John Constantine... that godawful Keanu Reeves movie?
It's not going to be that version of Constantine.
It's going to be a proper rendition.
John Constantine... that godawful Keanu Reeves movie?
I know that, but I'm just saying what the main cinema-going audiences will be saying to themselvesJohn Constantine... that godawful Keanu Reeves movie?
It's not going to be that version of Constantine.
It's going to be a proper rendition.
Yeah, I spaced there when I forgot to mention Arrow. It's actually one of my favorite shows on TV right now. I've watched it regularly since it started last season.You should be watching the very well done Arrow series JD. But very true that DC has trouble with anything outside Superman and Batman.
I know that, but I'm just saying what the main cinema-going audiences will be saying to themselves
I think they started with a great script.What WB lacks is the one megahit to initialize the whole franchise (apart from nearly separate movies like Nolan's Batman) like Iron Man did.. i don't know why Iron Man worked so well but i guess it was the cool CGI, the cool one liners and the perfect casting.
I don't agree there, at least regarding Batman Begins, which is a terrific story, apart from the Dawes character.Batman Begins, TDKR, and Man of Steel are all crap scripts, terminally short on character development, wit, or plot coherence. And frankly, TDK is a merely good script elevated by great performances from Ledger and Eckhart and terrific direction.
What story? Some asshole decides to destroy one particular city because he thinks its people are corrupt by lacing their water supply with a substance that, when the water is boiled with a magic thingamajig, will make said people insane. Meanwhile, another asshole learns about the plan and decides to stop it, as soon as he finishes punching another asshole psychiatrist in the face. We finish with the promise of a different asshole lurking around in the shadows.I don't agree there, at least regarding Batman Begins, which is a terrific story, apart from the Dawes character.
Actually, the dramatic motif of a superhero having to do the damage he incurred over his whole life up to the point of his spiritual rebirth was damn fresh by action-movie standards, and still is. Also, one ad-libs dialogue, but not character motivations or story structure. Downey's contributions no doubt improved an already very solid screenplay.I also don't think Iron Man's strengths are located in its scripting. By the admission of everyone involved, large stretches of that movie are heavily ad-libbed by Downey. There's nothing particularly unique about the plot or story.
Well, that's quite simple; you're mistaken. For one thing, the weakest MCU installment is Cap 1, because the core characters never really change, and the story meanders across several repetitive scenes of the villain generically speechifying in order to fill out a standard film running time. IM2 is a fantastic film that 75% of BBSers rated either "Above Average" or "Excellent".And I find it bizarre that you cite Iron Man 2 as an example of good scripting, because most people (myself include) think that movie is easily the MCU's weakest installment, fumbles trying to do too many things, and ends up doing none of them very well.
Main cinema-going audiences didn't see that movie
We use essential cookies to make this site work, and optional cookies to enhance your experience.