"The Measure Of A Man"
I'd give you an original answer, but "The Inner Light" just knocks it out of the park for me every time I see it. It's the cliche answer, but it's a cliche for a reason. Probably my favorite Trek episode of any series, not just TNG.
"Masks" is great. S7 gets a bad rap, but I think the majority of it still stands up today, "Masks" included. It's a great Spiner vehicle, too.
I'm with you!
Always good to see another Masks lover, we're few and far between and have to stick together.
"Masks" is great. S7 gets a bad rap, but I think the majority of it still stands up today, "Masks" included. It's a great Spiner vehicle, too.
The Offspring
Data being my favorite, this truly was the ultimate evolution of his character, emotionless though he may have, to some degree, been
Add to that a story which touches the very essence of life, death, loss, fear, liberty, growth, & nurturing, plus a jewel of a metaphor about exceeding one's own grasp, & some wonderfully entertaining drama, & comedy that involved everyone in Data's extended family, & you have what might have been one of TNG's very best stories. I don't think I ever enjoyed Whoopi Goldberg more, as Guinan, than in this episode
After countless viewings, it never fails to make me laugh, piss me off, & choke me up, all in under 45 minutes. Bravo!
Data being my favorite, this truly was the ultimate evolution of his character, emotionless though he may have, to some degree, been
Add to that a story which touches the very essence of life, death, loss, fear, liberty, growth, & nurturing, plus a jewel of a metaphor about exceeding one's own grasp, & some wonderfully entertaining drama, & comedy that involved everyone in Data's extended family, & you have what might have been one of TNG's very best stories. I don't think I ever enjoyed Whoopi Goldberg more, as Guinan, than in this episode
After countless viewings, it never fails to make me laugh, piss me off, & choke me up, all in under 45 minutes. Bravo!
my fav episode has to be remember me. i thought i was good
"The Wounded"
Only one? That's stupid. Oh well.
The Defector...I love the ending with the Klingon Birds-of-Prey decloaking around the Enterprise.
The Defector...I love the ending with the Klingon Birds-of-Prey decloaking around the Enterprise.
Oh yeah, I keep forgetting that one. Another good one.
Man, this is nearly impossible to answer.
Ok, if I was forced at gunpoint to reveal my one best episode, it would have to be BoBW (I'm counting both parts as one episode).
Memorable for far too many reasons, and back when the Borg were credible villains.
Maniarek.
Ok, if I was forced at gunpoint to reveal my one best episode, it would have to be BoBW (I'm counting both parts as one episode).
Memorable for far too many reasons, and back when the Borg were credible villains.
Maniarek.
Hmmmmm, tough one; maybe "I Borg"?
Lots of great ones mentioned here. My vote is Tapestry. Good sci fi concept (time travel), good story (an older man trying to undo the "mistakes" of his youth), well-realized aliens, some action scenes, unbelievable acting by Sir Patrick, perfect work by John deLancie in playing off the lead, and a great message: you have to take your flaws with your good qualities.
Writing that, I realize that it's really a more subtle re-telling of The Enemy Within. Maybe that's why I like it so much.
Hmm, I've put a lot of thought into a tv show. Maybe I should "get a life."
Writing that, I realize that it's really a more subtle re-telling of The Enemy Within. Maybe that's why I like it so much.
Hmm, I've put a lot of thought into a tv show. Maybe I should "get a life."
Code of Honor.
What?
I really liked Booby Trap, the score is great to.
What?
I really liked Booby Trap, the score is great to.
The Best of Both Worlds-
This has withstood the test of time becoming a part of television history. It is an absolute stunning classic even two decades years later. It is the best two hours in television history in my opinion.
I loved it when I was 13 and I love it as much now always making sure I would catch it whenever it was on in reruns over the years and I always knew when I happened upon it because of the instantly recognizable teaser with the establishing shot of the Enterprise entering orbit of Jouret IV overlaid with Picard’s log followed by the away team beaming down to New Providence colony to learn the fate of its inhabitants only to discover in a shocking visual- the colony was gone all that was left was a massive crater. What an ominous note to launch the episode on.
This was one of those fortunate instances where writer Michael Piller was able to come up with a storyline that resonated on every level with the viewer. I think a large part of its appeal of course is depicting a near Armageddon by taking it as far as he could allowing the audience to believe the worst case scenario could happen. He conceived in my opinion the ideal portrayal of a doomsday-level event and thankfully its presentation came across perfectly incorporating all the necessary and desired elements one would hope to see in such a dire situation. That of course includes a worthy enemy capable of upping the stakes to epic proportions.
And that leads to the second reason for its popularity owing in no small part to the presence of the Borg, who fans had been hoping to see ever since “Q Who?” ominously hinted at an inevitable confrontation.
The Borg are just one of those instances of writers catching lightning in a bottle by creating an alien race that catches on like wildfire with the fans and that captures their imagination. I mean how many races have that kind of impact after only one brief appearance. Sure they might not be the first cybernetic race in science fiction but Hurley must be applauded for doing something original with them making them such a fascinating group with quite intriguing characteristics and unique behavior. They weren’t quite like anything I personally had seen before. Their appeal for me and I suspect a great many others is the idea of a race of beings that communicate on every level that they are alien. Their society is so fundamentally different in every way..
Also making BoBW just that more effective, Piller knew full well that the audience would be clamoring for the Borg right away but he wisely didn’t cave into that pressure choosing instead to wisely postpone the confrontation with the Borg for just a while longer to allow our anticipation of the encounter to build as we patiently waited through the crew’s careful and sensible investigation into the destruction of New Providence colony then subsequently their preparations for engagement once confirmation of the Borg as the mysterious attackers was determined. This allowed for the inclusion of some nice scenes showing the characters possibly for the last time before all hell breaks loose--the crew playing poker and Riker contemplating his future. Seeing Riker ponder why he can’t seem to move on and take a command given how driven he was was
particularly strong. I’ve certainly been there myself.
Atmosphere is always crucial in selling the idea that our crew is in a bleak situation and this episode fortunately has it in spades. The fatalism oozes out of every scene. Scenes like Riker informing Picard all ships are on yellow alert or the one where the admiral is briefing the senior staff on a possible contact exemplifies this perfectly. Everyone knows the Borg are out there somewhere in Federation space they are just waiting to hear about it. I love the presentation--“At nineteen hundred hours yesterday, the USS Lalo departed Zeta Alpha Two on a freight run to Sentinel Minor Four. At twenty-two hundred hours and twelve minutes, a distress signal was received at Starbase one five seven. The Lalo reported contact with an alien vessel…described as cube-shaped. The distress signal ended abruptly. She has not been heard from since.” That clearly sent chills up the staff’s spine much as it did mine.
The delayed gratification was well worth it when the moment finally arrives signaled by that unforgettable operatic music piece with the haunting voices that accompanies the dreaded moment of visual contact between the Borg and the Enterprise with the sight of the Borg vessel barely visible soon filling the screen revealing the chilling sight of the cube in all its intimidating glory. Wow, what a powerfully effecting image. At that moment it conveyed to me perfectly the sensation one would experience confronting evil incarnate as the cube itself pierced right through me.
This episode also made me appreciate TNG’s approach to using battlescenes sparingly. For it is in moments like these where we see the Enterprise throwing everything it has in its arsenal (from phasers to a whole spread of photon torpedoes to high energy bursts from the deflector dish to Borg beams slicing into the engineering section to Geordi having to evacuate and seal it off) at the Borg cube that makes it all the more special. I know it isn’t as impressive as what can be done these days with FX but for me at that time I got a real kick out of it and even all these years later I think it still is pretty cool.
Loved the Guinan/Picard interactions. The references I thought were quite appropriate given the circumstances putting this bleak situation in effective historical perspective. I also love how Guinan always shows up in earth-shattering moments dispensing some interesting words of wisdom. Here her pep talk to Picard is interesting and perfectly Guinan in that it is both reassuring and optimistic in one way in that she gives some hope that whatever happens humanity will survive in some form but troubling in that she can't promise him he’ll prevail and that any rebuilding of the human race would be difficult. I’m sure at that moment Picard would have loved nothing more than to hear from such a wise soul that everything will be alright but in typical Guinan fashion she is pragmatic knowing from personal experience the worst might be before them.
Then Picard is kidnapped and Worf delivers further bad news—the Borg are now on a direct course to Sector 0-0-1—Earth. Then it comes-- the scene as the Borg escort Picard to the central chamber of the cube revealing in a great matte shot the endless rows upon rows upon rows of Borg. The Federation was facing for all intents and purposes a force of nature devoid of any malice or pride directed at their victims, with seemingly no apparent weaknesses, no burden from morality, possessing superior technology, and having a psychology that couldn’t grasp the idea of diplomacy.
What follows is a chilling dialogue that perfectly captures the essence of the Borg by demonstrating just how incompatible the Borg are.
“Strength is irrelevant. Resistance is futile. We wish to improve ourselves. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service ours.” But more than that the exchange reveals a society where a fundamental part of humanity-death- doesn’t exist and therefore is incomprehensible. That is why Piller’s decision to add the disturbing element of assimilation to the Borg mythology is so brilliant and terrifying. The idea that the Borg would even deny death as a release from the horrors of assimilation is just a downright disturbing prospect to consider and Stewart's reaction says it all.
Then when you think things couldn't get any worse--Picard is assimiliated--their leader has become the enemy.
I truly believed the man I knew was gone forever. And finally the cliffhanger ending was perfect--no show has ever managed to beat this--not even the master of cliffhanger twists--LOST--has bested it. I wasn’t happy having to wait until the fall. It was a long summer. I was pretty young then and the ending held so many possibilities. I had no awareness of Usenet and didn't participate in any speculation or generating scenarios. I just anxiously awaited the premiere.
One can debate whether the Borg over the years became a pale shadow of themselves but here they were at their zenith. They were an unstoppable lethal juggernaut who acted with impunity.
And I’ll always have fond memories of this episode because it made me take note of the writer and this is where my respect for Michael Piller started.
These two hours are perfect balancing character drama, character moments, engaging both the intellect and the emotion, running the whole gamut of emotional reactions from dread to fear to sadness to exhilaration of trimuph-- just so wonderfully written with all the details you'd want, a fair amount of battles, tension, suspense as well as intelligent and reflective dialogue. This is perfection.
Even more impressive was the fact Michael Piller wrote Part II months later with very little idea how he was going to wrap up Part I yet you couldn’t tell that from watching this masterpiece. I thought it was every bit as solid as Part I and was permeating with the same off-the-scale tension. The show amazingly managed to maintain the momentum built up three months earlier without skipping a beat picking up right where it left off.
I thought it demonstrated how great a writer he was with the way he was keen enough to seize on details he probably didn't even include in Part I with the express intent of exploiting in the second half. He just took what was there and creatively pulled it all together. It shows that "seat-of-your-pants" writing can work in the right gifted hands.
Some writers plan ahead and intentionally go out of their way to put in place plot points that they know they’ll use to get out of a seemingly impossible situation in Part I therefore allowing for an exit from the corner they backed themselves into storywise. That tends to make things feel contrived rather than feeling like a naturl evolution. I never got that feeling here. This seemed more of an instance of a good writer being creative. I just loved the brilliant simplicity of how Michael resolved this.
This has withstood the test of time becoming a part of television history. It is an absolute stunning classic even two decades years later. It is the best two hours in television history in my opinion.
I loved it when I was 13 and I love it as much now always making sure I would catch it whenever it was on in reruns over the years and I always knew when I happened upon it because of the instantly recognizable teaser with the establishing shot of the Enterprise entering orbit of Jouret IV overlaid with Picard’s log followed by the away team beaming down to New Providence colony to learn the fate of its inhabitants only to discover in a shocking visual- the colony was gone all that was left was a massive crater. What an ominous note to launch the episode on.
This was one of those fortunate instances where writer Michael Piller was able to come up with a storyline that resonated on every level with the viewer. I think a large part of its appeal of course is depicting a near Armageddon by taking it as far as he could allowing the audience to believe the worst case scenario could happen. He conceived in my opinion the ideal portrayal of a doomsday-level event and thankfully its presentation came across perfectly incorporating all the necessary and desired elements one would hope to see in such a dire situation. That of course includes a worthy enemy capable of upping the stakes to epic proportions.
And that leads to the second reason for its popularity owing in no small part to the presence of the Borg, who fans had been hoping to see ever since “Q Who?” ominously hinted at an inevitable confrontation.
The Borg are just one of those instances of writers catching lightning in a bottle by creating an alien race that catches on like wildfire with the fans and that captures their imagination. I mean how many races have that kind of impact after only one brief appearance. Sure they might not be the first cybernetic race in science fiction but Hurley must be applauded for doing something original with them making them such a fascinating group with quite intriguing characteristics and unique behavior. They weren’t quite like anything I personally had seen before. Their appeal for me and I suspect a great many others is the idea of a race of beings that communicate on every level that they are alien. Their society is so fundamentally different in every way..
Also making BoBW just that more effective, Piller knew full well that the audience would be clamoring for the Borg right away but he wisely didn’t cave into that pressure choosing instead to wisely postpone the confrontation with the Borg for just a while longer to allow our anticipation of the encounter to build as we patiently waited through the crew’s careful and sensible investigation into the destruction of New Providence colony then subsequently their preparations for engagement once confirmation of the Borg as the mysterious attackers was determined. This allowed for the inclusion of some nice scenes showing the characters possibly for the last time before all hell breaks loose--the crew playing poker and Riker contemplating his future. Seeing Riker ponder why he can’t seem to move on and take a command given how driven he was was
particularly strong. I’ve certainly been there myself.
Atmosphere is always crucial in selling the idea that our crew is in a bleak situation and this episode fortunately has it in spades. The fatalism oozes out of every scene. Scenes like Riker informing Picard all ships are on yellow alert or the one where the admiral is briefing the senior staff on a possible contact exemplifies this perfectly. Everyone knows the Borg are out there somewhere in Federation space they are just waiting to hear about it. I love the presentation--“At nineteen hundred hours yesterday, the USS Lalo departed Zeta Alpha Two on a freight run to Sentinel Minor Four. At twenty-two hundred hours and twelve minutes, a distress signal was received at Starbase one five seven. The Lalo reported contact with an alien vessel…described as cube-shaped. The distress signal ended abruptly. She has not been heard from since.” That clearly sent chills up the staff’s spine much as it did mine.
The delayed gratification was well worth it when the moment finally arrives signaled by that unforgettable operatic music piece with the haunting voices that accompanies the dreaded moment of visual contact between the Borg and the Enterprise with the sight of the Borg vessel barely visible soon filling the screen revealing the chilling sight of the cube in all its intimidating glory. Wow, what a powerfully effecting image. At that moment it conveyed to me perfectly the sensation one would experience confronting evil incarnate as the cube itself pierced right through me.
This episode also made me appreciate TNG’s approach to using battlescenes sparingly. For it is in moments like these where we see the Enterprise throwing everything it has in its arsenal (from phasers to a whole spread of photon torpedoes to high energy bursts from the deflector dish to Borg beams slicing into the engineering section to Geordi having to evacuate and seal it off) at the Borg cube that makes it all the more special. I know it isn’t as impressive as what can be done these days with FX but for me at that time I got a real kick out of it and even all these years later I think it still is pretty cool.
Loved the Guinan/Picard interactions. The references I thought were quite appropriate given the circumstances putting this bleak situation in effective historical perspective. I also love how Guinan always shows up in earth-shattering moments dispensing some interesting words of wisdom. Here her pep talk to Picard is interesting and perfectly Guinan in that it is both reassuring and optimistic in one way in that she gives some hope that whatever happens humanity will survive in some form but troubling in that she can't promise him he’ll prevail and that any rebuilding of the human race would be difficult. I’m sure at that moment Picard would have loved nothing more than to hear from such a wise soul that everything will be alright but in typical Guinan fashion she is pragmatic knowing from personal experience the worst might be before them.
Then Picard is kidnapped and Worf delivers further bad news—the Borg are now on a direct course to Sector 0-0-1—Earth. Then it comes-- the scene as the Borg escort Picard to the central chamber of the cube revealing in a great matte shot the endless rows upon rows upon rows of Borg. The Federation was facing for all intents and purposes a force of nature devoid of any malice or pride directed at their victims, with seemingly no apparent weaknesses, no burden from morality, possessing superior technology, and having a psychology that couldn’t grasp the idea of diplomacy.
What follows is a chilling dialogue that perfectly captures the essence of the Borg by demonstrating just how incompatible the Borg are.
“Strength is irrelevant. Resistance is futile. We wish to improve ourselves. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service ours.” But more than that the exchange reveals a society where a fundamental part of humanity-death- doesn’t exist and therefore is incomprehensible. That is why Piller’s decision to add the disturbing element of assimilation to the Borg mythology is so brilliant and terrifying. The idea that the Borg would even deny death as a release from the horrors of assimilation is just a downright disturbing prospect to consider and Stewart's reaction says it all.
Then when you think things couldn't get any worse--Picard is assimiliated--their leader has become the enemy.
I truly believed the man I knew was gone forever. And finally the cliffhanger ending was perfect--no show has ever managed to beat this--not even the master of cliffhanger twists--LOST--has bested it. I wasn’t happy having to wait until the fall. It was a long summer. I was pretty young then and the ending held so many possibilities. I had no awareness of Usenet and didn't participate in any speculation or generating scenarios. I just anxiously awaited the premiere.
One can debate whether the Borg over the years became a pale shadow of themselves but here they were at their zenith. They were an unstoppable lethal juggernaut who acted with impunity.
And I’ll always have fond memories of this episode because it made me take note of the writer and this is where my respect for Michael Piller started.
These two hours are perfect balancing character drama, character moments, engaging both the intellect and the emotion, running the whole gamut of emotional reactions from dread to fear to sadness to exhilaration of trimuph-- just so wonderfully written with all the details you'd want, a fair amount of battles, tension, suspense as well as intelligent and reflective dialogue. This is perfection.
Even more impressive was the fact Michael Piller wrote Part II months later with very little idea how he was going to wrap up Part I yet you couldn’t tell that from watching this masterpiece. I thought it was every bit as solid as Part I and was permeating with the same off-the-scale tension. The show amazingly managed to maintain the momentum built up three months earlier without skipping a beat picking up right where it left off.
I thought it demonstrated how great a writer he was with the way he was keen enough to seize on details he probably didn't even include in Part I with the express intent of exploiting in the second half. He just took what was there and creatively pulled it all together. It shows that "seat-of-your-pants" writing can work in the right gifted hands.
Some writers plan ahead and intentionally go out of their way to put in place plot points that they know they’ll use to get out of a seemingly impossible situation in Part I therefore allowing for an exit from the corner they backed themselves into storywise. That tends to make things feel contrived rather than feeling like a naturl evolution. I never got that feeling here. This seemed more of an instance of a good writer being creative. I just loved the brilliant simplicity of how Michael resolved this.
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