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DS9 in a nutshell

dub

Fleet Captain
Fleet Captain
This isn't a new article, but this quote is (to me) a brilliant description of the series:

Star Trek: Deep Space Nine is, in many ways, a midway point between the sincerity and procedural nature of Star Trek: The Next Generation and the messier, more ambitious Battlestar Galactica. (Ronald D. Moore, a writer and producer on DS9, got his start on ST:TNG and created and served as showrunner on BSG.) As a result, it’s able to pull strengths from both, while having an appeal all of its own. Much of the show’s DNA is true to the more cerebral, philosophical elements of earlier Treks, but there’s also an embrace of ideas and concepts that the franchise had previously shied away from—including spirituality, race, and Starfleet being a quasi-military organization. Thinking of it as the “dark side” of Star Trek is too reductive—not least because it’s a show that flirts with darkness but purposefully doesn’t embrace it—but maybe “the Star Trek that’s not uncomfortable feeling weird” would fit, instead. It’s the Star Trek for people who don’t think they like Star Trek, and the Star Trek for people who do, as well.

Full article here.
 
Good analogy!

The article was right on the nose and makes me want to watch it all over again, though I did that once last year sometime. Need to watch TNG HD first.
 
I've always felt that way, that Battlestar Galactica took the darker elements of DS9, distilled them, and put them in a serial format.
 
I like DS9, but I felt that some of the war elements seemed totally at the behest of the writers, and therefore those eps are not worth re-watching.
 
It’s the Star Trek for people who don’t think they like Star Trek
I'm not sure a lot of those people watched the show, the conjecture being that they avoided it due to, you know, the Star Trek part being right in the title ;)
 
totally at the behest of the writers, and therefore those eps are not worth re-watching.
I'm not sure what you are getting at with this comment. Television is dominated by writers, and showrunners tend to come more from the writing corps than elsewhere. DS9 was no exception, where both showrunners, Michael Piller and Ira Steven Behr, were writers. In fact, ISB co-wrote almost every episode in which major elements of DS9's overall narrative were introduced, especially those concerning the Dominion War.
 
The Dominion War years gave us some of the best, most thought-provoking episodes of the whole series. To me, that whole arc is what sets DS9 miles apart from the bland, sanctimonious TNG and the utterly forgettable VOY and ENT.

Kor
 
TNG sometimes suffers from its idealism. DS9 deals more realistically. You have personality conflicts, you have a war that the characters tried to stop and couldn't. And it wasn't over in a couple of episodes. It was a strong arc. I know I say this a lot, but DS9 made a lot more sense to me post 9/11.
And in my spiritual life, DS9 helped me. When I look at what kind of Christian I'd prefer to be... I want to be like Major Kira.
 
It’s the Star Trek for people who don’t think they like Star Trek
I'm not sure a lot of those people watched the show, the conjecture being that they avoided it due to, you know, the Star Trek part being right in the title ;)

I think what the writer meant was...if you are going to convince your friend to watch a Star Trek series, but your friend doesn't like Star Trek, then this series would probably be enjoyed most by said friend out of the spin-offs.
 
The article quoted in the OP is, IMO spot-on correct.

My nutshell has always been: DSN is the island of misfit toys. Most of the regular characters never really fit-in anywhere else, but on DSN they found their niches and potentials.
 
I'd go so far as to say that DS9 was a deconstruction of TNG. It deliberately took its parent shows unerring idealism, and shone a mirror on it through the prism of showing that not everybody in Star Trek's universe is living the life of riley like the privleged few in the Federation are. DS9's Starfleet characters generally came at problems from the same perspective as their counterparts on TNG, but the situations and morality they encountered was often something which required lateral thinking that officers aboard a starship doing routine missions in routine places probably never have to face. It's a much more, shall we say, relatable viewpoint for members of the audience who aren't quite so caught up in the positivity that other Star Trek shows (but particularly TNG) expoused. The darker themes and the faux-serial nature of the show means it could hold an appeal to a wider audience.

I've seen more than a few what I'd called ''non-Trekkie'' friends who've gotten caught up in DS9 on DVD and loved it, but who could never commit to any of the other shows. :)
 
DS9 is direct a challenge to Roddenberry. Eddington, Maquis challenges him. Luther Sloan, the federations indispensable machiavellian, challenges Roddenberry. The emphasis on hard, troubled, stationary station life as to oppose starship life challenges him. That for me is DS9.
 
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