use those instead of causing an explosion that will take eggs thousands of years to land and hopefully not all of those destinations will be barren... or not populated by anyone wanting to eat an omelet or would otherwise discover what the creature was and kill it before their planet turned into Jaconda?!

Drak's death is pretty sad/tragic, actually.

There are some decent action scenes in this, low-key and low-budget or not.

Also, how can Mestor use his mind to open the TARDIS door?

I never noticed how shiny and refractive Hugo's belt buckle was until the light hit it and rainbow refractrionss appeared. Um, Doc, Studio 54 as we all had known it had closed something like four and a half years earlier...

Six's bravado at Mestor is nothing less than awesome. Shame Crozier didn't have the mindwarpy brain thing as organically as Mestor's innate ability was, or else he could have transferred Kiv into Peri differently. But an idea can be used a thousand ways.

Ha! Now ask how Mestor could have ruled Traken, or Marinus for that matter. Not that I'm counting, it's the effectiveness and application of the idea more than a tiny rubber stamp. And this story doesn't do much with it, but it's also part four.

Once Mestor is killed, the Jacondans' reactions are terrific.

More dark and dry wit when the Doctor finds Peri in the corridor. This time, it almost works thanks to the tonal quality of the episode having skyrocketed.

Now noticing the tone overall of this episode, I'm knocking a point off of each of the preceding three episodes because, if I rewatch those any time soon, it'll hit harder compared to how strong pt 4 is by comparison!

Wish Hugo had stayed on. The Doctor's brusque comment may be due to his only way he can think of reacting at the time as he'd rather keep Hugo on but doesn't know how. (A good story makes thinking into these motivational bits and pieces easier, I must say...)

In the final scene, the banter between Six and Peri is as apologetic as it is also close to fourth wall breaking as anything could get.

Plus, the story ends with one of the few times Six was known to smile (beyond the opening credits).

Even if "Androzani" didn't set the litmus test for tonal quality (much less a standard stumbled on by accident), Six's premiere has more issues than it should have had, felt rushed, yet lax and even directionless, and overall bizarre until part four. There ARE some neat ideas in this, as well as piquant dialogue in amongst the mucky, but other scenes and ideas either fall flat or sink, and the Doctor should have recovered by part two. Even without the layered events comprising his mental breakdown and temporary insanity-based strangling early on, the otherwise brave attempt to do something new with regeneration honestly does go too far - especially for a family show, something JNT generally was cognizant of (even by season 26) - this story was too experimental and placed at the worst possible time as being a season-ender to give a taste of the new personality, combined with making him controversial. It's no wonder season 22 brought in the old fan favorite monsters, something seasons 4 and 12 would also do en masse.


Ep 4 rating: 7.5, it's a real upward qualitative trend, but not enough to save the story.

Story overall: 5.375.
 
I continued my rewatch:

Finished the 2nd Doctor by watching "The Krotons", "Seeds of Death" and "War Games" (the latter both on German dubbed collector's edition DVDs)... and the 3rd Doctor, "The Green Death", "The Time Warrior" and "Invasion of the Dinosaurs".

The first appearance of the Time Lords in "War Games" was pretty interesting, and apart from that, I found "The Green Death" especially interesting. These giant maggots are certainly memorable, and I liked the inclusion of this group of ecologists ... very 70s. :)

After finishing the 2nd Doctor, I now also go back to the 1st. Since I had rewatched the first couple of serials not long ago and the memory is still somewhat fresh, I directly went to "The Sensorites". They must be among the most harmless aliens the Doctor ever had to deal with. :D
 
"The Dalek Masterplan", episodes 1 & 3. What a delight to get to see!! (Which I'd say for any recovery, for multitudes of reasons.)

I'm itching to re-watch episodes 2 and 5 now. Camfield's direction is sublime and remains taut and timeless, even if the sixtiesisms with the use of "galaxies" and all that is now somewhat dated. Oh for the optimism of the 1960s regarding space travel, but without FTL drive it can only go so far. But forget reality and revel in the fictional adventure of this tale set thousands of years in the future where the distances of space may feel minuscule as a result.

Part one starts things up beautifully and probably got the kids revved up to find a sofa; Terry Nation loves using tropes and exposition, but tropes become tropes for a reason, tropes aren't bad in of themselves, you can't get away from exposition to set up a shiny new universe with, and how they're used is what can keep them fresh. The first extermination by a Dalek is strong, though the feel is let down by the use of "destroy" instead of "kill" but even in the 1960s one could only say the word so much. Plus, it doing this is gives Bret Vyon (an increasingly interesting and multi-layered character) more agency as he threatens to kill the Doctor if he doesn't hand over the TARDIS key. Sadly, we don't see much of the way of Varga plants as well, which were set up in "Mission to the Unknown" where a person being infected by one turns into one. Puts Venus Flytraps to shame, dunnit? Katarina isn't given much to do, but it's her first story after "The Myth Makers". Hartnell is on fire as the Doctor; which is lovely to see, though as much as he can invent a "magnetic chair" that can "restrain a herd of elephants" (LOL), the naming convention is a bit limp. (Even "Magnetochair" would be more compelling.) As relational terms go, it's still better than "desktop theme". But I nitpick. Plus, a great setup leads to a great cliffhanger. If anything, a larger cast may have helped show more arrays of detail, they didn't predict 16:9 aspect ratio tv screens. That, and they keep saying "technology" and not "tech" so that alone might drive some viewers away. /sarc

Part three is AMAZING from start to finish, at the end of the episode check behind the sofa to see if the kids left any byproducts there out of fear over what they'd watched. As usual, the incidental music is as worthwhile as it is sparse, letting the direction, tone, and acting of the material take center stage. Hartnell is more than on top of his game and there's this one scene that gets into high gear when he describes a planet as "a pimple of a planet", with Purves and Courtney also keeping up with Hartnell's Hartnelling about. The cliffhanger is incredibly strong with a good jump scare as well. Katarina is still sidelined, noting that behind the scenes the makers weren't sure on how to write her (so you can guess what happens later in the story, unless you're a longtime fan and already know.) At least she walked so Jamie could fly.

Video quality looks amazing - how much patching up was needed will likely be told in the same way the repairing of "The Web of Fear" and "The Enemy of the World" had. Sadly, pt 3 has a slight audio problem - whether this is due to decomposing of the film or if it was a flaw at the time of its making in 1965, I've yet to look it up but it's small beans not worth farting over.
 
"The Awakening", part one. With the new f/x.

Davison is on top form in this outing and as much as he was always refreshing as the Doctor, it's easy to see why he was regretting leaving after season 21 (he had to make up his mind during season 20's production). The plot is simple enough, but it's all really well-acted and downright creepy at times. If not a tad rushed, but Davison's two-parters always have enough merit for four (whether for reasons of plot or, more importantly, atmosphere). The new effects are generally vast improvements as the use of BBC Micro * characters blinking to show apparitions weren't quite compelling even in 1984. Low budget is one thing, but even using a series diffused blinking light sources (a la the Megara but softer and with 5000k light instead of the Megara's 2500k) and overlaying it with slow-motion fading as a pre-filmed sequence would be more effective than ASCII text, which felt both too-recognizable and dated at the time. The apparition Tegan otherwise sees does a decent enough job at improving the original, though it's more down to Janet Fielding's acting that sells it. New character Will, taken out of time, has some decent onscreen chemistry with the TARDIS team-up. The cliffhanger does feel a bit rushed, but that's par for the course. Can't wait to see pt 2.
 
And I went on:

1st Doctor "The Reign of Terror" (including the two animated episodes), "Planet of Giants", "The Dalek Invasion of Earth", "The Rescue", "The Web Planet" and now in the middle of "The Space Museum".

And the 3rd Doctor "Death to the Daleks", "The Monster of Peladon" and "Planet of Spiders". Then continued with the 4th Doctor: "Robot", "The Ark in Space" and "The Sontaran Experiment" (the latter two on German dubbed collector's edition Blu-Rays).
 
"The Awakening", part two. With the new f/x.

As expected, part two keeps rushing things along and dampers yet another 2-parter that could have benefitted from being a 4-parter. The story goes out of its way to bring in Tegan's relative, but then no real time is spent. The ending was surprisingly nice, and even Turlough didn't mind staying on Earth... for once!

The Malus' apparitions are very nicely done indeed, with the group of three that behead the poor fella walking in unaware being particularly chilling. The camera cutaways allow the mind to imagine the worst, and even afterward there's enough in cutaways to keep someone from looking for... the head which, come to mention it since it happened in the camera angle we didn't see, simply rolled behind one of the crates between camera angle switches. There. Easy peasy.

And yet, hyperactive pacing or not, it remains watchable and has a few solid moments and plot twists.

But it still feels rushed,

A solid story, it still begs "what ifs" with its episode allotment and despite being engaging, feels like it deserved more fleshing out to really make use of the creepy vibes and atmosphere instead of everyone running around like caffeinated hamsters. Davison's 2-parters did deserve more time to let the material steep.

6/10
 
I continued my rewatch:

The 1st Doctor, "The Chase", "The Time Meddler", "Galaxy 4" (colour animation) and "The Ark".

I really hope they will continue with the animated reconstructions, they're really nice!
I also noticed they took some freedom on the scenery in the "Galaxy 4" animations, in contrast to the surviving episode -- I don't mind that at all, when they animate all episodes of a serial.

Also 4th Doctor: "Genesis of the Daleks", "Revenge of the Cybermen" (both German dubbed collector's Blu-Rays), "Terror of the Cygons", "Planet of Evil", "Pyramids of Mars" and "The Android Invasion" (UK DVD releases).

Guess I'm not very original when I say this 13th season is probably my favorite. Lots of colourful eye candy so far, interesting stories and memorable performances.
 
"The Dalek Masterplan", episodes 1 & 3. What a delight to get to see!! (Which I'd say for any recovery, for multitudes of reasons.)

I'm itching to re-watch episodes 2 and 5 now. Camfield's direction is sublime and remains taut and timeless, even if the sixtiesisms with the use of "galaxies" and all that is now somewhat dated. Oh for the optimism of the 1960s regarding space travel, but without FTL drive it can only go so far. But forget reality and revel in the fictional adventure of this tale set thousands of years in the future where the distances of space may feel minuscule as a result.

Part one starts things up beautifully and probably got the kids revved up to find a sofa; Terry Nation loves using tropes and exposition, but tropes become tropes for a reason, tropes aren't bad in of themselves, you can't get away from exposition to set up a shiny new universe with, and how they're used is what can keep them fresh. The first extermination by a Dalek is strong, though the feel is let down by the use of "destroy" instead of "kill" but even in the 1960s one could only say the word so much. Plus, it doing this is gives Bret Vyon (an increasingly interesting and multi-layered character) more agency as he threatens to kill the Doctor if he doesn't hand over the TARDIS key. Sadly, we don't see much of the way of Varga plants as well, which were set up in "Mission to the Unknown" where a person being infected by one turns into one. Puts Venus Flytraps to shame, dunnit? Katarina isn't given much to do, but it's her first story after "The Myth Makers". Hartnell is on fire as the Doctor; which is lovely to see, though as much as he can invent a "magnetic chair" that can "restrain a herd of elephants" (LOL), the naming convention is a bit limp. (Even "Magnetochair" would be more compelling.) As relational terms go, it's still better than "desktop theme". But I nitpick. Plus, a great setup leads to a great cliffhanger. If anything, a larger cast may have helped show more arrays of detail, they didn't predict 16:9 aspect ratio tv screens. That, and they keep saying "technology" and not "tech" so that alone might drive some viewers away. /sarc

Part three is AMAZING from start to finish, at the end of the episode check behind the sofa to see if the kids left any byproducts there out of fear over what they'd watched. As usual, the incidental music is as worthwhile as it is sparse, letting the direction, tone, and acting of the material take center stage. Hartnell is more than on top of his game and there's this one scene that gets into high gear when he describes a planet as "a pimple of a planet", with Purves and Courtney also keeping up with Hartnell's Hartnelling about. The cliffhanger is incredibly strong with a good jump scare as well. Katarina is still sidelined, noting that behind the scenes the makers weren't sure on how to write her (so you can guess what happens later in the story, unless you're a longtime fan and already know.) At least she walked so Jamie could fly.

Video quality looks amazing - how much patching up was needed will likely be told in the same way the repairing of "The Web of Fear" and "The Enemy of the World" had. Sadly, pt 3 has a slight audio problem - whether this is due to decomposing of the film or if it was a flaw at the time of its making in 1965, I've yet to look it up but it's small beans not worth farting over.
Not much repair needed, as the collector was not a fan and had not viewed them. So no screening damage.
 
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I just got the Season 26/McCoy season 3 Blu Ray, and I've rewatched the first two serials.

Battlefield is a very solid story, with a few flaws. I watched the Extended VHS Cut, although its been so long since I saw the normal version that I can't tell you what was different. Having The Brigadier back is of course great, he has very good chemistry with McCoy. The 7th Doctor and Ace are in top form, with the reveal that The Doctor will be/could be Merlin in his future being a very interesting element to this story. Morgaine is a entertaining villains, played very well by Jean marsh. Mordred is ok but doesn't goo much, and his heroic counterpart Ancelyn is fine as kind of a generic knight (he's a bit more interesting as a foil to Brigadier Bambera). Bambera doesn't really get much as a character, but she works in the story and for the time she was definitely interesting casting. The Destroyer had an amazing mask and a good voice but he basically just stands in one spot, tears off his shirt then gets killed. Overall a solid serial with some great moments (my favorite scene being The Doctor talking to Ace about possibly being Merlin), although it falls a part a bit in the last episode.

Ghost Light is a story I like a lot more on rewatch then I did originally. I think that watching the Workprint Cut really helped, because (based on the quality of the previously unseen footage making it easy to spot) it adds a lot to the original story and with one so convoluted every added bit helps. It also helps that The Doctor's demeanor isn't surprising this time so I'm not put off by what he's doing. There are interesting performances here and some cool visuals and overall I think I like Ghost Light fairly well now, although I don't know if I could give a very accurate plot synopsis if my life depended on it :lol: I think that, outside of the story being a bit too convoluted, its biggest problem is Light's motivations were a bit too silly, surely he had to know about the concept of Evolution long before coming to Earth. Still I think overall the story ends up being interesting and entertaining. I definitely recommend the Workprint Cut to anyone who has access to it, I think it really helped the serial although I don't remember the televised version much at this point (I last watched it 12 years ago, based off of my ancient posts in this very thread :eek:).
 
Got through the rest of my Season 26 Blu Ray, and a couple of other stories (I've been on a Classic Who kick recently).

The Curse of Fenric isn't terrible, but its not great. It has some interesting ideas, and I think I like it more on rewatch then I did originally, but its let down by being a bit too slow and Fenric not being as interesting a villain as he should be. Also, while I understand why the baby is important Ace gets way too invested in it too quickly. Of course she'd care about its safety as bad things kept happening, but she was outright obsessed with the baby at first sight, it was weird and only remotely justified by the later revelation of who the baby was. The vampires were decent but they pretty much just walked forward and knocked people down, which isn't that interesting. Overall having a story that pays off a lot of little hints set up all the way in the last season was cool to see, but the actual story wasn't very strong.

Survival is a story that I think is decent, which is how I felt the first time I watched it. The stuff at Ace's hometown was pretty good development for her, and Anthony Ainley (my favorite Master) getting one last appearance as The Master was great. But the Cheetah people weren't very threatening and the whole concept of them and their planet didn't feel that well thought out or explained. The robo cat was unintentionally hilarious, it being worse then Salem from the old Sabrina the teenage Witch show was entertaining. The Doctor's final confrontation with the actor was good, and the end speech was iconic. The show couldn't definitely have gone out on a better story, but it wasn't bad and its not like the people making it knew that it would be the last story until after it was shot so it did as well as it could as a last story.

I also had a first time watch of The Underwater Menace, via the animation on the official youtube channel, and it was bad. The animation was fine for what it was, but the story was dire. The main villain had the laziest plan/motivation ever: He wanted to destroy the Earth, with himself on it, just to prove he could. Even for the time the story was made its a very lazy, poorly thought out villain plan/motivation. The setting of Atlantis was pretty useless and underused, it could have been any kind of secret civilzation and the underwater thing could have been easily changed and not effect the story much. Troughton was fine in the story, but that wasn't enough to bring the story above the level of very poor.

The final story that I've watched recently was a rewatch of The Claws of Axos. I didn't remember much of this one going in but it was fine. Axos doesn't have much to them as a villain, but the gold alien version and the weird meat bag version of Axos were entertaining enough. There was some pretty nice location work, although the first episode spends way too much time on the nameless homeless guy wandering around before he gets captured and killed. Pertwee and Delgado are excellent as always, and Jo and the Unit team were also decently useful and entertaining. Some of the story's guest stars were annoying, especially the government employee named Chinn, but I've seen worse. Not the most memorable story but solid enough.
 
Fenric not great? HERESY! (just kidding)

As far as Survival's end speech - yeah, JNT brought McCoy in for a quick recording session to do the speech to have something at the end of the episode after they found out it was going to be the last one.
 
As far as Survival's end speech - yeah, JNT brought McCoy in for a quick recording session to do the speech to have something at the end of the episode after they found out it was going to be the last one.

And yet that afterthought is one of the most memorable moments in the series. Reminds me of the recent conversation in another thread about how the "root beer" conversation in Star Trek: Deep Space Nine, another iconic moment, was added to pad out an episode that ran short.
 
I watched the first episode of Terror of The Zygons this morning, and it's off to an intriguing start. It's always fun with shapeshifter stories to try to see if you can figure out who's one of them.
 
I watched the first episode of Terror of The Zygons this morning, and it's off to an intriguing start. It's always fun with shapeshifter stories to try to see if you can figure out who's one of them.
Usually when someone gets replaced by a shapeshifter, they lose all acting ability lol.
 
Got through the rest of my Season 26 Blu Ray, and a couple of other stories (I've been on a Classic Who kick recently).

The Curse of Fenric isn't terrible, but its not great. It has some interesting ideas, and I think I like it more on rewatch then I did originally, but its let down by being a bit too slow and Fenric not being as interesting a villain as he should be. Also, while I understand why the baby is important Ace gets way too invested in it too quickly. Of course she'd care about its safety as bad things kept happening, but she was outright obsessed with the baby at first sight, it was weird and only remotely justified by the later revelation of who the baby was. The vampires were decent but they pretty much just walked forward and knocked people down, which isn't that interesting. Overall having a story that pays off a lot of little hints set up all the way in the last season was cool to see, but the actual story wasn't very strong.

Survival is a story that I think is decent, which is how I felt the first time I watched it. The stuff at Ace's hometown was pretty good development for her, and Anthony Ainley (my favorite Master) getting one last appearance as The Master was great. But the Cheetah people weren't very threatening and the whole concept of them and their planet didn't feel that well thought out or explained. The robo cat was unintentionally hilarious, it being worse then Salem from the old Sabrina the teenage Witch show was entertaining. The Doctor's final confrontation with the actor was good, and the end speech was iconic. The show couldn't definitely have gone out on a better story, but it wasn't bad and its not like the people making it knew that it would be the last story until after it was shot so it did as well as it could as a last story.

I also had a first time watch of The Underwater Menace, via the animation on the official youtube channel, and it was bad. The animation was fine for what it was, but the story was dire. The main villain had the laziest plan/motivation ever: He wanted to destroy the Earth, with himself on it, just to prove he could. Even for the time the story was made its a very lazy, poorly thought out villain plan/motivation. The setting of Atlantis was pretty useless and underused, it could have been any kind of secret civilzation and the underwater thing could have been easily changed and not effect the story much. Troughton was fine in the story, but that wasn't enough to bring the story above the level of very poor.

The final story that I've watched recently was a rewatch of The Claws of Axos. I didn't remember much of this one going in but it was fine. Axos doesn't have much to them as a villain, but the gold alien version and the weird meat bag version of Axos were entertaining enough. There was some pretty nice location work, although the first episode spends way too much time on the nameless homeless guy wandering around before he gets captured and killed. Pertwee and Delgado are excellent as always, and Jo and the Unit team were also decently useful and entertaining. Some of the story's guest stars were annoying, especially the government employee named Chinn, but I've seen worse. Not the most memorable story but solid enough.
He wanted revenge on the world for he car crash death of his wife and children,, in not a really convincing speech.
 
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