According to Trek lore, Gene Roddenberry was offered the rights to Star Trek around 1969-70 for a "song", $100-150,000 (U.S.) dollars.
At the time, he couldn't afford that, so Paramount retained the rights.
Also in this period, syndicator Kaiser Broadcasting began airing the reruns of TOS. Kaiser bought the "syndication" rights during TOS's first season.
Now suppose, just suppose .... you had the money and wherewithal to purchase the rights back then?
What would you have done with the property? (A caveat: knowing what you now know fifty years hence)
This is my "time travel" tale ... .
As the "Warren Buffett" who ponied up the money, my first order of business: see Gene Roddenberry.
He created it, ran it (under his Norway Corp.), so I'd see if I could work with him to continue the series in first-run syndication (unheard of then) with Kaiser. Strip the 79 Monday through Friday and offer fresh, new eps to Kaiser affiliates on the weekends.
If I couldn't work with Gene (due to his personality; remember the caveat), then I'd try to re-hire Bob Justman, John Meredyth Lucas, Jerry Finnerman and Gene Coon to shepherd the series going forward.
Next, the syndication deal: no network interference! Continuing the series with 26 new installments spread over two "seasons". This would allow the actors (notorious for typecast worries) to field other offers during the gap between the two 13 episode "seasons".
Yank the production off Paramount's lot! Too many bean counters/nosy neighbors! As "Buffet", I'd probably purchase the old RKO/Forty Acres lot from Cinema General and refurbish and move everything there.
My "Buffett" would be a "creative consultant"; I'd would advise the staff to use the 26 to wrap up the first five-year mission. Then, with Kaiser (or "Buffett" would buy them too) the second 26 installments would involve the second five -year mission (refurbishing the sets. costumes, etc.)
The visuals: I would have tracked down young Doug Trumball after "2001" and said: Name your price to get these visual effects improved (for the '70's audience).
The actors: well, "Buffett" could get them all nice, hefty raises. Shatner, Nimoy and Kelley would all have parity and "favored nations" contracts. Directing and story input opportunities as well. Doohan, Nichols, Takei, and Koenig would be "comfortable". Gotta keep everyone happy!
Would it have become what it became in this version of events? Maybe, maybe not.
What's your tale?
At the time, he couldn't afford that, so Paramount retained the rights.
Also in this period, syndicator Kaiser Broadcasting began airing the reruns of TOS. Kaiser bought the "syndication" rights during TOS's first season.
Now suppose, just suppose .... you had the money and wherewithal to purchase the rights back then?
What would you have done with the property? (A caveat: knowing what you now know fifty years hence)
This is my "time travel" tale ... .
As the "Warren Buffett" who ponied up the money, my first order of business: see Gene Roddenberry.
He created it, ran it (under his Norway Corp.), so I'd see if I could work with him to continue the series in first-run syndication (unheard of then) with Kaiser. Strip the 79 Monday through Friday and offer fresh, new eps to Kaiser affiliates on the weekends.
If I couldn't work with Gene (due to his personality; remember the caveat), then I'd try to re-hire Bob Justman, John Meredyth Lucas, Jerry Finnerman and Gene Coon to shepherd the series going forward.
Next, the syndication deal: no network interference! Continuing the series with 26 new installments spread over two "seasons". This would allow the actors (notorious for typecast worries) to field other offers during the gap between the two 13 episode "seasons".
Yank the production off Paramount's lot! Too many bean counters/nosy neighbors! As "Buffet", I'd probably purchase the old RKO/Forty Acres lot from Cinema General and refurbish and move everything there.
My "Buffett" would be a "creative consultant"; I'd would advise the staff to use the 26 to wrap up the first five-year mission. Then, with Kaiser (or "Buffett" would buy them too) the second 26 installments would involve the second five -year mission (refurbishing the sets. costumes, etc.)
The visuals: I would have tracked down young Doug Trumball after "2001" and said: Name your price to get these visual effects improved (for the '70's audience).
The actors: well, "Buffett" could get them all nice, hefty raises. Shatner, Nimoy and Kelley would all have parity and "favored nations" contracts. Directing and story input opportunities as well. Doohan, Nichols, Takei, and Koenig would be "comfortable". Gotta keep everyone happy!
Would it have become what it became in this version of events? Maybe, maybe not.
What's your tale?