Women who inflict hickeys just annoy me in general.Nadja's unprofessional behaviour really bugs me. Why Donner actually accepted her offer id beyond me.
Women who inflict hickeys just annoy me in general.Nadja's unprofessional behaviour really bugs me. Why Donner actually accepted her offer id beyond me.
Nadja's unprofessional behaviour really bugs me. Why Donner actually accepted her offer id beyond me.
I get it but that's a cheap writer's trick to fill in the viewers on what's going on.
The actress that played Zoe's mother also played Harmony, Willie's girlfriend on V and V The Final Battle.
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She looks like she's had some awful plastic surgery since then. She would look better with some wrinkles than she does with "plastic face".
I agree.I'm really, really enjoying the way future tech is presented on this show.
I would agree if this were a theatrical feature film. Being that it is television seconds of silence just are not an option while waiting for answers even with the (already droning) music on broadcast television, even for AMC or TNT. Maybe, maybe if on a premium cable channel.My only complaint is the lack of time lag in communications between the ship and Earth. We should see incredible lag at this point.
from this REVIEWDefying Gravity is, if anything, the anti-Star Trek, taking us not only where we have gone before, but where we didn't want to revisit. It crossed the point of no return on that journey with this episode.
the writers refuse to give us an actual plot. Drawing on the example of JJ Abrams' Lost, they pile secret on secret, hoping to tantalize and frustrate us just enough to keep us tuning in. The trouble with that strategy, however, is that you can never reveal the secret. You can't hand out too many hints. So your "stories" wind up devolving into outright soap opera
It's a workable strategy, but they're not doing it right! Lost gave us fascinating characters who we were willing to watch regardless of whether the story made any sense even for years. Defying Gravity's characters are about as dull as any I've seen on TV. If they wanted their characters to carry the story by themselves, they needed to pay a lot more attention to casting and writing. Ron Livingston is the only actor on that show that's remotely worth tuning in for. Some of them (especially the blonde from 24) are downright intolerable.the writers refuse to give us an actual plot. Drawing on the example of JJ Abrams' Lost, they pile secret on secret, hoping to tantalize and frustrate us just enough to keep us tuning in. The trouble with that strategy, however, is that you can never reveal the secret. You can't hand out too many hints. So your "stories" wind up devolving into outright soap opera
The apparent rejection of arc storytelling by American audiences seems to be sounding loud and clear with the low ratings for this show.
I love Defying Gravity, personally. I like the fact each episode peels away just a little piece, and the fact it is 2 shows in one: the first show tells about the 5 years of training involved in getting them on the mission, and the second show is about the mission. And they've combined them. But folks seem to want it to be just space battles and aliens.
The apparent rejection of arc storytelling by American audiences seems to be sounding loud and clear with the low ratings for this show.
I consider Lost to be an anomaly in that regard (and even then, a lot of people don't bother with it anymore because it took too long to get going; it's probably only still on the air because Abrams gave the network a definitive end date).
And GEEZ, Christopher. How many threads are you going to use to complain about the nano hairspray? Yes it was stupid, but you go on and on about like as if it was a crucial plot point.
The apparent rejection of arc storytelling by American audiences seems to be sounding loud and clear with the low ratings for this show.
I love Defying Gravity, personally. I like the fact each episode peels away just a little piece, and the fact it is 2 shows in one: the first show tells about the 5 years of training involved in getting them on the mission, and the second show is about the mission. And they've combined them. But folks seem to want it to be just space battles and aliens.
Frankly, in terms of pace and tone this is the closest standard network TV has gotten to Moore's Battlestar Galactica. And in some cases I'm liking it even more (BSG reached a point where I was surprised the whole cast of characters didn't commit mass suicide every week).
I have my fingers crossed that when the US network cancels it (as it's pretty clear they will) that the fact it's an international production will keep it going in Canada, the UK, and Europe. At least the UK and Europe are more accustomed to telenovels that take years to unfold. In America, and Canada, it's more about instant gratification. I consider Lost to be an anomaly in that regard (and even then, a lot of people don't bother with it anymore because it took too long to get going; it's probably only still on the air because Abrams gave the network a definitive end date).
Alex
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