This only accentuates what a crappy deal the writers took. You know the studios are offering the actors the same thing, and the actors want no part of it.
In a phone interview, Doug Allen, the guild's national executive director, said the companies offered a new-media package different from that won by the writers, and his union had proposed changes that would have made the deal more viable for actors. "We'd like to go back tomorrow," Mr. Allen said of the failed talks. "We think it was a mistake to suspend negotiations."
AICN's "Strike: Round 2" headline is premature and sensationalistic.
Oh, I think they're very well aware, or the whole business would have been settled, quietly and without fuss, a long time ago. The primary value of a strike (or the threat of one) in this day and age is media coverage; the risk involved is that it can cut both ways.Have these Hollywood people no understanding of the consequences of their actions?
I'm not sure the studios would risk another strike. If things go down to the wire, they'll have to cave in. The studios could survive without the writers for a while - they write in advance, have old scripts laying around to use if needed, or could hire scab writers to fill-in and keep shows running. You can't replace actors! There'd be a much more immediate change going on... movies currently filming would suddenly shut down because the actors are on the picket lines. Studios would NOT like that.
I still think the writers should have held out and threatened to strike with the actors, both guilds would have had the AMPTP by the balls then.
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