That's because the wall between the hangar deck and the hold was closed in TFF.
Yes, that is why I wrote smaller...I'm talking width not just the design it looked like it was only two shuttlecrafts wide, the one in TMP looked the size of a factory.
The model may have been shot on film but the compositing against the starfield was done at NTSC resolution, and Generations was facing such a huge effects budget crunch (primarily due to the crash sequence, which as I recall took several weeks to film) that all they could pay ILM to do was a quick and dirty upscaling job.
Edit: For that one cruising shot of the D.
Well, the producers though it was a quick and dirty way to save money. As I recall (and I could dig up quotes if needed) it turned out so much work needed to be done to the TNG flyby (apparently the film was in bad shape) that going with a new shot would have maybe been a few hundred dollars more and taken less time overall.
I wonder why they didn't re-use more stock movie shots (from 1-4) in TFF. They re-used a lot of shots from TMP in TWOK -- to little complaint. And they had a lot of shots of the BOP from 3 and 4.
This would have given them fewer new shots to manage and with more time and attention they might have been less awful.
I find the notion that using a spotlight to fill in for the shuttlecraft was "clever" or acceptable both laughable and absurd. It screamed cheap, lazy and behind the eight ball from day one. Sure they cut corners in 2-4, but the corner cutting didn't show up on screen as ridiculous jury-rigging.
The biggest issue with TFF was that Ferren's group seemingly had no idea how to deal with motion control and properly film the models. They were lit, matted and shot HORRIBLY. The model shots from TOS actually look more realistic and kinetic than the moving shots of the Enterprise in Star Trek V. There are scenes in the film where it literally looks like they took a photograph of the model and moved it across the screen (warping away from Nimbus, and everything of them headed toward and into the barrier). Some of the static stuff looked great (Enterprise with the Moon, Enterprise over Sha-Ka-Ree).
I liked the hand phaser effects, I liked the shuttle crash. I even really liked the Great Barrier (love how you can see it out the windows getting progressively bigger during that observation lounge scene). I always thought the storm wave in "Catwalk" from ENT looked a lot like the Barrier.
Yeah the barrier getting bigger through the windows was a nice effect. I forgot about that one. It was subtly done but very effective.
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